Literary Horror

It is 1831 when eight-year-old Aurelia Vennaway finds a naked baby girl abandoned in the snow on the grounds of her aristocratic family's magnificent mansion. Her parents are horrified that she has brought a bastard foundling into the house, but Aurelia convinces them to keep the baby, whom she names Amy Snow. Amy is brought up as a second-class citizen, but she and Aurelia are as close as sisters. When Aurelia dies at the age of 23, she leaves Amy 10 pounds. But Aurelia also left her much more.

A sentient, murderous prosthetic leg; shadowy creatures lurking behind a shimmering wall; brutal barrow men: Of all the terrors that populate The Glassy, Burning Floor of Hell, perhaps the most alarming are the beings who decimated the habitable Earth: humans. In this new short-story collection, Brian Evenson envisions a chilling future beyond the Anthropocene that forces excruciating decisions about survival and self-sacrifice in the face of toxic air and a natural world torn between revenge and regeneration.

In Lolly Willowes, Sylvia Townsend Warner tells of an aging spinster's struggle to break away from her controlling family - a classic story that she treats with cool feminist intelligence, while adding a dimension of the supernatural and strange. Warner is one of the outstanding and indispensable mavericks of 20th-century literature, a writer to set beside Djuna Barnes and Jane Bowles, with a subversive genius that anticipates the fantastic flights of such contemporaries as Angela Carter and Jeanette Winterson.

When Apollo Kagwa's father disappeared, all he left his son were strange recurring dreams and a box of books stamped with the word improbabilia. Now Apollo is a father himself - and as he and his wife, Emma, are settling into their new lives as parents, exhaustion and anxiety start to take their toll. Apollo's old dreams return and Emma begins acting odd.

As a pair of young scholars research the lives of two Victorian poets, they uncover their letters, journals, and poems and track their movements from London to Yorkshire - from spiritualist seances to the fairy-haunted far west of Brittany. What emerges is an extraordinary counterpoint of passion and ideas.

Having been abandoned on the steps of an orphanage as an infant, lovable car thief and Dublin charmer Mahony assumed all his life that his mother had simply given him up. But when he receives an anonymous note suggesting that foul play may have led to his mother's disappearance, he sees only one option: to return to the rural Irish village where he was born and find out what really happened 26 years ago.

In Osaka, two strangers, Jake and Mariko, miss a flight, and over dinner, discover they've both brutally lost loved ones whose paths crossed with the same beguiling woman no one has seen since. Following traces this mysterious person left behind, Jake travels from country to country gathering chilling testimonies from others who encountered her across the decades—a trail of shattered souls that eventually leads him to Theo, a dying sculptor in rural New Mexico, who knows the woman better than anyone—and might just hold the key to who, or what, she is.

Once there was a girl who ran away and joined a traveling carnival. She married a man she grew to hate - and gave birth to a child she could never love. A child so monstrous that she killed it with her own hands.… Twenty-five years later, Ellen Harper has a new life, a new husband, and two normal children - Joey loves monster movies, and Amy is about to graduate from high school. But their mother drowns her secret guilt in alcohol and prayer.

When Elspeth Noblin dies of cancer, she leaves her London apartment to her twin nieces, Julia and Valentina. These two American girls never met their English aunt; they only knew that their mother, too, was a twin, and Elspeth her sister. Julia and Valentina are semi-normal American teenagers - with seemingly little interest in college, finding jobs, or anything outside their cozy home in the suburbs of Chicago, and with an abnormally intense attachment to one another.

Miri thinks she has got her wife back when Leah finally returns after a deep sea mission that ended in catastrophe. It soon becomes clear, though, that Leah may have come back wrong. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has carried part of it with her, onto dry land and into their home. To have the woman she loves back should mean a return to normal life, but Miri can feel Leah slipping from her grasp.

Jenna and her father Rick, who works for the EPA as an investigator, are summoned to an ancient Tobacco plantation deep in the heart of Louisiana. Little do they realize, that beneath the majestic mansion lies a sinister evil, which has been waiting and festering for over a hundred years. In the gathering darkness, Jenna begins having strange visions of the plantation’s sordid past, people who have an intimate connection to Jenna’s family. Within days, the blackness begins growing larger and larger, sweltering… forcing demon infested dolls and other ancient horrors to begin roaming ...

Professor David Ullman's expertise in the literature of the demonic - notably Milton's Paradise Lost - has won him wide acclaim. But David is not a believer. One afternoon he receives a visitor at his campus office, a strikingly thin woman who offers him an invitation: travel to Venice, Italy, witness a "phenomenon", and offer his professional opinion, in return for an extravagant sum of money. Needing a fresh start, David accepts and heads to Italy with his beloved 12-year-old daughter, Tess. What happens in Venice will send David on an unimaginable journey from skeptic to true believer....

It is 1917, in that sliver of borderland that divides Georgia from Alabama. Dispossessed farmer Pearl Jewett ekes out a hardscrabble existence with his three young sons: Cane (the eldest, handsome, intelligent); Cob (short, heavyset, a bit slow); and Chimney (the youngest, thin, ill-tempered). Several hundred miles away in Southern Ohio, a farmer by the name of Ellsworth Fiddler lives with his son, Eddie, and his wife, Eula.

Blaze is the story of Clayton Blaisdell, Jr., of the crimes committed against him and the crimes he commits, including his last, the kidnapping of a baby heir worth millions. Blaze has been a slow thinker since childhood, when his father threw him down the stairs and then threw him down again. After escaping an abusive institution for boys when he was a teenager, Blaze hooks up with George, a seasoned criminal who thinks he has all the answers.

KOKO. Only four men knew what it meant. Now they must stop it. They are Vietnam vets — a doctor, a lawyer, a working stiff, and a writer. Very different from each other, they are nonetheless linked by a shared history and a single shattering secret. Now, they have been reunited and are about to embark on a quest that will take them from Washington, D.C., to the graveyards and fleshpots of the Far East to the human jungle of New York.

Danny Orchard wrote a best-selling memoir about his near-death experience in a fire that claimed the life of his twin sister, Ashleigh, but despite the resulting fame and fortune he's never been able to enjoy his second chance at life. Ash won't let him.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

A newborn’s absent face appears on the back of someone else’s head, a filmmaker goes to gruesome lengths to achieve the silence he’s after for his final scene, and a therapist begins, impossibly, to appear in a troubled patient's room late at night. In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses—whether we know it or not.

When Cora Seaborne's brilliant, domineering husband dies, she steps into her new life as a widow with as much relief as sadness: her marriage was not a happy one. Wed at 19, this woman of exceptional intelligence and curiosity was ill-suited for the role of society wife. Seeking refuge in fresh air and open space in the wake of the funeral, Cora leaves London for a visit to coastal Essex, accompanied by her inquisitive and obsessive 11-year old son, Francis, and the boy's nanny, Martha.

A body always tells a story - but this child’s was a blank page. Rita reached for the lantern. She trained its light on the child’s face. "Who are you?" she murmured, but the face said as little as the rest of her. It was impossible to tell whether, in life, these blunt and unfinished features had borne the imprint of prettiness, timid watchfulness, or sly mischief. If there had once been curiosity or placidity or impatience here, life had not had time to etch it into permanence. Only a very short time ago, the body and soul of this little girl had still been securely attached.