Indigenous Native American

Born into a magical Cree world in snowy Northern Manitoba, Champion and Ooneemeetoo Okimasis are all too soon torn from their family and thrust into the hostile world of a Catholic residential school. Their language is forbidden, their names are changed to Jeremiah and Gabriel, and both boys are abused by priests. As young men, estranged from their own people and alienated from the culture imposed upon them, the Okimasis brothers fight to survive. Wherever they go, the Fur Queen - a wily, shape-shifting trickster - watches over them with a protective eye.

Part manifesto, part memoir, This Wound Is a World is an invitation to “cut a hole in the sky / to world inside”. Belcourt issues a call to turn to love and sex to understand how Indigenous peoples shoulder their sadness and pain without giving up on the future. His poems upset genre and play with form, scavenging for a decolonial kind of heaven where “everyone is at least a little gay”.

Legends that endured for centuries, endure for a reason. In the wilderness of Southeastern Alaska, the Kushtaka is one such legend. Known as the Land-Otter Man among the Tlingit Indians, the Kushtaka are shape-shifting, time bending, mythical creatures capable of taking your deepest fears and turning them into a nightmarish reality.

Eagle Blue follows the Fort Yukon Eagles, winners of six regional championships in a row, through the course of an entire 28-game season, from their first day of practice in late November to the Alaska State Championship Tournament in March. With insight, frankness, and compassion, Michael D’Orso climbs into the lives of these 14 boys, their families, and their coach, shadowing them through an Arctic winter of 50-below-zero temperatures and near-round-the-clock darkness as the Eagles crisscross Alaska in pursuit of their - and their village’s - dream.

For decades, the singular and provocative paintings by Cree artist Kent Monkman have featured a recurring character—an alter ego of sorts, a shape-shifting, time-travelling elemental being named Miss Chief Eagle Testickle. Though we have glimpsed her across the years, and on countless canvases, it is finally time to hear her story, in her own words. And, in doing so, to hear the whole history of Turtle Island anew.

Connecting to Our Ancestral Past is a pragmatic, spiritual journey that introduces a variety of specific rituals and conversations in connection with Constellations work, an experiential process that explores one's history and powerful events of the past in order to understand and resolve problems of the present. Constellations facilitator and author Francesca Mason Boring presents this therapeutic method in the context of cultures like the Shoshone, of which she is a member, that have seen the world through a prism of interrelationships for millennia.

You've probably spent years trying to learn how to speak English. You've taken a class, maybe an online course, read a book, and studied online; and yet, you still cannot speak English and sound like a native speaker. If you've been struggling and would like your speech to sound more natural, then you have come to the right place! This book will help you sound exactly like a native speaker. It will teach you everything from the best techniques to the most common words and phrases that are used in the English language.

Sacred Sites is a singular and memorable account of the evolution of the Southern California landscape, reflecting the riches of both Native knowledge and Western scientific thought. Founded on meticulous research, Suntree offers a rare and poetic vision combining Western and indigenous thinking to create an ever-deepening sense of a place and its people.

This first comprehensive work on women in pre-Columbian cultures describes gender roles and relationships in the Americas from 12,000 B.C. to the A.D. 1500s. Utilizing many key archaeological works, Karen Olsen Bruhns and Karen E. Stothert redress some of the long-standing male bias in writing about ancient Native American lifeways. The authors pay particular attention to the problems of interpreting archaeological remains and the uses of historic and ethnographic evidence in reconstructing the past.

In the heart of Indian country in the American west, clandestine criminals were profiting greatly from the sale of sacred Native American artifacts stolen from tribal lands. These artifacts were so ancient they had been used since the migration of the first Americans into North America some 15,000 years ago. In the year 1998, the illegal trafficking of these artifacts peaked in Santa Fe, New Mexico.

In this accessible and innovative work, Susan Burch tells the story of the Indigenous people - families, communities, and nations, across generations to the present day - who have experienced the impact of this history. Drawing on oral history interviews, correspondence, material objects, and archival sources, Burch reframes the histories of institutionalized people and the places that held them. Committed expands the boundaries of Native American history, disability studies, and US social and cultural history generally.

With heart, pathos, humor, and insight, twenty renowned writers, performers, athletes, and activists explore what it means to be Native American today. Through a series of essays and poems, these luminaries give voice to their individual experiences while shedding light on the depth and complexity of modern Native American identity, resiliency, and joy.

Lyn has her pottery artwork, her precocious kid, Willow, and the uncertain terrain of her midlife to keep her mind, heart and hands busy. June, a Métis Studies professor, yearns to uproot from Vancouver and move. With her loving partner, Sigh, and their faithful pup, June decides to buy a house in the last place on earth she imagined she’d end up: back home in Winnipeg with her family.

For thousands of years two distinct cultures evolved unaware of one another’s existence. Separated by what one culture called The Great Sea and known to the other as the Atlantic Ocean, the course of each culture’s future changed irreversibly 400 years ago.

For decades, Indigenous women and girls have gone missing or been found murdered along an isolated stretch of highway in northwestern British Columbia. The highway is known as the Highway of Tears, and it has come to symbolize a national crisis. Highway of Tears is a piercing exploration of our ongoing failure to provide justice for missing and murdered Indigenous women and girls, and testament to their families and communities' unwavering determination to find it.

American schoolchildren have long been taught that their country was “discovered” by Christopher Columbus in 1492. But the history of Native Americans in the United States goes back tens of tens of thousands of years prior to Columbus’s and other colonizers’ arrivals. So, what’s the true history? Indigenous America introduces and amplifies the oral and written histories that have long been left out of American history books.

Below the mist-shrouded mountains of the West Coast lie the stories of how we came to be. It is through the myths of the people who have lived with this spirit of place for thousands of years that we uncover the mystery of our homeland. The mythical creatures Raven, Thunderbird, Bear, and the Great Spirit become a path to rediscovering the spiritual landscape of culture. These are the stories of the Pacific Coast that tell of gods and demons, good and evil; things unimaginable brought to life.

The revolutionary Ohio Valley is often depicted as a chaotic Hobbesian dystopia, in which Indians and colonists slaughtered each other at every turn. In Unsettling the West, Rob Harper overturns this familiar story. Rather than flailing in a morass, the peoples of the revolutionary Ohio Valley actively and persistently sought to establish a new political order that would affirm their land claims, protect them against attack, and promote trade.

Pine Ridge Indian Reservation is home to the original people of this land, yet it is also one of the poorest communities in America. Through intimate and vulnerable memoir, Lakota twin sisters Sarah Eagle Heart and Emma Eagle Heart-White recount growing up on the reservation and overcoming enormous odds, first as teenage girls in a majority-white high school, and then battling bias in their professional careers. Woven throughout are self-help strategies centering women of color, that combine marginalized histories, psychological research on trauma, and perspectives on decolonial therapy.

In an urgent and visceral work that asks essential questions about the treatment of Native people in North America while drawing on intimate details of her own life and experience with intergenerational trauma, Alicia Elliott offers indispensable insight into the ongoing legacy of colonialism. She engages with such wide-ranging topics as race, parenthood, love, mental illness, poverty, sexual assault, gentrifcation, writing, and representation.