Journalism History

When Norman Pearlstine - as editor in chief of Time Inc. - agreed to give prosecutor Patrick Fitzgerald a reporter's notes of a conversation with a "confidential source", he was vilified for betraying the freedom of the press. But in this hard-hitting inside story, Pearlstine shows that "Plamegate" was not the clear case it seemed to be, and that confidentiality has become a weapon in the White House's war on the press - a war fought with the unwitting complicity of the press itself.

From the distant past to the present day, humans have been drawn to lining their eyes. The aesthetic trademark of figures ranging from Nefertiti to Amy Winehouse, eyeliner is one of our most enduring cosmetic tools; ancient royals and Gen Z beauty influencers alike would attest to its uniquely transformative power. It is undeniably fun - yet it is also far from frivolous. Seen through Zahra Hankir's (kohl-lined) eyes, this ubiquitous but seldom-examined product becomes a portal to history, proof both of the stunning variety among cultures across time and space and of our shared humanity.

On May 7, 1945, journalist Edward Kennedy bypassed military censorship to be the first to break the news of the Nazi surrender executed in Reims, France. While, at the behest of Soviet leaders, Allied authorities prohibited release of the story, Kennedy stuck to his journalistic principles and refused to manage information he believed the world had a right to know. No action by an American correspondent during the war proved more controversial.

Jeremy Bowen, the BBC’s Middle East Editor, has been covering the region since 1989 and is uniquely placed to explain its complex past and its troubled present. In this new book, in part based on his acclaimed podcast, Bowen takes us on a journey across the Middle East and through its history. He meets ordinary men and women on the front line, their leaders, whether brutal or benign, and he explores the power games that have so often wreaked devastation on civilian populations as those leaders, whatever their motives, jostle for political, religious and economic control.

With The Huntress, the Arlens give us a revealing picture of the lifestyle and traditions of the Patterson-Medill publishing dynasty—one of the country's most powerful and influential newspaper families—but also Alicia's rebellious early years and her dominating father, Joseph Patterson. Founder and editor of the New York Daily News, Patterson was a complicated and glamorous figure who in his youth had reported on Pancho Villa in Mexico and had outraged his conservative Chicago family by briefly espousing socialism.

Just after the iron curtain fell on Eastern Europe, John Steinbeck and acclaimed war photographer Robert Capa ventured into the Soviet Union to report for the New York Herald Tribune. This rare opportunity took the famous travellers not only to Moscow and Stalingrad - now Volgograd - but through the countryside of the Ukraine and the Caucasus. A Russian Journal is the distillation of their journey and remains a remarkable memoir and unique historical document.

The Civil War involved the entire population in a way paralleled by no other conflict since the Revolution. Photographs of war deaths and almost instantaneous reports from the front by telegraph made the war years difficult for both parents and children. The War of Southern Secession, a civil war, had come to America. It would be one of the most tragic events in the nation's history, resulting from a dispute among its citizens over just what the new country should look like.

There’s been a public disaster, and someone wants to sweep it under the rug. A journalist is asking questions, and stumbles across another story, from several years ago. Any connection seems like pure speculation – but then her family is threatened. A short thriller playing on two historical events. Journalist Laura Schreiner faces a painful decision. She has asked too many questions, and now the lives of her children are in danger. A catastrophe has taken place, and a curiously large number of people care remarkably little about investigating it. The ambitious young journalist isn’t ...

The relationship between those who wield power and those whose job it is to tell us what they are doing has always been fraught with tension. Politicians now expect to be on camera and facing aggressive questions from the moment they open their front door to the moment they return home at night. Everything they say and do is instantly broadcast and dissected on 24-hour news channels, blogs, and Twitter. It was not always this way. Live from Downing Street takes us on an absorbing journey through the hard-fought battles for the right to tell the public about the decisions taken on their behalf.

Wendy Law-Yone was 15 at the time of Burma's military coup in 1962. The daughter of Ed Law-Yone, daredevil proprietor of Rangoon Nation, Burma's leading postwar English-language daily, she experienced firsthand the perils and promises of a newly independent Burma. On the eve of Wendy's studies abroad, Ed Law-Yone was arrested, his newspaper shut down, and Wendy herself was briefly imprisoned. After his release, Ed fled to Thailand with his family, where he formed a government-in-exile.

During his years of reporting from the world's most savage and turbulent regions, Fergal Keane has witnessed the violence of the South African townships and the terror in Rwanda, the most extreme kinds of human behaviour, the horror of genocide, and the bravery of peacekeepers faced with overwhelming odds. As one of the BBC's leading correspondents, he recounts extraordinary encounters on the front lines.

Hailed as "a fearless exposer of folly, vice and crime" when it first hit the streets in the 1890s, Truth was later condemned by a High Court Judge as "a wretched little paper, reeking of filth, injurious to the health of house servants and young girls". Much later it earned the nickname "The Old Whore of La Trobe Street". Truth was called many things but it was never boring.

After decades of atheism and hard living, author Dan Wakefield experienced a profound religious awakening that led him back to the church. He describes his religious journey, fraught with peaks and pitfalls, and his hard-won realization that faith is not static. In a continuing quest to maintain his faith over the long-haul, Wakefield speaks plainly about the challenges of maintaining one's convictions in today's complex, secular world. Wakefield's acknowledgement that each day holds the promise of renewal will resonate with listeners who seek to keep their faith.

On the front lines of the Second World War, a contingent of female journalists were bravely waging their own battle. Barred from combat zones and faced with entrenched prejudice and bureaucratic restrictions, these women were forced to fight for the right to work on equal terms as men.

When Gerald Eskenazi started reporting, sports journalism had a different look than it does today. Eskenazi gives a behind-the-scenes look into the journalistic techniques that go into crafting a story, as well as the pitfalls reporters fall into. There are cautionary tales of journalistic excess, as well as moments of triumph such as the time Eskenazi got Joe Namath to open up to him by admitting he was a sportswriter who knew nothing about football. Along the way, Eskenazi discusses interviewing other reluctant subjects and writing under the intense pressure of a deadline.

Funny Weather brings together a career’s worth of Laing’s writing about art and culture, examining its role in our political and emotional lives. She profiles Jean-Michel Basquiat and Georgia O’Keefe, interviews Hilary Mantel and Ali Smith, writes love letters to David Bowie and Freddie Mercury, and explores loneliness and technology, women and alcohol, sex and the body.

Now, for the first time, the nation's most respected reporters share their stories as the eyes and ears of the nation to create a fascinating oral history. Some of the most influential journalists of our time, including Christiane Amanpour, Walter Cronkite, Morley Safer, Peter Arnett, and Andy Rooney convey the facts, the brutality, and the drama of warfare and examine issues such as censorship, propaganda, ethics, the power of the press, and the future of war reporting, especially after September 11th.

On the morning of Saturday 22nd April 1978, members of an Active Service Unit of the IRA hijacked a car and crossed the countryside to the town of Lisburn. Within an hour, they had killed an off-duty policeman in front of his young son. In The Anatomy of a Killing, award-winning journalist Ian Cobain documents the hours leading up to the killing and the months and years of violence, attrition and rebellion surrounding it.

Do you know it, do you remember it, the drives, the attitudes, the terrors and, yes, the joys? Thus Steinbeck introduces his collection of poignant and hard-hitting dispatches for the New York Herald Tribune when the Second World War was at its height. He begins in England, recounting the courage of the bomber crews, the tragic air-raids and the strangeness of the British, before being sent to Africa and joining a special operations unit off the coast of Italy.

This book is a unique inquiry into the history and the ongoing moral significance of mass communication as an idea and social form. Organized around narrative accounts of individuals and their communicative worlds, it strives to refigure mass communication as a concept, illuminate significant but overlooked rhetorical episodes in its history, and call listeners to reconsider their own engagements with it today.