Journalism Memoir

An inquisitive observer, thoughtful commentator, and assiduous craftsman, Neil Gaiman has long been celebrated for the sharp intellect and startling imagination that informs his fiction. Now The View from the Cheap Seats brings together, for the first time ever, more than 60 works of his outstanding nonfiction on topics and people close to his heart.

Kim Wall was a thirty-year-old Swedish freelance journalist with a rising career. Then, in the summer of 2017, she followed a story that led to an eccentric inventor in Copenhagen. Instead of writing the next days headline, she'd become one. As the bizarre events of Kim's murder unfolded, the world watched in shocked disbelief. For Kim's distraught parents, Ingrid and Joachim, it was a devastating personal struggle. In the ensuing months, day by grueling day, they had to come to terms with their loss, process the global media attention, and endure the investigation and trial.

Rodgers vividly recreates Mencken's era: the glittering tapestry of turn-of-the-century America, the roaring twenties, depressed thirties, and the home front during World War II. But the heart of the book is Mencken.

“I don’t want to be remembered for One Hundred Years of Solitude or for the Nobel Prize, but rather for my journalism,” Gabriel García Márquez said in the final years of his life. And while some of his journalistic writings have been made available over the years, this is the first volume to gather a representative selection from across the first four decades of his career - years during which he worked as a full-time, often muckraking, and controversial journalist, even as he penned the fiction that would bring him the Nobel Prize in 1982.

Patrick Radden Keefe’s work has garnered prizes ranging from the National Magazine Award and the National Book Critics Circle Award in the US to the Orwell Prize in the UK for his meticulously reported, hypnotically engaging work on the many ways people behave badly. Rogues brings together a dozen of his most celebrated articles from The New Yorker.

Long before his finest hour as Britain's wartime leader, Winston Churchill emerged on the world stage as a brazen foreign correspondent, covering wars of empire in Cuba, India, the Sudan, and South Africa. In those far-flung corners of the world, reporting from the front lines between 1895 and 1900, Churchill mastered his celebrated command of language and formed strong opinions about war.

You might not know Terry McDonell, but you certainly know his work. Among the magazines he has top-edited: Outside, Rolling Stone, Esquire, and Sports Illustrated. In this revealing memoir, McDonell talks about what really happens when editors and writers work with deadlines ticking (or drinks on the bar). His stories about the people and personalities he's known are both heartbreaking and bitingly funny.

In the era of Watergate and rising feminist awareness, reporter Pam Zekman was queen of the muckrakers. Her biggest investigation: buy a bar, document the inevitable city department shakedowns and bribes, and publicly document Chicago’s institutionalized corruption. Her epic story changed Chicago and also raised serious questions about the future of journalism.

In August 1974, after his involvement in the Watergate scandal could no longer be denied, Richard Nixon became the first and only president to resign from office in anticipation of certain impeachment. Tom Brokaw, who was then the young NBC News White House correspondent, gives us a nuanced and thoughtful chronicle, recalling the players, the strategies, and the scandal that brought down a president.

Media and law enforcement work at cross-purposes. Law enforcement want to solve a case as fast as possible and put the guilty behind bars. The media want a case to drag on as long as humanly possible and do all they can to extricate every last bit of drama, drop by bloody drop, in order to hold the attention of the millions of viewers who have gotten hooked. Law enforcement must abide by rules. The media make their own rules, and even then break them or find ways to work loopholes into them.

In The Hearsts: Father and Son, William Randolph Hearst, Jr., and co-author Jack Casserly tell the extraordinary story of an American family from the gold-diggings of California to the present Hearst media empire. They also profile a cavalcade of reporters and columnists who became the stars of the Hearst newspapers, and portray the colorful New York nightlife of the 1930s and 1940s.

Veteran White House reporter April Ryan thought she had seen everything in her two decades as a White House correspondent. And then came the Trump administration. In Under Fire, Ryan takes us inside the confusion and chaos of the Trump White House to understand how she and other reporters adjusted to the new normal. She takes us inside the policy debates, the revolving door of personnel appointments, and what it is like when she, as a reporter asking difficult questions, finds herself in the spotlight, becoming part of the story.

Do you need a few great anecdotes for the next party, family reunion or social gathering? Then please let me suggest "Editor's Total Recall," as the resource for you. Rest assured they've never heard these stories before. A journalist takes you through 30 years of memories, some dramatic but many more chalk full of humor. Would a man really demand a correction for having his name misspelled in the police blotter? Yep. Or what about a board chairman who introduced a community leader and his daughter? But wait, it was his wife. Most people would crawl into a hole if arrested for DUI. Suppose ...

Rising literary star and Los Angeles Times First Fiction Award finalist Sarah Gerard uses her experiences growing up along Florida's Gulf Coast to illuminate the struggles of modern human survival - physical, emotional, environmental - through a collection of essays exploring intimacy, addiction, obsession, religion, homelessness, and incarceration.

Steve Coogan was born and raised in Manchester in the 1960s, the fourth of six children. From an early age, he entertained his family with impressions and was often told he should "be on the telly". Failing to get into any of the London-based drama schools, he accepted a place at Manchester Polytechnic School of Theatre and before graduating had been given his first break as a voice artist on the satirical puppet show Spitting Image. The late '80s and early '90s saw Coogan developing characters.

From its birth in 1925 to the early days of the Cold War, The New Yorker slowly but surely took hold as the country's most prestigious, entertaining, and informative general-interest periodical. In Cast of Characters, Thomas Vinciguerra paints a portrait of the magazine's cadre of charming, wisecracking, driven, troubled, and brilliant writers and editors. He introduces us to Wolcott Gibbs, theater critic, all-around wit, and author of an infamous 1936 parody of Time magazine.

When Paul Caruana Galizia was at work in London, his eldest brother called to say their mother Daphne had just been assassinated. That day, he returned to their native Malta and, with his two brothers and their father, began a quest to discover who was responsible for Daphne's murder and who stood to profit from ending the life of a journalist whose courage and determination threatened the powerful with the truth. Two years later, they did.

Marcellus Wiley has never had a problem expressing his opinion, whether it was growing up in Compton with a football tucked under his arm, or going to college at Columbia University, where he learned to survive Advanced Calculus and self-important pseudo-intellectuals. Or making it to the NFL against all odds, where he put together a 10-year career of massive paydays, massive painkillers, and massive sacks of everyone from Steve Young to Peyton Manning. Now, in Never Shut Up, Wiley doesn't hold back as he goes off on everything that's controversial with the game today.

In Lincoln and the Power of the Press, Harold Holzer shows us an activist Lincoln through journalists who covered him from his start to the night of his assassination. In a wholly original way, Holzer shows us politicized newspaper editors battling for power and a masterly president who used the press to speak directly to the people and shape the nation.

The inner workings of a writer’s life, the interplay between experience and writing, are brilliantly recounted by a master of the art. Gay Talese now focuses on his own life—the zeal for the truth, the narrative edge, the sometimes startling precision, that won accolades for his journalism and best-sellerdom and acclaim for his revelatory books about The New York Times (The Kingdom and the Power), the Mafia (Honor Thy Father), the sex industry (Thy Neighbor’s Wife), and, focusing on his own family, the American immigrant experience (Unto the Sons).