Journalism History

First published in 1959 but now offered in a revised and expanded edition, The View from the Ground presents over six decades of Gellhorn's ruminations on political, civil, and social issues and crises, from a lynching in the American South in the 1930s through a recent visit to Cuba to see what is new and what remains the same in a country that is still off limits to most Americans. Gellhorn's ability to get to the truth of a situation makes her writing transcend the short shelf life of most reportage.

In Lincoln and the Power of the Press, Harold Holzer shows us an activist Lincoln through journalists who covered him from his start to the night of his assassination. In a wholly original way, Holzer shows us politicized newspaper editors battling for power and a masterly president who used the press to speak directly to the people and shape the nation.

Originally, The Motherland Saga ended in 1983, and what came thereafter was a brief epilogue. However, the past thirty-eight years have witnessed unimaginable changes in the fabric of the people, the culture, and the politics of Turkey. The emerging history of this great land compelled the writing of this fourth volume, THE FOOTSTEPS OF FOREVER. While the period from 2005 to 2020 has witnessed a sea change in the fortunes of this tortured nation and what appears to be a complete reversal in Turkey’s international alliances and its worldview, THE FOOTSTEPS OF FOREVER, Volume Four of the ...

The Sun and the Moon tells the delightful and surprisingly true story of how a series of articles in the Sun newspaper in 1835 convinced the citizens of New York that the moon was inhabited. Purporting to reveal discoveries of a famous British astronomer, the series described such moon life as unicorns, beavers that walked upright, and four-foot-tall flying man-bats. It quickly became the most widely circulated newspaper story of the era.

Since its first issue on October 10, 1896, The New York Times Book Review has brought the world of ideas to the reading public. It is the publication where authors have been made, and where readers first encountered the classics that have enriched their lives. Now the editors have curated the Book Review’s dynamic 125-year history, which is essentially the story of modern American letters. Brimming with remarkable reportage, this book collects interesting reviews, never-before-heard anecdotes about famous writers, and spicy letter exchanges.

The writing of Death of a President, William Manchester's award-winning account of President Kennedy's assassination, is the topic of the title essay in this collection, as it was a controversy like few others, pitting one of the most prominent historians of the day against Jackie Kennedy, the most famous and private widow in the world. The essay provides an insider's account of the struggle to see the book published.

In Losing the News, Pulitzer Prize-winning journalist Alex S. Jones offers a probing look at the epochal changes sweeping the media, changes which are eroding the core news that has been the essential food supply of our democracy. Losing the News depicts an unsettling situation in which the American birthright of fact-based, reported news is in danger. But it is also a call to arms to fight to keep the core of news intact.

In the era of Watergate and rising feminist awareness, reporter Pam Zekman was queen of the muckrakers. Her biggest investigation: buy a bar, document the inevitable city department shakedowns and bribes, and publicly document Chicago’s institutionalized corruption. Her epic story changed Chicago and also raised serious questions about the future of journalism.

Long before the rise of mega-corporations like Wal-Mart and Microsoft, Standard Oil controlled the oil industry with a monopolistic force unprecedented in American business history. Undaunted by the ruthless power of its owner, John D. Rockefeller, a fearless and ambitious reporter named Ida Minerva Tarbell confronted the company known simply as "The Trust".

In the second half of 2020 and continuing into 2021, protests against racial injustice spread across the United States after the death of George Floyd while in the custody of Minneapolis Police Department officers. What transpired during this troubled time cast a bright light on the contemporary relationship between the press and police in the United States. The relationship between these two fundamental institutions is, however, a long and complicated one.

A few weeks after the planes crashed into the World Trade Center on 9/11, journalist Megan K. Stack, a 25-year-old national correspondent for the Los Angeles Times, was thrust into Afghanistan and Pakistan, dodging gunmen and prodding warlords for information. From there, she traveled to war-ravaged Iraq and Lebanon and other countries scarred by violence, witnessing the changes that swept the Muslim world and laboring to tell its stories.

Veteran White House reporter April Ryan thought she had seen everything in her two decades as a White House correspondent. And then came the Trump administration. In Under Fire, Ryan takes us inside the confusion and chaos of the Trump White House to understand how she and other reporters adjusted to the new normal. She takes us inside the policy debates, the revolving door of personnel appointments, and what it is like when she, as a reporter asking difficult questions, finds herself in the spotlight, becoming part of the story.

The amazing story behind the greatest newspaper men to ever live, Joseph Pulitzer and William Randolph Hearst, lies primarily hidden with their reporters who were in the field. They risked their lives in Cuba as the country grappled for independence simply to “get the story” and write what was not always the most accurate story, but definitely the best. Anything to sell papers. Reporters like Harry Scovel, Stephen Crane, Cora Taylor, Richard Harding Davis, and James Creelman, among others, put themselves in danger every day just for the news.

In his #1 New York Times best seller, Bias, Emmy Award-winning journalist Bernard Goldberg created a national firestorm when he exposed the liberal biases of the so-called mainstream media. Now, in his new blockbuster, Goldberg goes even further. He not only takes on Big Journalism, but offers a twelve-step program to help the media elites overcome their addiction to bias.

Now an insider at The People vs. O. J. Simpson reveals the untold story of the most widely followed trial in American history and the indelible impact it has had on the judiciary, the media, and the public. As the Los Angeles Superior Court's media liaison, Jerrianne Hayslett had unprecedented access to the trial - and met with Judge Lance Ito daily - as she attempted, sometimes unsuccessfully, to mediate between the court and members of the media and to balance their interests.

Bill Littlefield (NPR's Only a Game) presents the second installment in the Library of America series devoted to classic American sportswriters, a definitive collector's edition of the pathbreaking writer who invented the long-form sports story.

In the early sixties, Calvin Trillin got his start as a journalist covering the Civil Rights Movement in the South. Over the next five decades of reporting, he often returned to scenes of racial tension. Now, for the first time, the best of Trillin’s pieces on race in America have been collected in one volume.

In the waning years of the 19th century, women journalists across the United States risked reputation and their own safety to expose the hazardous conditions under which many Americans lived and worked. Inventive writers whose in-depth narratives made headlines for weeks at a stretch, these “girl stunt reporters” changed laws, helped launch a labor movement, championed women’s rights, and redefined journalism for the modern age.

Long before the current preoccupation with "fake news", American newspapers routinely ran stories that were not quite, strictly speaking, true. Today, a firm boundary between fact and fakery is a hallmark of journalistic practice, yet for many readers and publishers across more than three centuries, this distinction has seemed slippery or even irrelevant.

The Suitcase Man, a Melungeon, comes out of nowhere and explodes on social media. The world has never seen anything like him as if he cast a spell on the masses. He has 10 million followers and is quickly getting rich from his extraordinary mission. Some want to kill him, while others cling with admiration to his every word and image. He WALKS everywhere he goes and wears a bodycam turned on from sunrise to sunset, and then he turns it off to hide sleeping in thick woods. Mark, a topnotch investigative journalist from the wildly popular magazine, The Devil's Horn, is sent to interview the ...