Literary Essays

As any fan of Jo Walton's Among Others might guess, Walton is both an inveterate reader of SF and fantasy, and a chronic rereader of books. In 2008, then-new science fiction mega-site Tor.com asked Walton to blog regularly about her rereading—about all kinds of older fantasy and SF, ranging from acknowledged classics, to guilty pleasures, to forgotten oddities and gems. These posts have consistently been among the most popular features of Tor. Now this volume presents a selection of the best of them, ranging from short essays to long reassessments of some of the field's most ambitious series.

歴史に名を刻む人は、安楽な人生を送れないようになっているのか。 貧しい家に生まれ、両親は離婚、そののち父は自殺、養子に出されるが、画家 を志して決別、生母に巡りあうも拒絶され・・・這い上がるように名を成すも 戦争・敗戦・不遇な日々がーー 運命が人を選ぶのか。 人が運命を選ぶのか。 「人が運命を選ぶのだ。」と魯山人ならいうだろう、と、確信する。 本作品をしれば貴方もそう思われることだろうと思う。 これは単なる料理の書ではない、人生の書である。

明治から昭和初期にかけて活躍した物理学者、随筆家、俳人である寺田寅彦の随筆作品。

初出は「東京帝国大学新聞」［1929（昭和4）年4月］。「日本の名随筆89　数」［作品社、1990（平成2）年］に収録。

それぞれに苦手意識をもつ学生諸君に、数学にも語学にも案外共通項があるということに気づかせ、好きなものに対する方法を利用して嫌いなものを征服する道程を暗示したいと考え、書き綴った作品。

Despite their phenomenal decades-long success, the Harry Potter novels have attracted relatively little attention from literary critics and scholars. This book challenges that oversight, assembling and foregrounding some of the best literary critical work by scholars trying to move the needle on these novels to reflect their importance to twenty-first-century literary culture. In Open at the Close, contributors consciously address Harry Potter primarily as a literary phenomenon rather than a cultural one.

The Ukraine is a collection of twenty-six pieces that deliberately blur the line between nonfiction and fiction, conjuring the essence of a beloved country through its tastes, smells, and sounds, its small towns and big cities, its people and their compassion and indifference, simplicities and complications. The Ukraine conveys to listeners a place that Chapeye and his countrymen are currently fighting for with their lives. The book features a preface by the author, which he composed on his phone from the front lines.

In a volume he describes as "a series of covert and not-so-covert autobiographical pieces", Jonathan Lethem explores the nature of cultural obsession, in his case, with examples as diverse as western films, comic books, the music of Talking Heads and Pink Floyd, and the New York City subway. Along the way, he shows how each of these "voyages out from himself" have led him home, home to his father's life as a painter, and to the source of his beginnings as a writer.

"Clearly Francis Gilbert is a gifted and charismatic teacher." Philip Pullman, former teacher and author of "Northern Lights". Why did William Blake call his book of poetry "Songs of Innocence and Experience"? Why do some critics say his poem "The Tyger" is about the French revolution? Why did he illustrate his poems with pictures? Why is Blake's rose "sick"? What is the "youthful harlot's curse" in the famous poem "London"? This is the ultimate study guide to William Blake's classic poetry collection "Songs of Innocence and Experience". Written by an experienced teacher and author, it not ...

Which famous author died of caffeine poisoning? Why was Alice's Adventures in Wonderland banned in China? Who was the first British writer to win the Nobel Prize in Literature? What was Truman Capote superstitious about? Here is a light-hearted book about books and the people who write them for all lovers of literature. A treasure trove of compelling facts, riveting anecdotes, and extraordinary characters, For the Love of Books is a book about books - and the inside stories about the people who write them.

Judith Thurman, a prolific staff writer at The New Yorker for more than two decades, has gathered a selection of her essays and profiles in A Left-Handed Woman. They consider our culture in all its guises: literature, history, politics, gender, fashion, and art, though their paramount subject is the human condition. Thurman is one of the preeminent essayists of our time—"a master of vivisection," as Kathryn Harrison wrote in the New York Times. "When she's done with a subject, it's still living, mystery intact."

Featuring an all-new interview with Professor Piexoto, this exclusive bonus content also includes a brand-new afterword from Margaret Atwood and an essay written by author Valerie Martin.

Many creatures lurk in the dark, weaving on top of one another, roiling together like waves on the night sea. The darkness forms in layers to encompass the land, fill the corners, and obscure angles. Untold mysteries lie just beyond reach told in many tongues, many inflections, many rhythms. The stories are many. Innumerable. Legion.

Ghalib's poetic trajectory begins from Urdu, then moves to composing almost entirely in Persian and finally swings back to Urdu. It is nearly as complex as his poetry. However, his poetic output in Persian is far more than what he wrote in Urdu. More important is that he gave precedence to Persian over Urdu. Ghalib's voice presents us with a double bind, a linguistic paradox. Exploring his life, works and philosophy, this authoritative critical biography of Ghalib opens a window to many shades of India and the subcontinent's cultural and literary tradition.

Slide "Further Under the Duvet", get yourself comfortable, and let Marian take you places you've never been before. Places like the Irish air-guitar championships, a shopping trip to Bloomingdales with a difference, and Cannes with a chronic case of Villa-itis. Along the way you'll encounter knicker-politics, fake tans, sticky-out ears and passionate love affairs both with make-up and Toblerones.

Tania De Rozario was just twelve years old when she was gay-exorcised. Convinced that her boyish style and demeanor were a sign of something wicked, her mother and a pair of her church friends tried to “banish the evil” from Tania. That day, the young girl realized that monsters weren’t just found in horror tales. They could lurk anywhere—including your own family and community—and look just like you. Dinner on Monster Island is Tania’s memoir of her life and childhood in Singapore—where she discovered how difference is often perceived as deviant, damaged, disobedient, and sometimes, demonic.

Kendra Allen’s first collection of essays—at its core—is a bunch of mad stories about things she never learned to let go of. Unifying personal narrative and cultural commentary, this collection grapples with the lessons that have been stored between parent and daughter. These parental relationships expose the conditioning that subconsciously informed her ideas on social issues such as colorism, feminism, war-induced PTSD, homophobia, marriage, and “the n-word,” among other things.

A selection from the John Updike audio collection. These extraordinarily evocative stories depict the generation born in a small-town America during the Depression and growing up in a world where the old sexual morality was turned around and material comforts were easily had. Yet, as these stories reflect so accurately, life was still unsettling, and Updike chronicles telling moments both joyful and painful.

Presented here are 3 short works by Virginia Woolf, each a unique consideration of the work of Fyodor Dostoyevsky. The essays included are: The Father: Woolf's ruminations of family and, particularly, the father within the works of Dostoyevsky. More Dostoyevsky: Further thoughts on Dostoyevsky's work, an author of whom she once wrote “It is directly obvious that he is the greatest writer ever born." In Cranford: A comedic exploration of Dostoyevsky's work where Woolf transplants the great master into English provincial life to explore the unique nature of his work and the English nature.

As Americans face the ongoing war against terrorists and their state sponsors around the world, Sean Hannity reminds us we must also cope with the continuing scourge of accommodation and cowardice at home. With his trademark blend of passion and hard-hitting commentary, he urges Americans to recognize the dangers of putting our faith in toothless "multilateralism" when the times call for decisive action.

Sayed Kashua has been praised by The New York Times as "a master of subtle nuance in dealing with both Arab and Jewish society". An Arab-Israeli who lived in Jerusalem for most of his life, Kashua started writing with the hope of creating one story that both Palestinians and Israelis could relate to, rather than two that cannot coexist together. He devoted his novels and his satirical weekly column published in Haaretz to telling the Palestinian story.

良寛さんといえば、山寺で子どもと毬をついているイメージ。 が、爺になっても実家のすねかじって女と暮らしていたり、と知ってどうなの！と思ったり･･･「災難に逢う時節には、災難に逢うがよく候。死ぬ時節には、死ぬがよく候。是はこれ災難をのがるる妙法にて候。」等の考え方にふれて、やっぱりすごい人だと思ったり･･･ 要するに人間味の強い器のおおきい方だったのでしょう。 そんな良寛禅師の書。上手に見せようとするのではなく、「一つの点を打つ」「一つの棒を引く」筆運びをしてかきあげたという書。 北大路魯山人にいわせると、良寛さんの類まれなる書はその器の大きさである、ということのようだ。太閤秀吉の書をひきあいに出したりしながら展開されるこの作品は、筆者から良寛さんにおくるレブレターである。