Literary Fiction Family

It’s 1965, and life has taken a turn for eighteen-year-old Anton Addison-Rice. Nearly a year after his brother died in a tragic accident, Anton is still wounded - physically and emotionally. Alone for the holidays, he catches a glimpse of his neighbor Edith across the street one evening and realizes that she’s in danger. Anton is determined to help Edith leave her abusive marriage. Frightened and fifteen years Anton’s senior, Edith is slow to trust. But when she needs a safe place to stay, she lets down her guard, and over the course of ten days an unlikely friendship grows.

England, 2014: Audrey Collins knows only two things about her beloved grandmother's past: She was born into nobility and she immigrated to America at seventeen years old. So when Audrey inherits her gran's home in North Yorkshire, she arrives expecting a sprawling country estate fit for lords and ladies. Instead, she finds an abandoned stone cottage perfectly preserved as Gran left it when she fled in 1941—ration book and all—and begins to uncover what secrets her family has been keeping.

In 1918, after four harrowing years on the Western Front, Tom Sherbourne returns to Australia to take a job as the lighthouse keeper on remote Janus Rock. To this isolated island, where the supply boat comes only four times a year and shore leaves are granted every other year at best, Tom brings a young, bold, and loving wife, Isabel. Three years later, after two miscarriages and one stillbirth, the grieving Isabel is tending the grave of her newly lost infant when she hears a baby’s cries on the wind. A boat has washed up on shore carrying a dead man and a living baby.

Moonglow unfolds as the deathbed confession, made to his grandson, of a man the narrator refers to only as "my grandfather". It is a tale of madness, of war and adventure, of sex and desire and ordinary love, of existential doubt and model rocketry, of the shining aspirations and demonic underpinnings of American technological accomplishment at midcentury, and, above all, of the destructive impact - and the creative power - of the keeping of secrets and the telling of lies.

Something terrifying that must not be seen. One glimpse and a person is driven to deadly violence. No one knows what it is or where it came from.Five years after it began, a handful of scattered survivors remain, including Malorie and her two young children. Living in an abandoned house near the river, Malorie has long dreamed of fleeing to a place where her family might be safe. But the journey ahead will be terrifying: 20 miles downriver in a rowboat blindfolded with nothing to rely on but Malorie's wits and the children's trained ears. One wrong choice and they will die. And something is following them....

Jende Jonga, a Cameroonian immigrant living in Harlem, has come to the United States to provide a better life for himself; his wife, Neni; and their six-year-old son. In the fall of 2007, Jende can hardly believe his luck when he lands a job as a chauffeur for Clark Edwards, a senior executive at Lehman Brothers. Clark demands punctuality, discretion, and loyalty - and Jende is eager to please. Clark's wife, Cindy, even offers Neni temporary work at the Edwardses' summer home in the Hamptons.

As a young girl in Miller's Valley, an ordinary farming town that may be facing its final days, Mimi is observing adults, selling corn, growing up and changing, and watching the world around her change, too. As the years go by, the unthinkable starts to seem inevitable. Anna Quindlen's novel takes us through the changing eras of Mimi and her family, as secrets are revealed, and the heartbreaks of growing up and falling in love with the wrong man are overcome.

Published two weeks after Vladimir Nabokov’s seventieth birthday, Ada, or Ardor is one of his greatest masterpieces, the glorious culmination of his career as a novelist. It tells a love story troubled by incest, but it is also at once a fairy tale, epic, philosophical treatise on the nature of time, parody of the history of the novel, and erotic catalogue. Ada, or Ardor is no less than the supreme work of an imagination at white heat. This is the first American edition to include the extensive and ingeniously sardonic appendix by the author, written under the anagrammatic pseudonym Vivian Darkbloom.

One hundred fifty years of Roses' Tolivers, Warwicks, and DuMonts! We begin in the antebellum South on Plantation Alley in South Carolina, where Silas Toliver, deprived of his inheritance, joins up with his best friend Jeremy Warwick to plan a wagon train expedition to the "black waxy" promise of a new territory called Texas. Slavery, westward expansion, abolition, the Civil War, love, marriage, friendship, tragedy and triumph-all the ingredients (and much more) that made so many love Roses so much-are here in abundance.

It is 1995, and Anvar Faris is a restless, rebellious, and sharp-tongued boy doing his best to grow up in Karachi, Pakistan. As fundamentalism takes root within the social order and the zealots next door attempt to make Islam great again, his family decides, not quite unanimously, to start life over in California. Ironically, Anvar's deeply devout mother and his model-Muslim brother adjust easily to life in America, while his fun-loving father can't find anyone he relates to. For his part, Anvar fully commits to being a bad Muslim.

On its surface, life in Houston in the 1950s is as you'd expect: stoic fathers, restless teens, drive-in movies, and souped-up Cadillacs. But underneath lies a world shifting under high school junior Aaron Broussard's feet. There's a class war between the "haves" and the "have-nots" as well as a real war, Korea, happening on the other side of the world. It is against this backdrop that Aaron comes of age, trying to understand how first loves, friendship, violence, and power can alter what "traditional America" means for the people trying to find their way in a changing world.

1970s Yorkshire. Women are being terrorised by the serial killer known as the Yorkshire Ripper, whose attacks are becoming more frequent and arbitrary. Twelve year-old Miv's family, afraid of the Ripper's increasing hatred of women, begins to talk about moving south. Miv, determined for this not to happen, decides to take the matter into her own hands and investigate the attacks alongside her best friend Sharon.

Barry Laverty, M.B., can barely find the village of Ballybucklebo on a map when he first sets out to seek gainful employment there, but already he knows that there is nowhere he would rather live than in the emerald hills and dales of Northern Ireland. The proud owner of a spanking-new medical degree and little else in the way of worldly possessions, Barry jumps at the chance to secure a position as an assistant in a small rural practice. At least until he meets Dr. Fingal Flahertie O'Reilly.

This is the real world of modern Karachi as seen through the eyes of a young woman in an elite family. Here are the hidden dramatic realities of the upper class, the undertow of religion, revealing the truth sometimes spoken in hushed whispers, more often swept away by the flourish of silk saris at extravagant dinner parties...or perhaps never mentioned at all.

When the McPheron brothers see Victoria Roubideaux, the single mother they’d taken in, move from their ranch to begin college, an emptiness opens before them—and for many other townspeople it also promises to be a long, hard winter. A young boy living alone with his grandfather helps out a neighbor whose husband, off in Alaska, suddenly isn’t coming home, leaving her to raise their two daughters.

Fannie Flagg gives us a story of richly human characters, the saving graces of the once-maligned middle classes and small-town life, and the daily contest between laughter and tears.

Dexter County, Maine, and specifically the town of Empire Falls, has seen better days, and for decades, in fact, only a succession from bad to worse. One by one, its logging and textile enterprises have gone belly-up, and the once vast holdings of the Whiting clan (presided over by the last scion’s widow) now mostly amount to decrepit real estate. The working classes, meanwhile, continue to eke out whatever meager promise isn’t already boarded up. Miles Roby gazes over this ruined kingdom from the Empire Grill, an opportunity of his youth that has become the albatross of his life.

Roseanna Chaldecott spent her life as a high-powered lawyer in Manhattan. But when her best friend and law partner dies suddenly, something snaps. Unsure of her future, Roseanna heads upstate on one tank of gas and with no plans to return. In the foothills of the Adirondacks, Roseanna discovers the perfect hideout in a ramshackle farm. Its seventy-six acres are rich with possibilities and full of surprises, including a mother and daughter squatting on the property. Although company is the last thing Roseanna wants, she reluctantly lets them stay.

Yiyun Li meets life’s deepest sorrows as she imagines a conversation between a mother and child in a timeless world. Composed in the months after she lost a child to suicide, Where Reasons End trespasses into the space between life and death as mother and child talk, free from old images and narratives. Deeply moving, these conversations portray the love and complexity of a relationship. Written with originality, precision, and poise, Where Reasons End is suffused with intimacy, inescapable pain, and fierce love.

Lucrezia Tornabuoni, brought up in the Palazzo Medici alongside Cosimo's children, always expected to marry his charismatic younger son, Giovanni. But now in later life, she finds herself imprisoned in a loveless marriage with the gout-ridden elder son, Piero. Like Cosimo, she sees the future salvation of the family in the hands of her own son, Lorenzo the Magnificent, but how can she be sure he inherits the mantle before Piero ruins everything?