Mary Horror

Kate Riordan fears two things as she grows up in the small Appalachian town of Swan River: that she’ll be a frustrated townie forever or that she’ll turn into one of the mysterious and terrifying wild girls, killers who start fires and menace the community. Struggling to better her chances of escaping, Kate attends the posh Swan River Academy and finds herself divided between her hometown - and its dark history - and the realm of privilege and achievement at the Academy. Explosive friendships with Mason, a boy from the wrong side of town, and Willow, a wealthy and popular queen bee from school, are slowly pulling her apart.

Drawn to this tough but tender woman, Vicente materializes out of the butler's pantry and asks her to find his lost love, Anna. Dori wonders if she's not only about to lose her badge, but also her sanity. Dori has always been drawn to the mysterious Queen Anne Edwardian house in her hometown. But after a devastating injury that puts her career on the line, Dori isn't sure if she made the right decision purchasing this rundown old mansion.

Frankenstein di Mary Shelley fu pubblicato la prima volta nel 1818, e modificato dall'autrice per una seconda edizione nel 1831...

Sometimes, in Bloomwood County, New Jersey, children go missing. Sometimes those children die. And sometimes, strange and alien shapes of night resurrect the bodies of those children for their own.

Originally published as part of a contest between Mary Shelley, her husband Percy Bysshe Shelley, and Lord Byron, Frankenstein has since captured countless imaginations. When Dr. Victor Frankenstein learns the secret of imparting life to inanimate matter, he is eager to test his theories. The bones he collects to construct his human subject become a gruesome, frightening creature, endowed with supernatural size and strength. Lonely and miserable, the created comes to hate his creator. When the monster murders Frankenstein’s brother and his bride, the doctor embarks on a heated pursuit, only to put his own life in grave danger.

Hannah Whitmire's body may lie on the forest floor a hundred miles from home, but her spirit is upright and determined. She must get to her children before the murderer does. The question is - how? She can’t drive and the living - most of them at least - can’t hear her. Hannah is on her own.

This volume proves that the assertion that women are the gentler sex is frequently an unfounded and unlikely description. From the minds and pens of some of the best female writers of the last century comes a series of macabre, twisted tales that are anything but gentle. But as they weave their magic - usually black - and entrance you with their narratives you just know that “sugar and spice and everything nice” are not likely to be what all girls really are made of - and certainly not these femme fatales....

Women, so often referred to as the gentler sex - in this volume at least, this is an unfounded and unlikely description. From their minds and pens comes a series of macabre, twisted tales that are anything but gentle. But as they weave their magic, usually black, and mesh you into their narrative you just know 'sugar and spice and all things nice' are not likely to be what little girls really are made of and certainly not these femme fatales....

Being a lumberjack isn’t easy - especially when your brother is trying to kill you. For Annalise, Younish Camp - the only home she’s ever known - has turned into a factioned nightmare. Her brother, Paul, had always been a little off, but now things have spiraled. With the oppression of the scrawn and breeders at an all-time high, and the pure lumberjacks now severing limbs in favor of mechanical appendages, camp has become extremely dangerous. Who wants to live with a bunch of men with saws for arms anyway?

I sorg over sin mors død begraver den unge videnskabsmand Victor Frankenstein sig i et vanvittigt eksperiment og stykker et væsen sammen af kropsdele fra lig. Ved hjælp af lyn i natten gnistrer han liv i skabningen, men da han ser den åbne sine døde øjne, flygter han i rædsel, og det forladte væsen er overladt til sig selv, mens det vandrer rundt i verden i en desperat søgen efter venskab og forståelse. Overalt møder det afsky og frygt, og verdens afvisninger og dets egen ensomhed ender med at gøre dets indre lige så ondt og ækelt som dets ydre.

This chilling collection includes: "The Romance of Certain Old Clothes" by Henry James, "The Shadow" by E. Nesbit, "Monsieur Anastasius" by Dinah Maria Mulock, "John Granger" by Mary Elizabeth Braddon and more.

Bloody Mary gibt es wirklich! Das zumindest glauben Luisas Schüler, als eine von ihnen stirbt. Alle Versuche, sie von diesem Irrglauben abzubringen, scheitern. So fasst Luisa einen folgenschweren Entschluss.

Fifteen-year-old Libby has spent her whole life in the shadow of her superstar sister. Then her sister dies, and the light goes out. When Libby's parents drop her off in Sayers Beach, Maine, to stay at her aunt and uncle's inn for the summer, she sees a chance to escape her secrets and reinvent herself. Libby's finally caught the attention of the cute, popular guy, no one sees her as the lonely bookworm, and nobody knows why she blames herself for her sister's death. Nobody except the ghost in the lighthouse. And the ghost has a few secrets of her own.

This ghostly, sometimes ghastly, collection includes "The Buckled Bag" by Mary Roberts Rinehart, "The Tapestried Room" or "The Lady in the Saque" by Sir Walter Scott, "The New Catacomb" by Sir Arthur Conan Doyle, and "The Lost Ghost" by Mary Wilkins Freeman.

Una colección imprescindibles para los amantes de lo espectral, del misterio gótico, de la cortina que se desplaza sin que haya viento y el susurro de pasos en mitad del pasillo en plena noche. Cuentos escalofriantes de una de las damas del terror victoriano más destacadas, Mary Elizabeth Braddon. Incluye los cuentos: "El rostro en el espejo", "Ella", "La sombra en la esquina", "La buena lady Ducayne", "Su última aparición" y "El visitante de Eveline".

Guido has lost it all. At rock bottom and wandering the shore, Guido spies a misshapen creature floating toward him in the water, riding on a huge chest. The creature offers Guido a path of revenge – switching bodies for three days in exchange for the untold riches in the chest. Guido unfortunately fails to see a potential downside. Through skillful handling of the gothic motif of the doppelgänger, Shelley’s tale explores concepts that would eventually culminate into her masterpiece – Frankenstein.

Mary Shelley, recien salida de la adolescencia fue la companera del celebre poeta ingles Percy Shelley, con quien se fugo a Suiza, a pesar de estar el casado. Cuando su esposa se suicido, los dos amantes contrajeron matrimonio. En una reunion, a la que asistio Byron, este ultimo propuso que cada uno escribiera una historia de horror y la joven sorprendio a todos cuando llego con la historia de "Frankenstein, o el moderno Prometeo", un clasico de la literatura de horror.

The Storeroom Guys is a darkly comic listen for a foggy winter's night. It is a great piece of literature to get a conversation started about strange work colleagues, haunted spaces, post-traumatic stress, and surviving tough times. It has inspired graphic artists, theatre producers, and screen writers. For horror fans, there are lots of clever references to classics of the genre, but there is nothing jaded about the plot, and the twist is as satisfying as it is unexpected. The Guys has contemporary characters - but evil is timeless.

In the town of Lakehaven, New Jersey, an evil has returned from between dimensions. It is looking for vengeance. It is looking to destroy, body and soul. Dave Kohlar and his friend Erik fought an evil like it once before, and they were nearly killed trying to defeat it. They had hoped that it was over, and their lives could be peaceful and happy. But this kind is different; it is hungrier, it is angry, and it is very, very strong. With loved ones falling prey to its all-encompassing hate, Dave and Erik and some new friends look to close the door on it for good.

The ferry-boat was waiting when Rebecca Flint got off the train with her bag and lunch basket. When she and her small trunk were safely embarked she sat stiff and straight and calm in the ferry-boat as it shot swiftly and smoothly across stream. There was a horse attached to a light country wagon on board, and he pawed the deck uneasily. His owner stood near, with a wary eye upon him, although he was chewing, with as dully reflective an expression as a cow.