Japan Thriller

Japan, 1701. A woman is brutally attacked within a bamboo prison as clouds swirl around her head. Meanwhile, at Edo Castle, samurai detective turned chamberlain Sano Ichiro is suspicious of his old rival, Yanagisawa, who has been oddly cooperative since returning from exile.

Eliza Altairsky-Lointaine is the toast of Moscow society, a beautiful actress in an infamous theatre troupe. Her love life is as colourful as the parts she plays. She is the estranged wife of a descendant of Genghis Khan. And her ex-husband has threatened to kill anyone who courts her. He appears to be making good on his promise. Fandorin is contacted by a concerned friend - the widowed wife of Chekhov - who asks him to investigate an alarming incident involving Eliza.

"Having fallen to the many mistakes she made in Nirasaki, Makai Akira now finds herself living a mundane life in Tokyo, devoid of any meaning. She now struggles to survive each night in Shinjuku as a hostess in dead-end clubs, surrounded by questionable guests and cruel bosses. However, this boring life quickly changes once she crosses paths with a man, Aoyama Ryusuke. On the surface, she sees him as a wealthy businessman, though she soon discovers that there's more to him than meets the eye. Making what could be the worst mistake of her life, Akira insists that Aoyama allow her to work for...

For months during 1943 there was no night in Hellfire Pass. By the light of flares, carbide lamps and bamboo fires, men near-naked and skeletal cut a passage through stone to make way for a railway. Among these men were some of the 22,000 Australian soldiers taken prisoner by the Japanese during World War II. In camps across Asia and the Pacific, they struggled, died, and survived with a little help from their mates.

When Yu-jin wakes up covered in blood and finds the body of his mother downstairs, he decides to hide the evidence and pursue the killer himself. Then young women start disappearing in his South Korean town. Whom is he hunting? And why does the answer take him back to his brother and father, who lost their lives many years ago? The Good Son is inspired by a true story.

From Japan to Singapore. Continuing through the Philippines to Dubai and Yemen. Two former soldiers of fortune, and a grounded airline pilot. Their search for both Japan's priceless national treasure that has been missing since World War Two ended in 1945 and a globe-circling 400 series Boeing 747. A story that is woven around the real-life mystery of the lost Honjo Masamune Sword. One of the 30 world's most valuable lost treasures. Crafted by Nippon's legendary 13th-century Master Blade Smith.

Es ist der Winter 1937, und der Ort Okamura befindet sich in heller Aufruhr: schon bald wird die renommierte Ichiyanagi-Famile ihren Sohn vermählen. Aber unter den Tratsch über das anstehende Fest mischt sich ein besorgniserregendes Gerücht: ein maskierter Mann streift durch das Städtchen und fragt die Leute zu den Ichiyanagis aus. In der Hochzeitsnacht dann erwacht die Familie durch einen furchtbaren Schrei, auf den eine unheimliche Melodie folgt.

Der nächste Fall der erfolgreichen klassischen Krimiserie aus Japan - "Japans Antwort auf Agatha Christie." The Guardian. Der Privatermittler Kosuke Kindaichi reist auf die abgelegene Insel Gokumon, um einer der wichtigsten Familien dort eine tragische Nachricht zu überbringen: Einer ihrer Söhne ist auf einem Truppentransportschiff, das ihn nach dem Zweiten Weltkrieg zurück in die Heimat bringen sollte, gestorben. Doch Kindaichi ist nicht nur als Bote gekommen - mit seinen letzten Worten warnte der Sterbende, dass nun das Leben seiner drei Stiefschwestern in Gefahr sei.

Atomenergie, bakteriologische Kampfmittel, die japanische Mafia der Yakuza, eine Geiselnahme im Shanghai World Financial Center...

Ein unschuldig wegen Mordes zum Tod Verurteilter soll hingerichtet werden. Der ehemalige Gefängnisaufseher Kihara und der auf Bewährung entlassene Jun'ichi erhalten den Auftrag, den wahren Täter zu finden. Für das ungleiche Ermittlerduo beginnt damit nicht nur ein dramatischer Wettlauf gegen die Zeit, sondern beide müssen sich auch ihrer eigenen Vergangenheit stellen.

Holly Blain and Inspector Tanaka are back on the case. Despite their tumultuous relationship when taking down the Otaku killer, the unlikely pair find themselves teaming up once more to stop a new murderer who is plaguing Tokyo. Recently, there has been an increase in poisonings from the delicacy fugu. But with strict preparation guidelines for the toxic fish, Blain and Tanaka fear these are more than just accidents.

There's harrowing tension in being Asayi. But join Asayi's circle to oppose a punitive regime. Court intrigues swirl, underbelly characters from different levels of society emerge, deceptions reign, yet truth emerges at the end. Layers of nuance unfold: the vulnerability of an autistic young woman in a merciless time period; political unrest, physical survival, secret identities, and finding ones tribe and love while facing injustices and revolts that are just as real as todays inequities and discontents.

In einer Regennacht findet ein junger Mann in den Straßen von Tokio eine Leiche - und neben ihr einen Revolver. Nishikawa nimmt die Waffe an sich und entwickelt schon nach kurzer Zeit eine unheimliche Obsession. All seine Gedanken, sein ganzes Leben kreisen um das perfekte kleine Wunderwerk. Und um die vier Kugeln, die sich noch immer in der Trommel befinden. Irgendwann ist es nicht mehr genug, die Waffe zu besitzen. Er muss sie abfeuern.

A novella by David Alexander. Praise for David Alexander's Short Fiction "There are few story writers working today more vibrant, innovative and exciting than David Alexander. His stories jump off the page in fits of sensory attack, spiritual complication, emotional trouble. I don't know where he came from, but I know where he's going -- to the front rank of American storytellers." -- Frederick Barthelme "Alexander is a modern de Maupassant with a Kafkian sense of linearity, a Borgesque bent for the uncanny, and a unique pile of resources to draw on. ...His stories transcend interpersonal ...