Journalism Memoir

Pendant presque 25 ans, la journaliste Isabelle Richer a suivi les procès les plus marquants et les plus significatifs à titre de correspondante au palais de justice de Montréal. Couvrir ainsi la scène judiciaire, c’est côtoyer le pire de la nature humaine, rappelle-t-elle. C’est plonger au cœur de la violence, la détresse, la folie et la douleur. Être ainsi quotidiennement confronté à tant de drames laisse des traces.

Welcome to the life of a local journalist, and the curious tradition of the “walk-in” – when a member of the public turns up with a tale to tell. The newsworthiness of these stories is... well... mixed, to say the least. But every journalist remembers their weirdest and most wonderful walk-ins.

Joan Didion was a writer’s writer; not only a groundbreaking journalist, essayist, novelist and screenwriter, but a keen observer who honed her sights on life’s telling details. Her insights continue to influence creatives and admirers, encouraging them to become close observers of the world. The World According to Joan Didion is a meditation on the people, places, and objects that propelled Didion’s prose and an invitation to journalists, storytellers, and life adventurers to “throw themselves into the convulsions of the world,” as she once said.

With The Huntress, the Arlens give us a revealing picture of the lifestyle and traditions of the Patterson-Medill publishing dynasty—one of the country's most powerful and influential newspaper families—but also Alicia's rebellious early years and her dominating father, Joseph Patterson. Founder and editor of the New York Daily News, Patterson was a complicated and glamorous figure who in his youth had reported on Pancho Villa in Mexico and had outraged his conservative Chicago family by briefly espousing socialism.

In 2019, the ABC aired an explosive investigative documentary, How to Sell a Massacre, revealing how One Nation solicited donations of up to $20 million from the NRA, promising in return to use the balance of power to soften gun laws in Australia. Masterminded by veteran Australian journalist Peter Charley, the elaborate sting saw Australian businessman Rodger Muller go undercover as the head of a fake Australian pro-gun advocacy group. In How to Sell a Massacre, Peter Charley gives an inside account of the sting.

I can still feel the chills, as I recall the scene on Fifth Avenue, below the editor’s office in August 1997. Two people were given their lives back, because of the journalism by my team. Now, their family was gathering in front of the building, holding copies of an extra edition of The Herald-Dispatch, which declared their freedom. This was why, I was sure, the Founders had created the First Amendment. We had stood up to a foreign government, forced our own to do the right thing. Stories would not always end so elegantly. Justice and good journalism do not always win.

In the early 2000s, John Kapoor had already amassed a small fortune in pharmaceuticals when he founded Insys Therapeutics. A boom time for painkillers, he had developed a novel formulation of fentanyl, the most potent opioid on the market. Kapoor, a brilliant scientist with relentless business instincts, was eager to make the most of his innovation. But there was a problem: the drug was a niche product, approved only for cancer patients in dire condition. So he recruited an ambitious, persuasive team, who employed a variety of deceptive techniques.

This memorial anthology will weave together the pieces that defined her reputation as one of the most important and formidable investigative journalists of her generation. It showcases the expansive breadth of McKee's voice by bringing together unpublished material alongside both her celebrated and lesser-known articles.

On the front lines of the Second World War, a contingent of female journalists were bravely waging their own battle. Barred from combat zones and faced with entrenched prejudice and bureaucratic restrictions, these women were forced to fight for the right to work on equal terms as men.

Aquel mediodía del 25 de marzo de 1977, hace 45 años, Rodolfo Walsh llegó puntual a una cita que tenía programada en la esquina de las avenidas San Juan y Entre Ríos, en el centro de la ciudad de Buenos Aires. La reunión había sido confirmada respetando los códigos de seguridad de la clandestinidad: contraseñas secretas y chequeos telefónicos. No sabía que, en verdad, un operativo, que incluía un francotirador, lo estaba esperando para capturarlo.

Un libro imprescindible para todos los aficionados al True Crime, a los misterios sin resolver y al lado más oscuro del crímen en España. La periodista Cruz Morcillo recopila testimonios y experiencias de policías y guardias civiles a través de los crímenes más truculentos ocurridos en España. Este audiolibro está narrado en castellano.

A kaleidoscopic account of the financial carnage of the pandemic, revealing the fear, grit and gambles that drove the economy's winners and losers - from a leading Wall Street Journal reporter. Crash Landing takes listeners behind the scenes of an unprecedented period of global economic turmoil, letting listeners into the inner lives of the men and women trying to save big business from the brink.

After decades of atheism and hard living, author Dan Wakefield experienced a profound religious awakening that led him back to the church. He describes his religious journey, fraught with peaks and pitfalls, and his hard-won realization that faith is not static. In a continuing quest to maintain his faith over the long-haul, Wakefield speaks plainly about the challenges of maintaining one's convictions in today's complex, secular world. Wakefield's acknowledgement that each day holds the promise of renewal will resonate with listeners who seek to keep their faith.

Compilación de entrevistas y reportajes publicados en diversos medios como El Universal, Sin embargo, Variopinto entre otros. Se trata de historias de mujeres que han encontrado diversas maneras de enfrentar la violencia de género y discriminación.

When Gerald Eskenazi started reporting, sports journalism had a different look than it does today. Eskenazi gives a behind-the-scenes look into the journalistic techniques that go into crafting a story, as well as the pitfalls reporters fall into. There are cautionary tales of journalistic excess, as well as moments of triumph such as the time Eskenazi got Joe Namath to open up to him by admitting he was a sportswriter who knew nothing about football. Along the way, Eskenazi discusses interviewing other reluctant subjects and writing under the intense pressure of a deadline.

The Fleet Street Girls is the inspiring story of the female journalists who broke down barriers in the 1970s as women arrived on Fleet Street for the first time. Julie Welch was the first ever female football reporter. To achieve this role at the Observer, she had to battle the National Union of Journalists nearly calling a strike when she dared to write an article as a mere secretary; an entire room of men falling silent to listen to her give her first football report over the phone, before pronouncing it passable; and many other battles in-between.

On the front lines of the Second World War, a contingent of female journalists were bravely waging their own battle. Barred from combat zones and faced with entrenched prejudice and bureaucratic restrictions, these women were forced to fight for the right to work on equal terms as men.

"Dawn, and as the sun breaks through the piercing chill of night on the plain outside Korem, it lights up a biblical famine, now, in the twentieth century." Those words opened Michael Buerk's first report on the Ethiopian famine for the 6 o'clock news on October 24th, 1984. His reports sent shock waves round the world. The Live Aid concert, a direct consequence of Bob Geldof watching that broadcast, was watched by half the planet.

On November 13th 2001, John Simpson and a BBC news crew walked into Kabul, and the liberation of the Afghan capital was broadcast to a waiting world. It was the end of a sustained campaign against the Taliban, a campaign that Simpson had covered from the beginning, despite appalling difficulties and, often, great danger. In this, his third riveting volume of autobiography, John Simpson focuses on how journalists set about finding the stories that make the headlines.

Hailed as "a fearless exposer of folly, vice and crime" when it first hit the streets in the 1890s, Truth was later condemned by a High Court Judge as "a wretched little paper, reeking of filth, injurious to the health of house servants and young girls". Much later it earned the nickname "The Old Whore of La Trobe Street". Truth was called many things but it was never boring.