Identity Politics

Juno Roche was born into a working-class family in London in the '60s, who dabbled in minor criminality. For their father, violence and love lived together; for their mother, addiction was the only way to survive. School was a respite, but shortly after beginning their university course, Juno was diagnosed with HIV, then a death sentence. Juno is a survivor; they outlived their diagnosis, got a degree and became an artist. But however hard you try to take the kid out of the family, some scars go too deep.

Aziz's story is a story that is common to many but one that is rarely told. It is the story of growing up the child of immigrants and trying to progress in a society where the realities of racism and xenophobia are all too obvious. It gives voice to the experience of finding oneself caught between worlds and the concomitant feelings of shame, insecurity and powerlessness that this can engender. As he describes it, he found himself ‘a hyphenated man’ struggling to create an identity that fused East and West.

Die moderne Kultur wird zunehmend von Fragen und Antworten rund um die sexuelle Identität beeinflusst – ob im öffentlichen Diskurs oder bei kulturellen Trends. Jedes gesellschaftliche Phänomen hat seine historischen Wurzeln. Von Augustinus, über Rousseau bis hin zu Marx oder Freud sind unterschiedliche Auffassungen des Selbst vorgestellt worden. Im 20. Jahrhundert wurden diese Konzepte des Selbst nicht nur psychologisiert und eng mit der Sexualität verschränkt, sondern unter dem Einfluss von Leuten wie Reich, Marcuse und anderen ebenfalls zu einer politischen Angelegenheit gemacht.

With chapters covering sexual and cultural identity, body hair, colourism and mental health, and a particular focus on the suffocating beauty standards South Asian women are expected to adhere to, Sharan Dhaliwal speaks openly about her journey toward loving herself, offering advice, support and comfort to people that are encountering the same issues.

Conflicted Identity is a gripping thriller that captivates its audience, plunging them into a world rampant with numerous social issues, a mystery, and intense action that makes for an extraordinary listen. On a mid-winter day at a local delicatessen in Chicago, a bomb is suddenly detonated, destroying the establishment and taking the lives of 13 innocent people. It quickly becomes apparent that the explosion was a planned mission of terror. Alon Levy is a combat-hardened Israeli Mossad commander and a recognized authority on international terrorism.

Junge oder Mädchen? Anhand der äußeren Geschlechtsmerkmale wird diese Entscheidung meist direkt nach der Geburt gefällt. Doch ob diese Entscheidung auch dem Geschlecht entspricht, dem sich ein Mensch zugehörig fühlt, stellt sich erst später heraus. Manchmal bereits im Kindesalter, manchmal aber auch erst Jahre später, wenn Betroffenen klar wird, dass sie beispielsweise kein Mann sind, obwohl in ihrer Geburtsurkunde männlich steht.

Cresciuta da una madre divorziata che lavora in una casa editrice, V. colma con la lettura il vuoto lasciato dalla figura assente del padre. A tredici anni, durante una cena, incontra G., un celebre scrittore cinquantenne che, sin dal primo sguardo, la colpisce per il suo carisma e le attenzioni che le rivolge. Rassicurata dai suoi modi gentili e galanti e dallo sguardo clemente della madre, lei si offre a lui, corpo e anima.

Ashok Rajamani, award-winning author of the hit memoir The Day My Brain Exploded, returns with Imagine Carnivalesque, his explosive first book of bold and insightful literary criticism. Uncover the unconscious in South Asian literature through two psychoanalytical essays that deconstruct gender codes and sexuality within Salman Rushdie's Midnight's Children, Shyam Selvadurai's Funny Boy, and the Hindu epic poem Mahabharata.

Chased by the Memory is a story about the ongoing search for family and love, and the inner arguments about the human desire to connect to something, even to the land. It is an investigation of the ethical and physical lessons that a person can learn by paying attention to his or her childhood. The book is an attempt to rekindle the spark of being mindful of place as we struggle to find and build our identity.

The howl of the bedside clock-radio carves through your dreams like a buzz-saw through butter, and you are awake. In another place. Never mind the bright yellow sunlight that flecks your pillow and warms your face. You are rudely awake, and resent it.

The intention of this book is to open up a space for reflection and awareness of some aspects of the vast topic of female psychology, romantic relationships, and regaining your personal power by opening your heart to yourself. The central focus is the subconscious dynamics of female spirituality and the basic male and female archetypes, along with their strengths, fears, and possibilities. This understanding is valuable in order for every partner to become a complete personality who can accept their strengths, as well as their shadow aspects—those that we hide from ourselves.

But Where Are You Really From? is a thought-provoking book about identity from CEO of Christian Aid, Amanda Khozi Mukwashi. Through telling the story of her experience as a Christian black woman with Zambian heritage, born and living in the UK, she explores issues of race and culture and how it feels to be judged on skin colour when identity is made up of so many things.

Transitioning is an alignment of the invisible and the physical. It is truth rising to the surface. It is one of the most fundamental aspects of the human condition - a part of our experience as a conscious being, no matter who we are. As time goes on, we all develop as people. None of us ever becomes someone else entirely - regardless of how we identify – but nor do we stay the same forever. We all transition. It’s what binds us, not what separates us.

"Anything can be literature, and anything which is regarded as unalterably and unquestionably literature - Shakespeare, for example - can cease to be literature". These are the words of Terry Eagleton, the working-class Irish Marxist critic of English literature who believes that all literary theory is political. Not only is his observation quite banal, but it does not qualify as literary criticism. It is journalistic writing, and its validity depends merely upon our definition of literature. Perhaps his definition is so generic as to encompass any random piece of published writing.

Cookbooks are not political in conventional ways. Yet, as repositories of human taste, cookbooks transmit specific blends of flavor, texture, and nutrition across space and time. Cookbooks both form and reflect who we are. Cookbook Politics argues that cookbooks highlight aspects of our lives we rarely recognize as political - taste, production, domesticity, collectivity, and imagination - and considers the ways in which cookbooks have or do politics, from the most overt to the most subtle.

This essay comes from the NPR series This I Believe, which features brief personal reflections from both famous and unknown Americans. The pieces that make up the series compel listeners to rethink not only what and how they have arrived at their beliefs, but also the extent to which they share them with others.

C'est quoi, être féministe aujourd'hui ? En direct de la quatrième vague féministe, Julia Pietri donne la parole aux femmes et aux hommes qui s'interrogent et s'engagent pour redéfinir les codes et parvenir enfin à l'égalité. Faits marquants de l'histoire du féminisme, nouvelles revendications, prises de position, témoignages de personnalités et d'anonymes, initiatives inspirantes, sondages inédits... un tour d'horizon sans concession du féminisme et de ses questionnements. Avec des illustrations percutantes de l'artiste She's angry.

To See and Be Seen considers some of the ideological, aesthetic, pragmatic, institutional, cultural, commercial, environmental, and psychological forces that consciously or otherwise shape the production of news images and subsequently influence their reception. T. J. Thomson examines the expectations, experiences, and reactions of those depicted by visual journalists and considers other relevant factors: How do everyday people perceive cameras and those who operate them?

It is not the author’s intention to hurt susceptibility of people identified with this controversial issue. It is only the concept of a writer who thinks that the homosexuality has increased in recent times, and as a result, there are children victims of opportunity of pederasts accordingly.

Political and generational divides often dictate how questions such as these are answered, and when asked most people give automatic answers that roughly align with the broader position they believe is right - though many flounder when asked to detail their reasoning. This creates cultural and political tribes, makes people nervous about engaging at all, or leads to the issues to be trivialised or attributed to the excessive sensitivity of 'snowflakes' to 'identity politics'.