Indigenous Australia

Soon after Billy Griffiths joins his first archaeological dig as camp manager and cook, he is hooked. Equipped with a historian’s inquiring mind, he embarks on a journey through time, seeking to understand the extraordinary deep history of the Australian continent. Deep Time Dreaming is the passionate product of that journey. It investigates a twin revolution: the reassertion of Aboriginal identity in the second half of the 20th century and the uncovering of the traces of ancient Australia.

Book Four of the Southern Skyes Australian family saga: The deep secrets woven amidst the branches of the McCabe and Skye family trees have been hidden for years until now. More quickly than shifting sands on the shores of Tasmania, these family secrets are tumbling forth with unleashed fury. All of this immensely displeases the egocentric elder brother Griff McCabe, who has spent a lifetime carefully plotting to protect the family name from the disgraces of the past—and in his eyes, the worst of all—the drops of aboriginal blood that course through the roots of the ancestral tree. Now,...

The film Rabbit-Proof Fence is based on this true account of Doris Pilkington's mother Molly, who as a young girl led her two sisters on an extraordinary 1,600 kilometer walk home. Under Western Australia's invidious removal policy of the 1930s, the girls were taken from their Aboriginal families at Jigalong on the edge of the Little Sandy Desert, and transported halfway across the state to the Native Settlement at Moore River, north of Perth. Here Aboriginal children were instructed in the ways of white society and forbidden to speak their native tongue.

In 1769, Captain James Cook’s historic expedition in the region would lead to an English claim on Australia, but before he reached Australia, he sailed near New Zealand and spent weeks mapping part of New Zealand’s coast. Thus, he was also one of the first to observe and take note of the indigenous peoples of the two islands.

From a young age, Victor Steffensen has had a passion for traditional cultural and ecological knowledge. This was further developed after meeting two Elders, who were to become his mentors and teach him the importance of cultural burning. Developed over many generations, this knowledge shows clearly that Australia actually needs fire. Steffensen's story is unassuming and honest, while demonstrating the incredibly sophisticated and complex cultural knowledge that has been passed down to him, which he wants to share with others.

We know the European story from diaries, journals and letters. For the first time, this is the other side. Who were the people watching the Endeavour sail by? How did they understand their world and what sense did they make of this strange vision? And what was the impact of these first encounters with Europeans? The answers lie in tales passed down from 1770 and in truth-telling of the often more brutal engagements that followed.

In 1963 – a year of agitation for civil rights worldwide – the Yolŋu of northeast Arnhem Land created the Yirrkala Bark Petitions: Näku Dhäruk. ‘The land grew a tongue’ and the land-rights movement was born. Näku Dhäruk is the story of a founding document in Australian democracy and the trailblazers who made it. It is also a pulsating picture of the ancient and enduring culture of Australia’s first peoples. And it is a masterful, groundbreaking history.

Deep in the heart of Australia's high country, along an ancient, hidden track, lives Molly Johnson and her four surviving children, another on the way. Husband Joe is away months at a time droving livestock up north, leaving his family in the bush to fend for itself. Molly's children are her world, and life is hard and precarious with only their dog, Alligator, and a shotgun for protection - but it can be harder when Joe's around.

For years, Amy Thunig thought she knew all the details about the day she was born, often demanding that the story of her birth be retold. Years later, heavily pregnant with her own first child, she learns what really happened that day. It’s a tale that exemplifies many of the events of her early life, where circumstances sometimes dictated that things be slightly different from how they might seem–including what is meant by her dad being away for ‘work’ and why her legal last name differs from her family’s.

In the past the elders had encyclopaedic memories. They could name all the animals and plants across the landscape and the stars in the sky, too. Yet most of us struggle to memorise more than a short poem. Using traditional Aboriginal Australian songlines as the key, Lynne Kelly has identified the powerful memory technique used by indigenous people around the world.

In 1769, Captain James Cook’s historic expedition would lead to an English claim on Australia, but before he reached Australia, he sailed near New Zealand and spent weeks mapping part of New Zealand’s coast. Thus, he was one of the first to observe and take note of the indigenous peoples of the two islands.

“I love food” Nakkiah Lui says, and in the next breath whispers “so give us back our land”. In First Eat, a confrontational, raw and highly personal exploration of food politics, power and body sovereignty, Nakkiah Lui asks how our meals would look different if First Nations people owned the land from which the food came. First Eat is about more than just food, it’s an aural feast for a rich future.

Amid the racial tensions of 1980s Western Australia, "The Nowhere Man: Dark Heart" delves into the life of Gray Garrett, a tenacious lawyer on a relentless quest for justice. Gray's dedication leads him to a complex land rights case, uncovering a sinister nexus of corruption, avarice, and genocide, intricately intertwined with an ongoing feud between a property owner and a pack of Dingoes on his expansive land, which shares a border with the Indigenous landowner's property. Gray's nights are haunted by vivid dreams, where the Dingoes, typically considered pests, guide him to water sources. ...

It is a misconception that indigenous Australians meekly accepted the invasion of their country by the British, for they did not. They certainly resisted, but as far as colonial wars during that era went, the frontier conflicts of Australia did not warrant a great deal of attention. Indigenous Australians were hardly a warlike people, and without central organization or political cohesion beyond scattered family groups, they succumbed to the orchestrated advance of white settlement with passionate but futile resistance.

Billabong Nulla-Nulla Steven is an Australian Aboriginal boy with a dream. A dream as powerful as any mans. A future life was calling but before he could step out and seek or grasp for that opportunity, he needed to meet and know his father and mother and why he had been left behind in Wyndham for so long. Left in his grandmother Gilly's care when just a month old he had no Dreamtime stories about his parents. So, when opportunity knocked, he set out to meet them and discover and endeavor to understand their walk down life's path. Venturing all over the Kimberley he meets many who know his ...

Los descendientes de las naciones Maya, Nahuath y Lencas en Melbourne, Australia, es el resultado de un estudio realizado con la comunidad salvadorena de Melbourne, como requerimiento de para el Titulo de Master of Social Sciences: Especialidad International Community Development. La tesis fue presentada y el autor obtuve su titulo. Han pasado 22 anos desde que se realizo este estudio y ahora hago una resena comparativa de los anos que lso descendientes de las naciones maya, Nahuath y Lencas han vivido y si las causas por las que llegaron a Melbourne todavia existen y que ha pasado con su ...

1913. War drums throb across the world. Greed and malice stalk the island. Despite people’s sneers, one woman stands up for the downtrodden. From childhood, Pansy has been an outsider. Her oddness makes her the butt of ridicule. Even her own family struggle to accept her. So, wouldn’t it be prudent to keep her nose out of the affairs of the family next door? Especially in 1913, when the islanders are more tense than ever. The world is lurching towards war. Some businessmen will do anything—even kill—to get rich by exploiting a special indigenous plant. Political debate rages over ...

From one of Australia's leading Indigenous journalists comes a collection of fierce and powerful essays proving why the media need to believe Black witnesses and showcasing ways that journalism can be used to hold the powerful to account and make the world a more equitable place. Black Witness is the essential collection of First Nations journalism that we need right now – and always have.

In a landmark essay, Stan Grant writes indigenous people back into the economic and multicultural history of Australia. This is the fascinating story of how fringe dwellers fought not just to survive but to prosper. Their legacy is the extraordinary flowering of indigenous success - cultural, sporting, intellectual and social - that we see today. Yet this flourishing coexists with the boys of Don Dale and the many others like them who live in the shadows of the nation.

Gundagai, 1852. The powerful Murrumbidgee River surges through town leaving death and destruction in its wake. It is a stark reminder that while the river can give life, it can just as easily take it away. Wagadhaany is one of the lucky ones. She survives. But is her life now better than the fate she escaped? Forced to move away from her miyagan, she walks through each day with no trace of dance in her step, her broken heart forever calling her back home to Gundagai.