Latin American Fiction

Finnegans Wake is the greatest challenge in 20th-century literature. Who is Humphrey Chimpden Earwicker? And what did he get up to in Phoenix Park? And what did Anna Livia Plurabelle have to say about it? In the rich nighttime and the language of dreams, here are history, anecdote, myth, folk tale and, above all, a wondrous sense of humor, colored by a clear sense of humanity. In this exceptional reading by the Irish actor Barry McGovern, with Marcella Riordan, the world of the Wake is more accessible than ever before.

This unique fairy tale filled with whimsy and satire is much more than a story for the nursery. The tale begins with two old philosophers who live in a dark pine wood with their companions the Grey woman of Dun Gortin and the Thin Woman of Inis Magrath. When the wife of farmer MacMurrachu loses her washing board, the farmer comes to ask the philosophers for advice. They direct the old farmer not to a washboard, but to a tree containing a pot of gold.

The groundbreaking trans-genre work of Argentinian writer Jorge Luis Borges (1899-1986) has been insinuating itself into the structure, stance, and very breath of world literature for well over half a century. Multi-layered, self-referential, elusive, and allusive writing is now frequently labelled Borgesian.

From the author of The Christmas Hirelings comes this Audible Exclusive production of Mary Elizabeth Braddon’s classic sensation novel Lady Audley’s Secret. English actress Olivia Poulet gives an assured and captivating narration; a cornerstone of the genre and a scandal at the time of its publication, Lady Audley’s Secret is an entertaining and shocking tale of high drama and shifting perceptions.

A wonderful collection of stories that captures the spirit of Mexican culture and its peoples.

Ya en el título de esta novela de Mario Vargas Llosa se recoge la doble historia en que se vertebra su argumento: por un lado, la relación amorosa del joven escritor Varguitas con una mujer de su familia mayor que él, la tía Julia; y por otro, la desaforada presencia del folletinista Pedro Camacho en la misma emisora de radio donde Varguitas trabaja.

After a tragedy separates her from her mother, Juana García leaves in search of her father, who left them two years earlier. Out of money and in need of someone to help her across the border, Juana meets Adelina Vasquez, a young woman who left her family in California to follow her lover to Mexico. Finding themselves - in a Tijuana jail - in desperate circumstances, they offer each other much needed material and spiritual support and ultimately become linked forever in the most unexpected of ways.

Hernán Cortés y Motecuzoma protagonizaron el choque de culturas más trascendente de la historia de la humanidad. Todo en la historia del mundo moderno es producto de ese encuentro y esa conquista.

Miraflores never knew her father, and never thought he wanted to know her. But when she returns to the Chicago suburb where she grew up to care for her ailing mother, she discovers that her mother and father were greatly in love, and that her father had wanted a daughter more than she could have imagined. Now, Miraflores secretly plots a trip to Panama, in search of the man she hopes can heal her mother-and who can help her find the pieces of her own identity. What she finds is unexpected, exhilarating, and holds the power to change the course of her life.

What does it mean to be other? What does it mean to love in a world determined to keep us apart? These questions murmur in the heart of each of Brenda Peynado’s strange and singular stories. Threaded with magic, transcending time and place, these stories explore what it means to cross borders and break down walls, personally and politically.

Things have never been easy for Oscar, a sweet but disastrously overweight, lovesick Dominican ghetto nerd. From his home in New Jersey, where he lives with his old-world mother and rebellious sister, Oscar dreams of becoming the Dominican J. R. R. Tolkien and, most of all, of finding love. But he may never get what he wants, thanks to the Fuku: the curse that has haunted Oscar's family for generations, dooming them to prison, torture, tragic accidents, and, above all, ill-starred love. Oscar, still waiting for his first kiss, is just its most recent victim.

"Desconcertante, lista a inquietar a la crítica, está ya en los escaparates la primera novela de Juan Rulfo, Pedro Páramo, que transcurre en una serie de transposiciones oníricas, ahondando más allá de la muerte de sus personajes, que uno no sabe en qué momento son sueño, vida, fábula, verdad, pero a los que se les oye la voz al través de la perspicacia despiadada y certera de tan sin duda extraordinario escritor". Con estas palabras iniciaba Edmundo Valdés la primera reseña de Pedro Páramo, aparecida el 30 de marzo de 1955 y conservada por Juan Rulfo entre sus papeles.

The story tells of the making of the very first ball of fire. Trinidad wavers between the British and the French and SouCou is a slave, stolen from her beloved homeland. Born a Sharman in Africa she is a prized possession because of her talents, she finds love then heart break but through it all she wants her daughter to be free. She refuses to believe that her new owner Governor Yant will keep any of his promises and instead bargains with the God of Fire, Shango to grant her, her heart’s desire in exchange for her very soul ... but SouCou’s rage is so powerful that she does not die, ...

For over 300 years the conquistadors used El Camino Real, (The Royal Road). Bringing their plundered Inca gold across the Isthmus of Panama, from the Pacific to the Caribbean. October 1641, seven hundred kilograms of gold vanished from the trail without trace. In a captivating blend of history and suspense, a widower's discovery sparks a modern-day treasure hunt. The lure of stolen Inca gold, and the challenge to find it, soon became so much more than they had bargained for. After almost 400 years, former history professor Alex Poynter stumbles across a small clue, soon he is joined by four...

Though the lives of Mexico's characters are effected by the corrupt and dangerous subculture of their country, these are much more than simple "crime stories". They are complicated and deeply moving tales that tap into universal and enduringly powerful themes: love and loss, religion, family relationships, government abuse, sexual identity, professional ambition, cancer; they introduce us to characters that feel fully realized in their humanity.

Space-obsessed 12-year-old Paola Santiago and her two best friends, Emma and Dante, know the rule: Stay away from the river. It's all they've heard since a schoolmate of theirs drowned a year ago. Pao is embarrassed to admit that she has been told to stay away for even longer than that, because her mother is constantly warning her about La Llorona, the wailing ghost woman who wanders the banks of the Gila at night, looking for young people to drag into its murky depths.

Meeting by chance at a gambling hall in Europe, the separate lives of Daniel Deronda and Gwendolen Harleth are immediately intertwined. Daniel, an Englishman of uncertain parentage, becomes Gwendolyn's redeemer as she finds herself drawn to his spiritual and altruistic nature after a loveless marriage. But Daniel's path was already set when he rescued a young Jewess from suicide.

A young father and son set out on a road trip, devastated by the death of the wife and mother they both loved. United in grief, the pair travel to her ancestral home, where they must confront the terrifying legacy she has bequeathed: a family called the Order that commits unspeakable acts in search of immortality.

In folktales, the trickster can be the wise one or the fool, the one who fools or the one who is fooled. That is why children of all ages enjoy hearing these tales. The psychology of childhood is pretty much the same everywhere, giving these enjoyable stories universal appeal.

Aquí se cuenta la vida de un hombre que solía despertarse, casi siempre, en un lugar diferente del que originalmente había elegido para dormir. Tenía este extraño hábito porque más de la mitad de su vida adulta, 17 años de los 30 que vivió antes de sumarse a una revolución, había sido prófugo de la justicia, bandolero, ladrón, asaltante de caminos, cuatrero. Y tenía miedo de que la debilidad de las horas sueño fuera su perdición.