Mary Horror

Frankenstein is the most famous novel by Mary Shelley: a dark Faustian parable of science misused that was an immediate success on its publication in 1818. Purporting to be the record of an explorer, it tells of Victor Frankenstein, a brilliant but wayward student of science, who builds a human from dead flesh. Horrified by what he has done, he abandons his creation. The creature, an outcast for his horrific appearance, learns language and becomes civilized. In time, he attempts to join society but is rejected because he is assumed to have murderous intentions.

Three Gothic Novels is a compelling collection that brings together three quintessential works of Gothic literature: Mary Shelley's Frankenstein, Joseph Sheridan Le Fanu's Carmilla, and Bram Stoker's Dracula. Each novel delves into the macabre and the supernatural, exploring themes of fear, horror, and the unknown, while also probing deeper questions about humanity, morality, and the boundaries of science and nature. In Frankenstein, Mary Shelley tells the haunting tale of Victor Frankenstein, a young scientist who defies natural laws to create life, only to be horrified by the monstrous being he brings into existence.

In the 1990s, middle school was a treacherous time for young Susan, where her lifelong friendship with Maddie is put to the test. Determined to win back her friend from the clutches of the school bully, she is willing to do anything. When she stumbles upon a chilling discovery in the woods—the enigmatic "Book of Fear," she is torn by the sinister promise of one wish granted if she is willing to face one night of all her fears.

As the result of Victor Frankenstein's creation of a monster out of the remains of human corpses, a series of horrifying events occur. But who is responsible: the creature or his creator?

Settle in for an unsettling listen with this duo of two horror classics: Dracula by Bram Stoker and Frankenstein by Mary Shelley. These two books are staples of the Gothic horror genre and are sure to excite, mystify, and maybe even spook listeners.

Some years into the twenty-first century, a newly devised weapon of mass destruction will do far worse than kill; it will disrupt time and space. Suddenly, land, buildings, animals, and people are falling through "timeslips" and being transported briefly back to earlier eras. One of these inadvertent time travelers, Joe Bodenland, is shocked when he finds himself parked outside a villa on the shore of Lake Geneva—and soon after, unbelievably, in the presence of nineteenth-century literary luminaries Lord Byron and Percy Shelley, along with Shelley's very enticing fiancee, budding author Mary.

1816. Mary, 18 years old, is staying in a villa on Lake Geneva with her lover Percy Shelley. She is tormented by his infidelities, haunted by the loss of her baby daughter. Then one evening with friends, as storms rage outside and laudanum stirs their imaginations, Lord Byron challenges everyone to write a ghost story, and something fierce and wild awakens in Mary. Memories surface of the long, strange summer she once spent with a family in Scotland, where she found herself falling in love with the enigmatic Isabella Baxter. She learned tales of mythical beasts, witches and spirits.

Writing to her only friend from her deathbed, Mathilda finally reveals the history that led to her isolated life of despairing melancholy. Of her mother dying in childbirth, her father's confession of his incestuous desire and subsequent suicide, and her relationship with a handsome young poet that fails to reverse Matilda's emotional withdrawal or prevent her lonely death. The haunting and relentlessly self-examining voice of Mary Shelley's protagonist is a bare narrative of trauma of a brave woman's failed search for love, atonement, and redemption.

"Totem and Taboo: Resemblances Between the Mental Lives of Savages and Neurotics" is a work by Sigmund Freud, published in German in 1913. It is a collection of four essays first published in the journal "Imago" (1912-13), employing the application of psychoanalysis to the fields of archaeology, anthropology, and the study of religion.

This important new anthology collects 13 tales by forgotten women writers from the seminal Weird Tales magazine, originally published between the 1920s and 1950s. The authors featured are Everil Worrell, Mary Elizabeth Counselman, Greye La Spina, and Eli Colter. This edition also features a new introduction by Melanie Anderson.

Hours after throwing a third birthday party for their twins Kathy and Kelly in their Connecticut home, Margaret and Steve Frawley return home from a dinner in New York to discover the police in the house, their daughters missing, and an eight million dollar ransom note. The Frawleys meet the kidnapper's demands, but the abandoned car they're led to contains only Kelly, the body of the driver, and a suicide note, saying he had inadvertently killed Kathy and dumped her body in the ocean.

Victor Frankenstein learns how to create life and creates a being in the likeness of man, but larger and more powerful than the average man. Frankenstein rejects the creature, and lives to regret his desire to create life, after it kills his brother William. Frankenstein is a warning against the "over-reaching" of modern man and the Industrial Revolution, alluded to in the novel's subtitle, The Modern Prometheus.

"¡Despiadado creador! Me has dado sentimientos y pasiones, pero me has abandonado al desprecio y al asco de la humanidad." La historia del joven científico Victor Frankenstein y su "demoníaca criatura" propicia un extraordinario relato de terror y aborda temas fundamentales de la naturaleza humana vigentes en la sociedad actual. El monstruo, compuesto por trozos de cadáveres cosidos, ante el profundo rechazo que recibe tanto de su creador como de la sociedad, se siente desdichado, se rebela y mantiene al lector cautivo al suspenso por los hechos tétricos que provienen.

Mary Shelley wished with her classic Gothic novel Frankenstein to "make the reader dread to look round, to curdle the blood, and quicken the beatings of the heart". Mary Shelley succeeded. Victor Frankenstein finally fulfills his dream of creating his own living creature, stitched together from the macabre remains of corpses. To his horror he finds he has created something even more ghastly than in his worst imaginings. Frankenstein has created a monster with a soul!

Mary Shelley's Frankenstein, the book that changed the world. Published to coincide with the 200th anniversary of the publication of Mary Shelley’s Frankenstein and a movie starring Elle Fanning as Mary Shelley, Monster is a brilliant fictionalized biography akin to The Other Boleyn Girl. Two centuries ago this year, the young woman who invented science fiction was only 20 when she wrote the book that became Frankenstein. Mary Shelley said, “People ask how I, then a young girl, could think of, and dilate upon, so hideous subject?”

Lily Parker is new to St. Sophia's School for Girls, but she's already learned that magic can be your best friend - or your worst enemy. That's why Lily has to learn how to control her newly discovered paranormal abilities while fighting the good fight with her best friend Scout as they take on Chicago's nastiest nightlife - including the tainted magic users known as Reapers....

Protecting Chicago from the dark side of life can be an exhausting job, especially when you're in high school. So when the girls of St. Sophia's start gearing up for Sneak, their fall formal, Lily decides to take a break from fighting to get ready for the event. But when a Reaper unexpectedly crashes the party prep and Lily's firespell fails, she realizes that she has a much bigger problem than a full social calendar....

Frankenstein is the classic story of of a young doctor, Victor Frankenstein, who creates what comes to be known as "the monster." Interestingly, many people refer to "the monster" as "Frankenstein" when in fact Dr. Frankenstein is the creator of the monster.

An excellent collection of creepy ghost stories from some of the most notable names of early horror fiction, including: “The Willows” by Algernon Blackwood, “The Shadows On The Wall” by Mary E. Wilkins Freeman, “The Messenger” by Robert W.Chambers, “Lazarus” by Leonid Andreyev, “The Beast With Five Fingers” by W.F. Harvey, “The Mass Of Shadows” by Anatole France, “What Was It” by Fitz-James O’brien, “The Middle Toe Of The Right Foot” by Ambrose Bierce, “The Shell Of Sense” by Olivia Howard Dunbar, and more!

Still haunted by the horrors she faced on Hell Moon, Janice struggles to build a new life with her makeshift family aboard Fathomscape Space Station, raising the reptilian children they risked their lives to save. But when a moth-like alien queen foolishly unleashes age-old evils, Janice watches in horror as vicious metal beasts—the very monsters that still stalk her dreams—begin consuming their space station from the inside out. With time running out and station-dwellers turning on each other, Janice must gather her courage to battle the stuff of her worst nightmares made real. ...