Indigenous Politics

The Knowing is the unfolding of Canadian history unlike anything we have ever heard before. Award-winning and bestselling Anishinaabe author Tanya Talaga retells the history of this country as only she can—through an Indigenous lens, beginning with the life of her great-great grandmother Annie Carpenter and her family as they experienced decades of government- and Church-sanctioned enfranchisement and genocide.

Several years ago, ecologist Lauren E. Oakes set out from California for Alaska's old-growth forests to hunt for a dying tree: the yellow-cedar. With climate change as the culprit, the death of this species meant loss for many Alaskans. Oakes and her research team wanted to chronicle how plants and people could cope with their rapidly changing world. Amidst the standing dead, she discovered the resiliency of forgotten forests, flourishing again in the wake of destruction, and a diverse community of people who persevered to create new relationships with the emerging environment.

Indigenous communities have been organizing against violence since newcomers first arrived, but the cases of missing and murdered women have only recently garnered broad public attention. Violence Against Indigenous Women joins the conversation by analyzing the socially interventionist work of Indigenous women poets, playwrights, filmmakers, and fiction writers.

Aboriginal lawyer, writer and filmmaker Larissa Behrendt has long been fascinated by the story of Eliza Fraser, who was purportedly captured by the Butchulla people after she was shipwrecked on their island off the Queensland coast in 1836. In this deeply personal audiobook, Behrendt uses Eliza's tale as a starting point to interrogate how Aboriginal people – and indigenous people of other countries – have been portrayed in their colonisers' stories.

Originally published in 1891, Wynema is the first novel known to have been written by a woman of American Indian descent. Set against the sweeping and often tragic cultural changes that affected southeastern native peoples during the late 19th century, it tells the story of a lifelong friendship between two women from vastly different backgrounds - Wynema Harjo, a Muscogee Indian, and Genevieve Weir, a Methodist teacher from a genteel Southern family.

Inside Cardboard Box 39 at the South Australian Museum’s storage facility lies the forgotten skull of an Aboriginal man who died 85 years before. His misspelled name is etched on the crown, but the many bones in boxes around him remain unidentified. Who was Yokununna, and how did he die? His story reveals the layered, exploitative White Australian mindset that has long rendered Aboriginal reality all but invisible.

Tiki is a God who in the dim long ago helped to build the world, and the whose carved image is now supporting the middle pillar of the house. His eyes of pawa-shell, which once commanded in the Ten Heavens and were full of fire and wisdom, glisten out of the silent twilight; they stare far, far into the Darkness, which Hine-nui-te-po is slowly spreading over the world; Hine-nui-te-po, the Great Mother of Night, who at one time was young and beautiful, and gave Life to Nature.

Popular narratives of American history conceal as much as they reveal, presenting a national identity based on harvesting treasures that lay in wait for European colonization. In Whose Ruins tells another story: winding through the US landscape, from Native American earthworks in West Virginia to the Manhattan Project in New Mexico, this history is a tour of sites that were mined for an empire’s power.

High on a cliff in Hawaii in 1807, an irrepressibly curious native boy dives into the sea and swims to an American merchant ship anchored offshore, embarking on an extraordinary adventure that will change history.

Before Indian casinos sprouted up around the country, a few enterprising tribes got their start in gambling by opening bingo parlors. A group of women on the Oneida Indian Reservation just outside Green Bay, Wisconsin, introduced bingo in 1976 simply to pay a few bills. Bingo not only paid the light bill at the struggling civic center but was soon financing vital health and housing services for tribal elderly and poor.

In this accessible and innovative work, Susan Burch tells the story of the Indigenous people - families, communities, and nations, across generations to the present day - who have experienced the impact of this history. Drawing on oral history interviews, correspondence, material objects, and archival sources, Burch reframes the histories of institutionalized people and the places that held them. Committed expands the boundaries of Native American history, disability studies, and US social and cultural history generally.

Human? is the story of acclaimed Wik artist Ziggy Ramo's experience growing up under the weight of this lie. We've had 236 years of continued destruction in the name of 'civilised progress', under an oppressive colonial system that punches down on almost everyone. We all deserve more. But to move forward we have to be honest about the past.

This is a difficult piece to write. It cuts closer to the bone than most of what I have written; closer to my bones, through my blood and flesh to the bones of truth and country; there is truth here, not disguised but in the open, and that truth hurts. Colonisation in Australia is not over. Colonisation is a process, not an event - and the after-effects will continue while there are still people to remember it.

Indigenous peoples have faced the end of the world before. Now, humankind is on a collective march toward the abyss. Global pandemics, extreme weather, and massive wildfires define this era many now call the Anthropocene. From Brazil comes Ailton Krenak, renowned Indigenous activist and leader, who demonstrates that our current environmental crisis is rooted in society’s flawed concept of “humanity” - that human beings are superior to other forms of nature and are justified in exploiting it as we please.

Don’t Take Your Love to Town is a story of courage in the face of poverty and tragedy. Ruby recounts losing her mother when she was six, growing up in a mission in northern New South Wales and leaving home when she was 15. She lived in tin huts and tents in the bush and picked up work on the land while raising nine children virtually single-handedly. Later she struggled to make ends meet in the Koori areas of Sydney.

Our eyes have been drawn away from the skies to our screens. We no longer look to the stars to forecast the weather, predict the seasons or plant our gardens. Most of us cannot even see the Milky Way. But First Nations Elders around the world still maintain this knowledge, and there is much we can learn from them. Guided by six First Nations Elders, Duane Hamacher takes us on a journey across space and time to reveal the wisdom of the first astronomers.

This meticulously researched book offers an unprecedented journey through the diverse spiritual landscapes of the world, celebrating the rich tapestry of beliefs that define humanity's relationship with the supernatural. Uncover the hidden messages behind each story, gain insight into different cultures' understanding of the paranormal, and appreciate the shared human fascination with the unknown.

Alaska Natives is not merely a collection of facts and dates; it's a captivating narrative that explores the Alaska Native cultures and their journey into the modern era. Discover the pathways on the Bering Land Bridge, share in the contemporary celebrations that honor their heritage, and witness the continuity of traditions that are intertwined with tales of resilience, artistry, and their incredible connection with the land.

In Voices from Hudson Bay Cree elders recall the daily lives and experiences of the men and women who lived and worked at the Hudson’s Bay Company post at York Factory in Manitoba. Their stories, their memories of family, community, and daily life, define their past and provide insights into a way of life that has largely disappeared in northern Canada. The era the elders describe, from the end of World War I to the closing of York Factory in 1957, saw dramatic changes—both positive and negative—to Indigenous life in the North.

Charles Eastman is unique among Indian writers, whether storytellers or oral historians. He was raised traditionally, as a Woodland Sioux, by his grandmother, from 1858 to 1874, until he was 15. He thus gained a thorough first-hand knowledge of the lifeways, language, culture, and oral history. His father (thought to have been hanged at Mankato, Minnesota) reappeared and insisted he receive the white man's education.