Literary Horror

If only I’d ignored that letter, I wouldn’t have had to have done the things I did on this dark night. But I didn’t ignore it; how could I? A hand-written letter dressed in a stamped, plain-white envelope from a stranger requesting a meeting. Her name was Andrea, and she had information that could be crucial to my well-being. So many reasons not to go. But how could I not? I wished I’d thrown that letter away.

Things aren't going Milo's way. His acting career is floundering, he got dumped, his miserable father vanished, and people keep moving into his house. He finally decides to take action - to help the only person he really likes, the autistic boy next door who's being bullied. But, well, that doesn't really go his way either.

Harriet and David Lovatt, parents of four children, have created an idyll of domestic bliss in defiance of the social trends of late 1960s England. While around them crime and unrest surge, the Lovatts are certain that their old-fashioned contentment can protect them from the world outside - until the birth of their fifth baby. Gruesomely goblin-like in appearance, insatiably hungry, abnormally strong and violent, Ben has nothing innocent or infant-like about him.

One rainy morning in 1871 in lower Manhattan, Martin Pemberton, a freelance writer sees in a passing stagecoach several elderly men, one of whom he recognizes as his supposedly dead and buried father. While trying to unravel the mystery, Pemberton disappears, sending McIlvaine, his employer, the editor of an evening paper, in pursuit of the truth behind his freelancer’s fate. Layer by layer, McIlvaine reveals a modern metropolis surging with primordial urges and sins.

When the remains of a young child are discovered during a winter storm on a stretch of the bleak Lancashire coastline known as the Loney, a man named Smith is forced to confront the terrifying and mysterious events that occurred 40 years earlier, when he visited the place as a boy. At that time his devoutly Catholic mother was determined to find healing for Hanny, his disabled older brother. And so the family, along with members of their parish, embarked on an Easter pilgrimage to an ancient shrine.

Ever since he nearly drowned in the ocean three years earlier, 10-year-old Jack Peter Keenan has been deathly afraid to venture outdoors. Refusing to leave his home in a small coastal town in Maine, Jack Peter spends his time drawing monsters. When those drawings take on a life of their own, no one is safe from the terror they inspire.

The nightmare home. We thought we'd found our haven, a cottage deep in the heart of the forest. Quaint, charming, maybe a little run-down, but so peaceful. The woodland animals and birds couldn't have been more neighbourly. That was the first part of the Magic. Midge's painting and my music soared to new heights of creativity. That was another part of the Magic. Our sensing, our feelings, our love for each other - well, that became the supreme Magic. But the cottage had an alternative side. The Bad Magic.

Every autumn, John Pentecost returns to the farm where he grew up to help gather the sheep down from the moors for the winter. Very little changes in the Endlands, but this year, his grandfather - the Gaffer - has died, and John's new wife, Katherine, is accompanying him for the first time. As the farmers of the Endlands bury the Gaffer and prepare to gather the sheep, they begin to wonder whether they've let the Devil in.

The dashing heir of a New England shipping magnate, Barnabas Collins captures the heart of the exquisite, young Angelique amidst the sensual beauty of Martinique, her island home. But Angelique's brief happiness is doomed when Barnabas deserts her and becomes engaged to another. With this one betrayal, Barnabas unleashes an evil that will torment him for all time.

Evelyn Harbinger sees nothing wrong with a one-night stand. At 149 years old, Eve may look like she bakes oatmeal cookies in the afternoon and dozes in her rocking chair in the evening, but once the gray hair and wrinkles are traded for jet-black tresses and porcelain skin, she can still turn heads as the beautiful girl she once was. Can't fault a girl for having a little fun, can you?

For centuries, the mysterious dark-robed figure has roamed the globe, searching for those whose complicity and cowardice have fed into the rapids of history’s darkest waters - and now it is heading in our direction.It has been years since Helen Franklin left England. In Prague, working as a translator, she has found a home of sorts - or, at least, refuge. That changes when her friend Karel discovers a mysterious letter in the library, a strange confession and a curious warning that speaks of Melmoth the Witness, a dark legend found in obscure fairy tales and antique village lore.

Mulberry is a three-story Victorian in the Hamptons, the perfect summer retreat for the Bradley family. Forty years ago a family was murdered in the house. Now, the bloodstains have been washed away, and the grisly killings are just a chilling local legend. But something unseen still waits in the shadowed hallways and antique furnished bedrooms.

Once there were hundreds of members of the Oversight, the brave souls who guard the borders between the mundane and the magic. Now there are only five. When a vagabond brings a screaming girl to the Oversight's London headquarters, she could answer their hopes for new recruit, or she could be the instrument of their downfall.

It's 1997. Scarclaw Fell. The body of teenager Tom Jeffries is found at an outward bound centre. Verdict? Misadventure. But not everyone is convinced. And the truth of what happened in the beautiful but eerie fell is locked in the memories of the tight-knit group of friends who took that fateful trip and the flimsy testimony of those living nearby.

On April 27, 1997, four contestants make it to the final cell of the Quigley House, a full-contact haunted escape room in Lincoln, Nebraska, made famous for its monstrosities, booby-traps, and ghoulishly costumed actors. If the group can endure these horrors without shouting the safe word, “reprieve,” they’ll win a substantial cash prize - a startling feat accomplished only by one other group in the house’s long history. But before they can complete the challenge, a man breaks into the cell and kills one of the contestants.

Nick Antosca's The Girlfriend Game is a tumble through the looking glass into a vortex of violence and desire. The 12 stories in the newest collection by the Shirley Jackson Award-winning author are brutal, urgent and unforgettable. In "Predator Bait", a decoy in a sex-sting news show questions her job and the man who shares her bed. An undependable son watches his mother become a creature he hardly recognizes in "Amphibian". A young man plots the death of his girlfriend's killer in "Winter Was Hard".

The time is the early '80s. The characters go to the same schools and eat at the same restaurants. Their voices enfold us as seamlessly as those of DJs heard over a car radio. They have sex with the same boys and girls and buy from the same dealers. In short, they are connected in the only way people can be in that city.

Brian Evenson’s hallucinatory and darkly comic stories of paranoia, pursuit, sensory deprivation, amnesia, and retribution rattle the cages of the psyche and peer into the gaping moral chasm that opens when we become estranged from ourselves. From sadistic bosses with secret fears to a woman trapped in a mime’s imaginary box, and from a post-apocalyptic misidentified Messiah to unwitting portraitists of the dead, the mind-bending world of this modern-day Edgar Allan Poe exposes the horror contained within our daily lives.

Oscar Wilde Clásico. Uno de sus mejores cuentos.

In Dark Property, a woman carries a dying baby across a desert waste, moving toward a fortress harboring a mysterious resurrection cult. Menaced by scavengers, she nevertheless begins to suspect that the reality within the fortress may be even more unsettling than the blasted environment outside. In Contagion and Other Stories, Evenson takes his audiences into a world that is at once apocalyptic, dark, observant, and grotesque without ever dipping into static genre conventions.