Latin American Fiction

Alexis Valdés narra con profunda ternura sobre el niño que fue y logra reflejar no solo los años más duros de su vida, sino transportar al lector a la Cuba de su infancia y adolescencia, con sus problemas, sus carencias, su dolor, pero también con una alegría de vivir y la esperanza de que algún día todo será mejor.

It's 2004 in Muriga, a quiet town in Spain's northern Basque Country, a place with more secrets than inhabitants. Five years have passed since the kidnapping and murder of a young local politician - a family man and father - and the town's rhythms have almost returned to normal. But in the aftermath of the Atocha train bombings in Madrid, an act of terrorism that rocked the nation and the world, the townspeople want a reckoning of Muriga's own troubled past.

Cece Rios thought saving her sister would be the end of her adventures in the world of criaturas. But part of Juana’s soul is still trapped in Devil’s Alley. As Cece tries to find a way to get it back using her new curandera abilities, Juana takes her fate in her own hands and sets off alone, intent on restoring her soul and getting revenge on El Sombrerón.

Lady Isabel Carlyle leaves her husband and children for the aristocratic Francis Levison, who, as it turns out, has no intention of marrying her. Having been disfigured in a train accident, the unrecognizable Isabel then takes up the position of governess to her own children in the Carlyle household, with tragic consequences.

This cross-genre anthology written by superstar YA authors from across the Latin American diaspora offers bold new thrills for every monster fan. In these fifteen original short stories, bloodthirsty vampires are hunted by a quick-witted slayer; children are taken from their beds by “el Viejo de la Bolsa” while a military dictator steals their parents; and anyone you love might be a monster waiting to strike. The sinister worlds of these narratives are also magical ones, where supernatural beings can be avatars for justice, vengeance, sisterhood, and empowerment.

In Cuba, it is believed that a mysterious water serpent - the Madre de aguas - is responsible for providing and protecting the fresh water of the island. But the serpent is missing, and a drought has gripped the island. Uchenna, Elliot, and Professor Fauna fly to Cuba and endeavor to rescue the Madre de aguas. Unfortunately, it tries to kill them. Meanwhile, the Schmoke Brothers' goons are driving around Havana, dumping pink sludge into the sewers. What is going on? Can Elliot and Uchenna end the drought?

El Greco visits the Sistine Chapel and is appalled by Michelangelo's bodies. The mystery of Rothko's refusal to finish murals for the Seagram Building in New York is blended with the story of a hospital in which a prostitute walks the halls while the narrator's husband receives chemotherapy. Alfred de Dreux visits Gericault's workshop; Gustave Courbet's devilish seascapes incite viewers "to have sex, or to eat an apple"; Picasso organizes a cruel banquet in Rousseau's honor.... All of these fascinating episodes in art history interact with the narrator's life in Buenos Aires.

Yolanda García—Yo, for short—is the literary one in the family. Her first published novel, in which she uses as characters practically everyone she knows, was a big success. Now she’s basking in the spotlight while those “characters” find their very recognizable selves dangling in that same blinding light. But turnabout is fair play, and so here, Yolanda García’s family and friends tell the truth about Yo.

Enrique Montez, smooth-talking heir to the Taco King empire, is man enough to admit that he made a critical error when he underestimated Carolina Flores. The agricultural hotshot should have been an easy conquest—who would turn down the chance to partner with California’s largest fast-food chain? But instead of signing her name on the dotted line, Carolina has Enrique eating out of the palm of her hand, and when fate steps in with an unexpected opportunity, Enrique is willing to do whatever it takes to capture her heart.

Elvira Carr believes in rules. She also strongly believes in crisp schedules, clear guidelines, and taking people at face value. Not that the 27-year-old sees many people. After several unfortunate incidents, her overbearing mother keeps her at home. But when her mother has a stroke, Elvira is suddenly on her own. To help her navigate a world that is often puzzling, she draws up seven ironclad rules. Armed with these, a notebook full of questions, and guidance from a helpful neighbor, she takes charge of herself.

In Parson, Texas, a small town ravaged by a devastating hurricane and the Vietnam War, twenty-nine-year-old Lou is diligently renovating a decaying old mansion for Miss Kate, the elderly neighbor who has always been like a mother to her. Mourning her brother’s death in Vietnam, Lou dreams of enjoying a more peaceful future in Parson. But those hopes are crushed when Miss Kate is murdered, and no one but Lou seems to care about finding the killer.

Can you love and hate the same person? I fell in love too fast, too young. I made decisions I thought would protect the ones I love. Now I'm hated for them. Skull is the love of my life. But our life was wrapped up in lies. We were captured by them, and left with nothing when they exploded. How much can a heart take before it breaks and just doesn't care anymore?

Combinando de forma magistral la ficción con datos históricos, Mario Escobar sitúa al lector en la terrible situación de los judíos polacos y su lucha por la supervivencia en el Gueto de Varsovia.

Almost 10 years before Brown vs. Board of Education, Sylvia Mendez and her parents helped end school segregation in California. An American citizen of Mexican and Puerto Rican heritage who spoke and wrote perfect English, Mendez was denied enrollment to a whites-only school. Her parents took action by organizing the Hispanic community and filing a lawsuit in federal district court. Their success eventually brought an end to the era of segregated education in California.

A meningitis outbreak in their underprivileged neighborhood left Sylvia Acevedo's family forever altered. As she struggled in the aftermath of loss, young Sylvia's life transformed when she joined the Brownies. The Girl Scouts taught her how to take control of her world and nourished her love of numbers and science.

Embarque nas naus e caravelas da vasta frota comandada por Pedro Álvares Cabral. Circule por entre marujos lusitanos, pilotos árabes, astrólogos judeus e nobres ibéricos. Viaje com eles por mares tempestuosos, em meio a perigos desconhecidos ou calmarias enervantes.

Sophie Wells is a successful photographer with a focus on putting the past firmly behind her. When Josh Strachan returns to the seaside town of Cornwall from the States to run his family's hotel, he can't understand why the fun, sexy girl has zero interest in letting him--or any man, for that matter--into her life. He also can't understand how he's been duped into employing Sophie's impulsive friend, Tula, whose crush on him is decidedly unrequited.

Akashic Books’ acclaimed series of original noir anthologies has set a high standard for portraying cities and their neighborhoods in all their dark and violent splendor. Now, Mexico City Noir surpasses that standard with phantasmagorical tales of double-dealing, corruption, violence and self-delusion.... This collection is such a varied literary feast.

Ambitious San Antonio singer Catalina “Cat” Capuleta gets the chance of a lifetime when she joins superstar heartthrob and fellow mariachi Patricio Galán on his seven-week concert tour. Demanding and arrogant, Patricio challenges Cat on every level, as an artist and as a woman. But headstrong Cat is determined to be his match. No matter how seductive Patricio’s baritone voice, Cat’s eyes are only on the prize: success and making her familia proud.

A collection of humorous, sexy, and highly neurotic tales about parenting, long-term relationships, systemic and interpersonal racism, and class conflict from the author of The Town of Babylon, The People Who Report More Stress deftly and poignantly expresses the frustration of knowing the problems and solutions to our society’s inequities but being unable to do anything about them.