Latin American Fiction

García Márquez construyó, en El otoño del patriarca, una maquinaria narrativa perfecta que desgrana una historia universal -la agonía y muerte de un dictador- en forma cíclica, experimental y real al mismo tiempo, en seis bloques narrativos sin diálogos, sin puntos y aparte, repitiendo una anécdota siempre igual y siempre distinta, acumulando hechos y descripciones deslumbrantes.

Historia de un amor imposible, Las batallas en el desierto es un magistral audiolibro que involucra otros aspectos como la corrupción social y política, el inicio del Mexico moderno y la desaparición del país tradicional, y el rescate de las memorias individuales y colectivas de una ciudad a la que José Emilio Pacheco ama profundamente, pero recrea sin nostalgia y denuncia de manera implacable.

A new re-interpretation of the classic mystical poetic work by the English poet and printmaker William Blake, The Marriage of Heaven and Hell is a must-listen for any serious literati or poet - as featured in the movie Dead Man by Jim Jarmusch, starring Johnny Depp.

In the tradition of the wild heroes from Bernard Cornwell’s Richard Sharpe series, and with the immersive pace of Michael Shaara's The Killer Angels, this is a military historical novel bursting with valor and vengeance in the heart of the South American marshes. Inspired by true events. As the Paraguayan War rages on, Lieutenant Luis Caetano and his small band of soldiers face an overwhelming enemy. Rivers of Steel, the second book in The Paraguayan War Series, takes readers deeper into the brutal fight for survival along Brazil’s southern border during the conflict also known as the ...

Havana, 1958. The daughter of a sugar baron, 19-year-old Elisa Perez is part of Cuba's high society, where she is largely sheltered from the country's growing political unrest - until she embarks on a clandestine affair with a passionate revolutionary...Miami, 2017. Freelance writer Marisol Ferrera grew up hearing romantic stories of Cuba from her late grandmother Elisa, who was forced to flee during the revolution. Arriving in Havana, Marisol comes face-to-face with the contrast of Cuba's tropical, timeless beauty and its perilous political climate.

A man returns to the town where a baffling murder took place 27 years earlier, determined to get to the bottom of the story. Just hours after marrying the beautiful Angela Vicario, everyone agrees, Bayardo San Roman returned his bride in disgrace to her parents. Her distraught family forced her to name her first lover; and her twin brothers announced their intention to murder Santiago Nasar for dishonoring their sister. Yet if everyone knew the murder was going to happen, why did no one intervene to stop it?

It’s 1999, and best friends Sal and Charo are striving to hold on to their dreams in a New York determined to grind them down. Sal is a book-loving science nerd trying to grow beyond his dead-end job in a new city, but he’s held back by tragic memories from his past in Santo Domingo. Free-spirited Charo is surprised to find herself a mother at twenty-five, partnered with a controlling man, working at the same supermarket for years, her world shrunk to the very domesticity she thought she’d escaped in her old country.

Charles Strickland, a conventional stockbroker, abandons his wife and children for Paris and Tahiti, to live his life as a painter. While his betrayal of family, duty and honour gives him the freedom to achieve greatness, his decision leads to an obsession which carries severe implications.

Zavalita y el zambo Ambrosio conversan en La Catedral. Estamos en Perú, durante el «ochenio» dictatorial del general Manuel A. Odría. Unas cuantas cervezas y un río de palabras en libertad para responder a la palabra amordazada por la dictadura.

Luz “Little Light” Lopez, a tea leaf reader and laundress, is left to fend for herself after her older brother, Diego, a snake charmer and factory worker, is run out of town by a violent white mob. As Luz navigates 1930s Denver, she begins to have visions that transport her to her Indigenous homeland in the nearby Lost Territory. Luz recollects her ancestors’ origins, how her family flourished, and how they were threatened. She bears witness to the sinister forces that have devastated her people and their homelands for generations.

Enforcer and drug dealer Fernando has seen better days. On his way home from work, some heavily-tattooed gangsters throw him in the back of a car and take him to an abandoned house, where they saw off his friend's head and feed the kid's fingers to...something. Their message is clear: this is their territory, now. But Fernando isn't put down that easily. Using the assistance of a Santeria priestess, an insane Puerto Rican pop sensation, a very human dog, and a Russian hitman, he'll build the courage (and firepower) he'll need to fight a gangbanger who's a bit more than human....

Carlota Moreau: A young woman growing up on a distant and luxuriant estate, safe from the conflict and strife of the Yucatán peninsula. The only daughter of a researcher who is either a genius or a madman. Montgomery Laughton: A melancholic overseer with a tragic past and a propensity for alcohol. An outcast who assists Dr. Moreau with his experiments, which are financed by the Lizaldes, owners of magnificent haciendas and plentiful coffers. The hybrids: The fruits of the doctor’s labor, destined to blindly obey their creator and remain in the shadows.

Kali Fajardo-Anstine’s magnetic story collection breathes life into her Indigenous Latina characters and the land they inhabit. Against the remarkable backdrop of Denver, Colorado - a place that is as fierce as it is exquisite - these women navigate the land the way they navigate their lives: with caution, grace, and quiet force. In “Sugar Babies,” ancestry and heritage are hidden inside the Earth but tend to rise during land disputes.

The four Grace sisters love their quiet life in the country village of Chevis Green. To some, their insular world might seem dull, but the sisters never seem to run out of conversation, jokes, and pleasant ways to pass the time together. They truly are the happiest of families. That is, until Aunt Rona comes to town. Rona intends to stay with the Graces indefinitely, and her meddlesome attitude immediately sets the sisters' teeth on edge. Throw in another unexpected houseguest, some potential suitors and a case of mistaken intentions, and the members of the Grace family suddenly find themselves quite out of their element.

The Stuart family moves to a marginal neighborhood of Cienfuegos, a city on the southern coast of Cuba. Arturo Stuart, a charismatic, visionary preacher, discovers soon after arriving that God has given him a mission: to build a temple that surpasses any before seen in Cuba, and to make of Cienfuegos a new Jerusalem. In a neighborhood that roils with passions and conflicts, at the foot of a cathedral that rises higher day by day, there grows a generation marked by violence, cruelty, and extreme selfishness.

Talia is being held at a correctional facility for adolescent girls in the forested mountains of Colombia after committing an impulsive act of violence that may or may not have been warranted. She urgently needs to get out and get back home to Bogotá, where her father and a plane ticket to the United States are waiting for her. If she misses her flight, she might also miss her chance to finally be reunited with her family.

When the dead body of a Latino woman is found in a reservoir about 50 miles north of Manhattan, with a photo of a baby in her purse nearby, the police try to determine who the child is and if it is still alive. Along with the photo, they also find a disturbing note in the purse: "Go back to your country. You don't belong here."

La muerte de Artemio Cruz, novela de 1962 de Carlos Fuentes, es una visión panorámica de la historia del México contemporáneo tal como la rememora un industrial y político agonizante. Una reflexión sobre el México surgido de la Revolución Mexicana, pero también de cuestiones tan universales y permanentes como la soledad, el poder o el desamor.

Hidden in the heart of the old city of Barcelona is the 'cemetery of lost books', a labyrinthine library of obscure and forgotten titles that have long gone out of print. To this library, a man brings his 10-year-old son, Daniel, one cold morning in 1945. Daniel is allowed to choose one book from the shelves and pulls out La Sombra del Viento by Julian Carax. But as he grows up, several people seem inordinately interested in his find.

Every woman wants to be Elizabeth Bennet Darcy - beautiful, gracious, universally admired, strong, daring and outspoken - a thoroughly modern woman in crinolines. And every woman will fall madly in love with Mr. Darcy - tall, dark and handsome, a nobleman and a heartthrob whose virility is matched only by his utter devotion to his wife. Their passion is consuming and idyllic - essentially, they can’t keep their hands off each other - through a sweeping tale of adventure and misadventure, human folly and numerous mysteries of parentage.