Magical Realism Fiction

As a little girl, Jane has no one. Her mother, Vivienne Margaux, the powerful head of a major New York theater company has no time for her. She does have one friend - Michael - but no one can see him except her. When Jane is in her 30s, working for her mother's company, she is just as alone as she was as a child. Then she finds Michael again - handsome and just the same as she remembers him, only now he's not imaginary.

Irene Beltrán is a force to be reckoned with. As a magazine journalist, an unusual profession for a woman with her privileged upbringing, she is constantly challenging the oppressive regime. Her investigative partner is photographer Francisco Leal, the son of impoverished Spanish Marxist émigrés. Together, they are an inseparable team and - despite Irene’s engagement to an army captain - form a passionate connection.

The year: 1936. Europe dances while an invidious dictator establishes himself in Portugal. The city: Lisbon-gray, colorless, chimerical. Ricardo Reis, a doctor and poet, has just come home after sixteen years in Brazil.

After her mother dies, Hannah doesn’t know how to exist without her. Literally. In fact, Hannah’s not even certain that she does exist. No one seems to see or hear her, and she finds herself utterly alone. Grief-stricken and confused, her sense of self slowly slipping away, Hannah sets out to find new purpose in life—and answers about who (and what) she really is.

Kafka Tamura runs away from home at 15, under the shadow of his father's dark prophesy. The ageing Nakata, tracker of lost cats, who never recovered from a bizarre childhood affliction, finds his pleasantly simplified life suddenly turned upside down. As their parallel odysseys unravel, cats converse with people, fish tumble from the sky, a ghost-like pimp deploys a Hegel-spouting girl of the night, a forest harbours soldiers apparently un-aged since World War II.

Set in Iran in the decade following the 1979 Islamic Revolution, this moving, richly imagined novel is narrated by the ghost of Bahar, a 13-year-old girl, whose family is compelled to flee their home in Tehran for a new life in a small village, hoping in this way to preserve both their intellectual freedom and their lives. But they soon find themselves caught up in the post-revolutionary chaos that sweeps across their ancient land. Bahar's mother, after a tragic loss, embarks on a long, eventful journey in search of meaning in a world swept up in the post-revolutionary madness.

J. Sutter is a bonafide junketeer - a freelance writer, travelling from city to city, hungry for free meals and the discarded sales receipts of others to claim on his expense account. Travelling into the backwoods of West Virginia to write a piece on the unveiling of the new John Henry postage stamp and the ensuing John Henry Days festival, J. continues his nearly record-setting, three-month junket binge.

On Tommy Llewellyn’s first birthday, his doting parents awoke in a home without baby blankets and bottles in the fridge, without the photos of their newborn once scattered about, and without any idea that the one-year-old sleeping in their home was their child. That’s because Tommy Llewellyn is a boy who, in the very cosmic sense of things, will never be remembered—stuck in a universal Reset that causes everyone to forget he exists when the clock strikes midnight on his birthday each year.

With a singular voice in the narrative-bending tradition of Kafka, Cortázar, and Bulgakov, Lima speaks to Brazilian-American immigrant experiences—of ambition, fear, heartbreak, and home—with equal parts warmth and agitation. Strange, intimate, haunted, and hungry, Craft: Stories I Wrote for the Devil is a powerful experience: once listened to, you’re as much a part of the stories as they’re a part of you.

Mary Mulligan has two problems: her wisdom teeth…and everything else. Her only daughter is moving overseas. Her husband would rather go golfing than spend time with her. And Mary’s left to wonder why she abandoned her career ambitions when loneliness is all she has to show for it. Plus her teeth really, really hurt. But that’s one problem she can fix—never mind the stories that say if she gets her wisdom teeth removed, the last thirty years of her life will be erased. In fact, Mary wouldn’t mind if the Mulligan curse were actually true.

En Macondo transcurre la historia de un entierro imposible. Ha muerto un personaje extraño, un antiguo médico odiado por el pueblo, y un viejo coronel retirado, para cumplir una promesa, se ha empeñado en enterrarle ante la oposición de todo el pueblo y sus autoridades. Como en una tragedia griega -el libro lleva como lema una cita de Antígona que recuerda la prohibición de enterrar el cuerpo del Polinices-, el viejo coronel, su hija y su nieto van a cumplir la ominosa tarea.

The regulars at the magical Café Funiculi Funicula are well acquainted with its famous legend and extraordinary time-travel offer. Many patrons have reunited with old flames, made amends with estranged family and visited loved ones. But the journey is not without risks, and there are rules to follow.

In this explosive sequel to Blessed Child, Jewish soldier-turned-archaeologist Rebecca Soloman leads a team deep into the Ethiopian desert to find the one man who may know the final resting place of the Ark of the Covenant. Such a discovery would bring hope back to her people. Her search brings excitement and danger - including unexpected love and a discovery far more powerful than even the holy artifact.

En el prólogo de estos Doce cuentos peregrinos, García Márquez nos regala su explicación de por qué doce, por qué cuentos y por qué peregrinos. En Barcelona, una prostituta que va entrando en la vejez entrena a su perro para llorar ante la tumba que ha escogido para sí misma. En Viena, una mujer se vale de su don de ver el futuro para convertirse en la adivina de una familia rica.

Welcome to Darkblood - oops, I mean Darkhen Academy. There are three rules to survive the elite supernatural school: Do not talk or even look at The Seven, the uber-powerful supes that rule the academy. Never go into the Fae forest on a full moon...or else. And most definitely do not fall for one of the extremely hot and unattainable instructors. Too bad I’ve never really been a rule follower...If word gets out that humans are no longer safe from the supes, our worlds will once again be closed off. It’s up to us to stop that from happening.

Vega Jones escapes an abusive relationship with nothing but her two-month-old baby and the van she grew up in. Her destination is a small Ohio town her late vagabond mother left years ago. It’s one full of nobodies, her mother warned. That makes it the ideal refuge for Vega to lie low, feel safe, and maybe learn more about a past her mother never spoke of.

Chandrakanta is a romantic fantasy novel written by Devaki Nandan Khatri, a popular writer from the first generation of modern Hindi novelists. This book is considered to be one of his finest works, and it has spawned numerous sequels related to the original story. The story centres around a romantic couple, each of whom came from kingdoms at dissent with each other. Chandrakanta is the princess of Vijaygarh while Virendra Singh is the prince of Naugarh. Kroor Singh, one of the courtiers in the King’s court at Vijaygarh, is a schemester with grand plans of his own.

Annie Beyers has everything - a beautiful house, a loving husband, and an adorable daughter. It’s a day like any other when she takes Hannah to the pediatrician…until she wakes hours later from a car accident. When she asks for her daughter, confused doctors tell Annie that Hannah never existed. In fact, nothing after waking from the crash is the same as Annie remembers. Five happy years of her life apparently never happened.

There’s a village an hour from London. It’s no different from many others today: one pub, one church, redbrick cottages, some public housing, and a few larger houses dotted about. Voices rise up, as they might anywhere, speaking of loving and needing and working and dying and walking the dogs. This village belongs to the people who live in it, to the land and to the land’s past. It also belongs to Dead Papa Toothwort, a mythical figure local schoolchildren used to draw as green and leafy, choked by tendrils growing out of his mouth, who awakens after a glorious nap.

From New York Times bestselling author Owen King, who “writes with witty verve” (Entertainment Weekly) comes a “richly imagined” (The New York Times) Dickensian fantasy of illusion and charm where cats are revered as religious figures, thieves are noble, scholars are revolutionaries, and conjurers are the most wonderful criminals you can imagine.