Journalism Memoir

Doris Kearns Goodwin, author of the acclaimed multi-million copy best seller Team of Rivals, filmed by Spielberg as Lincoln, turns to the birth of America's Progressive Era - that heady, optimistic time when the 20th century is fresh. Reform is in the air, and it is time to take on the robber barons and corrupt politicians who have brought the country to its knees. The story is told through the close friendship between two presidents: Theodore Roosevelt (1901-1909) and his handpicked successor, William Howard Taft (1909-1913).

Lisa Millar has spent her whole life showing up, getting things done and making things happen. Despite the risks, despite the fear, despite life getting in the way. As a child growing up in country Queensland, she had dreamed of a big life. Working as a foreign correspondent gave her that. But it also meant confronting the worst of what humanity can bring - the dead children at Sandy Hook, the sorrow of grieving relatives after the Bataclan theatre terrorist attack and the aftermath of Manchester. Three decades as a journalist witnessing grief and unspeakable tragedy had a cost.

There's No Crying in Newsrooms tells the stories of remarkable women who broke through barrier after barrier at media organizations around the country over the past four decades. They started out as editorial assistants, fact checkers, and news secretaries and ended up running multi-million-dollar news operations that determine a large part of what Americans read, view, and think about the world.

Newspaperman tells the story of how an immigrant's shy son from Queens, New York, rose to the top of his industry, powered by little more than passion, brains, and hard work. Phillips began his career working as a copyboy for the New York Herald Tribune for 16 dollars a week... and ended it as publisher of The Wall Street Journal and CEO of its parent corporation, Dow Jones & Company. The life story of Warren Phillips is the story of the American newspaper business.

The "Fox Mole" delivers a funny, opinionated memoir of his eight years at the unfair, unbalanced Fox News Channel. An Atheist in the FOXhole has everything that liberals and Fox haters could desire: details about how Fox’s right-wing ideology is promoted throughout the channel; why specific angles and personalities are the only ones broadcasted; the bizarre stories Fox anchors actually believed (and passed on to the public); and tales of behind-the-scenes mayhem and mistakes, all part of reporting Fox’s version of the news.

A few weeks after the planes crashed into the World Trade Center on 9/11, journalist Megan K. Stack, a 25-year-old national correspondent for the Los Angeles Times, was thrust into Afghanistan and Pakistan, dodging gunmen and prodding warlords for information. From there, she traveled to war-ravaged Iraq and Lebanon and other countries scarred by violence, witnessing the changes that swept the Muslim world and laboring to tell its stories.

Journalist Sarah Dingle was 27 when she learned that her identity was a lie. Over dinner one night, her mother casually mentioned Sarah had been conceived using a sperm donor. The man who’d raised her wasn’t her father; in fact, she had no idea who her father was. Or who she really was. As the shock receded, Sarah began to investigate her own existence. Thus began a 10-year journey - digging through hospital files, chasing leads and taking a DNA test - that finally led to her biological origins.

On October 5, 2017, the New York Times published an article by Jodi Kantor and Megan Twohey that helped change the world. For months Kantor and Twohey had been having confidential discussions with top actresses, former Weinstein employees and other sources, learning of disturbing, long-buried allegations. The journalists meticulously picked their way through a web of decades-old secret payouts and nondisclosure agreements, pressed some of the most famous women in the world to risk going on the record.

I can still feel the chills, as I recall the scene on Fifth Avenue, below the editor’s office in August 1997. Two people were given their lives back, because of the journalism by my team. Now, their family was gathering in front of the building, holding copies of an extra edition of The Herald-Dispatch, which declared their freedom. This was why, I was sure, the Founders had created the First Amendment. We had stood up to a foreign government, forced our own to do the right thing. Stories would not always end so elegantly. Justice and good journalism do not always win.

A Day Like Today charts John’s journey from the poverty of his post-war childhood in Cardiff, leaving school at 15, to the summits of broadcasting. Humphrys was the BBC’s youngest foreign correspondent, the first reporter at the catastrophe of Aberfan, an experience that marked him for ever; he was in the White House when Richard Nixon became the first American president to resign, in South Africa during the dying years of apartheid, and in war zones around the globe throughout his career. John was also the first journalist to present the Nine O’Clock News on television.

Falling pregnant as a teenager in 1952, Philomena Lee was sent to the convent in Co. Tipperary to be looked after as a fallen woman. She cared for her baby for three years until the Church took him and sold him, like countless others, to America for adoption. She spent the next 50 years secretly searching for him, unaware that he was searching for her from across the Atlantic.

Peter Beard lived an astonishing life. The artist, wildlife photographer, and bon vivant enthralled and inspired both because of his work and his legendary lifestyle. In Twentieth-Century Man, Wallace has rendered this towering figure in all of his contradictions and complexities—a deeply romantic and idiosyncratic personality, beloved by so many, whose sensibilities nonetheless remained firmly rooted in an era characterized by racist and colonialist attitudes. Stirring and visceral, Twentieth-Century Man is the definitive portrait of Peter Beard.

In the decades between the Great Depression and the advent of cable television, when daily newspapers set the conversational agenda in the United States, the best reporter in the business was a rumpled, hard-drinking figure named Homer Bigart. Despite two Pulitzers and a host of other prizes, he quickly faded from public view after retirement. Few today know the extent to which he was esteemed by his peers. Get the Damn Story is the first comprehensive biography to encompass all of Bigart's journalism, including both his war reporting and coverage of domestic events.

Hugh Riminton was a small-town New Zealand teenager with a possible drinking problem and a job cleaning rat cages when a chance meeting with a radio news director changed his life. The news man took a chance on him, and at 17 Riminton became a cadet reporter. Over nearly 40 years he has been shot at, blown up, threatened with deportation and thrown in jail. He has reported from nearly 50 countries, witnessed massacres in Africa, wars and conflicts on four continents, and every kind of natural disaster.

During his years of reporting from the world's most savage and turbulent regions, Fergal Keane has witnessed the violence of the South African townships and the terror in Rwanda, the most extreme kinds of human behaviour, the horror of genocide, and the bravery of peacekeepers faced with overwhelming odds. As one of the BBC's leading correspondents, he recounts extraordinary encounters on the front lines.

This is not a book about Iraq's history, nor an inventory of the many Middle Eastern wars that have spun out over the past twenty years, though both wars and history are part of its narrative, from the American invasion to the Arab Spring, ISIS and beyond. This is the story of a people who once lived under the rule of a megalomaniac leader who shaped the state in his own image. Then one day, after yet another war, a foreign army invaded, toppled the leader, destroyed the state, and proceeded to invent a new country.

In The Inconvenient Journalist, Dusko Doder, writing with his spouse and journalistic partner Louise Branson, describes how one February night crystalized the values and personal risks that shaped his life. The frigid Moscow night in question was in 1984, and Washington Post correspondent Doder reported signs that Soviet leader Yuri Andropov had died.

Paper Cuts is the inside story of the slow death of the British music press. But it's also a love letter to it, the tale of how music magazines saved one man's life. Ted Kessler left home and school around his 17th birthday, determined 'to be someone who listened to music professionally'. That dream appeared forlorn when he was later arrested for theft behind the counter of the record shop he managed during acid house's long hot summer of love.

From top CNN anchor and special correspondent Soledad O'Brien comes a highly personal look at her biggest reporting moments, from Hurricane Katrina, the tsunami in Southeast Asia, and the devastating Haiti earthquake to historic elections and high-profile interviews with everyday Americans. Drawing on her own unique background and consciousness as well as her experiences as a journalist at the front lines of the most provocative issues in today's society.

Previously published as A Private War, Marie Brenner’s Richard Jewell tells a gripping true story of heroism and injustice. In the early morning hours of July 27, 1996, three pipe bombs exploded at the Summer Olympics in Atlanta, Georgia, killing one person and injuring 111 others. Hundreds more potential casualties were prevented by the vigilance and quick actions of security guard Richard Jewell, who uncovered the bombs and began evacuating the area. But no good deed goes unpunished. Investigators and journalists pursued Jewell as a potential suspect.