Latin American Literature

Relinquishing thoughts of a materially rewarding life, the respectably educated Felix Holt returns to his native village in North Loamshire and becomes an artisan. He is a forceful young man of honor, integrity, and idealism, burning to participate in political life so that he may improve the lot of his fellow artisans.

Oficio de tinieblas, considerada una obra maestra de la narrativa latinoamericana, está basada en el levantamiento de los chamulas de 1867 a 1870 en San Cristóbal, Chiapas, que culminó con la crucifixión de uno de ellos al proclamarlo como el Cristo indígena. Rosario Castellanos se sumerge en la historia y sus protagonistas para buscar entender las circunstancias que llevaron a un pueblo a tan desgarrador acontecimiento y lo recrea en un México cercano: el de la reforma agraria durante el gobierno de Lázaro Cárdenas.

In this groundbreaking novel, Santiago Jose Sanchez plunges us into the heart of one boy’s life. His mother takes him and his brother from Colombia to America, leaving their absent father behind but essentially disappearing herself once they get to Miami. In America, his mother works as a waitress when she was once a doctor. The boy embraces his queer identity as wholeheartedly as he embraces his new home, but not without a sense of loss.

A wonderful collection of stories that captures the spirit of Mexican culture and its peoples.

Can you love and hate the same person? I fell in love too fast, too young. I made decisions I thought would protect the ones I love. Now I'm hated for them. Skull is the love of my life. But our life was wrapped up in lies. We were captured by them, and left with nothing when they exploded. How much can a heart take before it breaks and just doesn't care anymore?

Ernesto Vega has lived many lives, from pig farmer to construction worker to famed luchador El Rey Coyote, yet he has always worn a mask. He was discovered by a local lucha libre trainer at a time when luchadores—Mexican wrestlers donning flamboyant masks and capes—were treated as daredevils or rock stars. Ernesto found fame, rapidly gaining name rec­ognition across Mexico, but at great expense, nearly costing him his marriage to his wife Elena.

A family is murdered as they sleep. FBI Special Agent Nina Guerrera and her new team are tasked with determining whether there is any link between this attack and another triple homicide from four years earlier and more than 2,000 miles away. In the process, they’ll discover a serial killer so cunning that his grisly trail of death spanning nearly three decades has gone undetected. Each crime scene reminds Nina of the ghostly Latin folktale of La Llorona, which terrified her when she was an abandoned and vulnerable child. Now it’s back to haunt her.

Kali Fajardo-Anstine’s magnetic story collection breathes life into her Indigenous Latina characters and the land they inhabit. Against the remarkable backdrop of Denver, Colorado - a place that is as fierce as it is exquisite - these women navigate the land the way they navigate their lives: with caution, grace, and quiet force. In “Sugar Babies,” ancestry and heritage are hidden inside the Earth but tend to rise during land disputes.

“IT ALL STARTED WITH MY BALLS.” So begins Colm Tóibín’s fabulously compelling essay, laced with humor, about his diagnosis and treatment for cancer. Tóibín survives, but he has entered, as he says, “the age of one ball.” Tóibín describes his education by priests, several of whom were condemned years later for abuse. He writes about Irish history and literature, and about the long, tragic journey toward legal and social acceptance of homosexuality. A Guest at the Feast is both an intimate encounter with a creative artist and a glorious celebration of writing.

La historia de amor entre la joven Alma Velasco y el jardinero japonés Ichimei conduce al lector por un recorrido a través de diversos escenarios que van desde la Polonia de la Segunda Guerra Mundial hasta el San Francisco de nuestros días.

Guatemala, 1954. El golpe militar perpetrado por Carlos Castillo Armas y auspiciado por Estados Unidos a través de la CIA derroca el gobierno de Jacobo Árbenz. Detrás de este acto violento se encuentra una mentira que pasó por verdad y que cambió el devenir de América Latina: la acusación por parte del gobierno de Eisenhower de que Árbenz alentaba la entrada del comunismo soviético en el continente.

One hot summer night, Lourdes, Fernanda, Ana, Perla, and Pauline hold a séance. Their tipsy laughter turns to terror when the flames burn straight through their prayer candles and Fernanda starts crawling toward her friends and chanting in Nahuatl, the language of their Aztec ancestors. Over the next few weeks, Fernanda starts acting strangely—smearing herself in black makeup, shredding her hands on rose thorns, sucking sin out of the mouths of the guilty. The local priest is convinced it's a demon, but Lourdes suspects it's something else—something far more ancient and powerful.

Evan MacIan is a tall, dark-haired, blue-eyed Scottish Highlander and a devout Roman Catholic. James Turnbull is a short, red-haired, gray-eyed Lowlander and a devout but naïve atheist. The two meet when MacIan smashes the window of the street office where Turnbull publishes an atheist journal. This act of rage occurs when MacIan sees posted on the shop's window a sheet that blasphemes the Virgin Mary, presumably implying she was an adulteress who gave birth to an illegitimate Jesus.

When Cara stumbles across a stash of old postcards in the attic, their contents make her question everything she thought she knew. The story she pieces together is confusing and unsettling, and appears to have been patched over with lies. But who can tell her the truth? With her father sinking into Alzheimer’s and her brother reluctant to help, it seems Cara will never find the answers to her questions. One thing is clear, though: someone knows more than they’re letting on.

García Márquez construyó, en El otoño del patriarca, una maquinaria narrativa perfecta que desgrana una historia universal -la agonía y muerte de un dictador- en forma cíclica, experimental y real al mismo tiempo, en seis bloques narrativos sin diálogos, sin puntos y aparte, repitiendo una anécdota siempre igual y siempre distinta, acumulando hechos y descripciones deslumbrantes.

New York heiress Catherine Dohan seemingly has it all. There’s only one problem. It’s a lie. As soon as the Morro Castle leaves port, Catherine’s past returns with a vengeance and threatens her life. Joining forces with a charismatic jewel thief, Catherine must discover who wants her dead—and why.

Kirk, an impecunious artist of perfect physique, and Ruth, a spoilt heiress, were blissfully happy through their early days of marriage and the birth of their first son. But when Kirk returns from a trip to Columbia to find Ruth under the thumb of her Aunt Laura, an advocate of eugenics, parenting philosophies divide them. It takes a series of comic mishaps, featuring a galaxy of vintage Wodehouse characters, to retrieve the family’s happiness from the overbearing aunt.

The first time Isabel meets her father-in-law, Omar, he’s already dead - an apparition appearing uninvited on her wedding day. Her husband, Martin, still unforgiving for having been abandoned by his father years ago, confesses that he never knew the old man had died. So Omar asks Isabel for the impossible: persuade Omar’s family - especially his wife, Elda - to let him redeem himself.

Rae-Valentine and Howard were childhood sweethearts. They’ve shared twenty-five peaceful years since they were brought together by Dolly, Howard’s larger-than-life sister. But now, on the night of their wedding anniversary, Howard reveals a shocking betrayal that leaves Rae reeling. Heartbroken, she takes Dolly on her would-be anniversary trip to Antigua and the two women drink and dance and talk like they haven’t in years.

Historia de un amor imposible, Las batallas en el desierto es un magistral audiolibro que involucra otros aspectos como la corrupción social y política, el inicio del Mexico moderno y la desaparición del país tradicional, y el rescate de las memorias individuales y colectivas de una ciudad a la que José Emilio Pacheco ama profundamente, pero recrea sin nostalgia y denuncia de manera implacable.