Humourous Satires

From the millions of listeners who follow the tales of Lake Wobegon and A Prairie Home Companion every Saturday night on public radio, and for fans of Garrison Keillor's literary take on life in our times, this audiobook will be most welcome.

Korede is bitter. How could she not be? Her sister, Ayoola, is many things: the favorite child, the beautiful one, possibly sociopathic. And now Ayoola’s third boyfriend in a row is dead. Korede’s practicality is the sisters’ saving grace. She knows the best solutions for cleaning blood, the trunk of her car is big enough for a body, and she keeps Ayoola from posting pictures of her dinner to Instagram when she should be mourning her “missing” boyfriend. Not that she gets any credit. Korede has long been in love with a kind, handsome doctor at the hospital where she works.

[Contains explicit content] Get ready for a completely improvised and unscripted Audible Original that invites you to listen in on the funniest phone calls from the world’s weirdest town. Bad Reception is an entirely improvised comedy, set entirely on the phone. A cast of over 40 top comedians and improvisers brings to life (and completely makes up) the story of South Grampers, Northern California - the Movie Theater Butter Capital of the World.

From Boston's social underworld emerges Verena Tarrant, a girl with extraordinary oratorical gifts, which she deploys in tawdry meeting-houses on behalf of "the sisterhood of women". She acquires two admirers of a very different stamp: Olive Chancellor, devotee of radical causes, and marked out for tragedy; and Basil Ransom, veteran of the Civil War, with rigid views concerning society and women's place therein. Is the lovely, lighthearted Verena made for public movements or private passions?

In New York Magazine, Rhoda Koenig calls The Life and Loves of a She-Devil, "...a novel of blazingly hot revenge, one that amply illustrates the saying about heaven having no rage like love turned to hate, nor hell a fury like a woman scorned."

Continuously available in print since 1968, this novel has become embedded in progressive anti-racist culture with wide circulation of the book and hotly debated film. A literary classic, The Spook Who Sat by the Door is a strong comment on entrenched racial inequities in the United States in the late 1960s. With its focus on the “militancy” that characterized the Black Power movement of the 1960s and 1970s, this is the story of one man’s reaction to ruling-class hypocrisy.

Someone wants to murder Princess Melilot. This is sadly normal. Melilot is sick of being ordered to go on dangerous quests by her domineering stepmother. Especially since she always winds up needing to be rescued by her more magically talented stepsisters. And now, she's been commanded to marry a king she’s never met. When hideous spider-wolves attack her on the journey to meet her husband-to-be, she is once again rescued—but this time, by twelve eerily similar-looking masked huntsmen.

Jim Sams has undergone a metamorphosis. In his previous life he was ignored or loathed, but in his new incarnation he is the most powerful man in Britain - and it is his mission to carry out the will of the people. Nothing must get in his way; not the opposition, nor the dissenters within his own party. Not even the rules of parliamentary democracy. In this bitingly funny Kafkaesque satire, Ian McEwan engages with scabrous humor a very recognizable political world and turns it on its head.

Tricked into a world of banished gods, demons, goblins, sprites and magic, Richter must learn to meet the perils of The Land and begin to forge his own kingdom. Actions have consequences across The Land, with powerful creatures and factions now hell-bent on Richter's destruction. Can Richter forge allegiances to survive this harsh and unforgiving world or will he fall to the dark denizens of this ancient and unforgiving realm? A tale to shake "The Land" itself, measuring 10/10 on the Richter scale, how will Richter's choices shape the future of The Land and all who reside in it?

In a remote Polish village, Janina devotes the dark winter days to studying astrology, translating the poetry of William Blake, and taking care of the summer homes of wealthy Warsaw residents. Her reputation as a crank and a recluse is amplified by her not-so-secret preference for the company of animals over humans. Then, a neighbor, Big Foot, turns up dead. Soon, other bodies are discovered, in increasingly strange circumstances. As suspicions mount, Janina inserts herself into the investigation, certain that she knows whodunit. If only anyone would pay her mind....

When Chaz Perron's wife discovers that he is running a scam (posing as a marine biologist to doctor water samples so that an agribusiness tycoon can continue illegally dumping fertilizer into the Everglades), he pushes her overboard from a cruise liner. Unlucky for Chaz, Joey survives clutching a bale of Jamaican pot. Rescued from the Atlantic by a former police officer, Mick Stranahan, she decides not to report him but instead haunt and taunt him, with Mick's help, by playing dead.

Introducing Sissy Hankshaw—an almost flawlessly beautiful small-town girl with big-time dreams—who hitchhikes her way into your heart, your hopes, and your sleeping bag. Along her travels, meet such unforgettable characters as Bonanza Jellybean and the smooth-riding cowgirls of Rubber Rose Ranch; the unfortunately named Chink, a lascivious guru of yams and yang; Julian, an asthmatic esthete and husband by disposition; and Dr. Robbins, a preventive psychiatrist and reality instructor.

Newlywed Angus Lordie has been booked by his bride into what he must not call the loony bin; Bruce’s first encounter with hot wax brings more anguish than he bargained for; and Bertie's birthday dreams of scout camp and a penknife look set to be replaced by a game of Royal Weddings and a gender-neutral doll. But fate, an amorous Bedouin, and the Dubai Tourist Authority conspire to transport Bertie's mother, Irene, to a warmer--if not a better--place.

Holiday Greetings from Sugar and Booze is a music-filled holiday comedy starring Ana Gasteyer and Maya Rudolph, with a jolly cast including Patti LuPone, Rachel Dratch, and Richard Kind. In this heartwarming story of love and friendship, we follow the journey of “Sugar” and “Booze” as they go from inseparable college buddies to busy working moms who mostly keep in touch with each other, and their close friends and family, through annual holiday letters.

Sharply observant and outrageously funny, Rejection is a provocative plunge into the touchiest problems of modern life. The seven connected stories seamlessly transition between the personal crises of a complex ensemble and the comic tragedies of sex, relationships, identity, and the internet.

From Evan Mandery, author of Q: A Novel—a New York Times editors’ pick—and creator of the Peabody and Emmy-Award winning series Artificial, comes this first-ever collection of short fiction, including several previously unpublished stories. A woman spends her life planning her funeral, only to have her dreams shattered from beyond the grave when her best friend eulogizes off script. Disappointed parents return a precocious, genetically-engineered child with an unfortunate, incurable fondness for punning. An alien graduate student studying the sociology of American popular culture ...

Everyone knows that if Scarlett O'Hara had an unlimited text-and-data plan, she'd constantly try to tempt Ashley away from Melanie with suggestive messages. If Mr. Rochester could text Jane Eyre, his ardent missives would obviously be in all-caps. And Daisy Buchanan would not only text while driving, she'd text you to pick her up after she totaled her car.

People start dropping dead around Charlie, giant ravens perch on his building, and it seems that everywhere he goes, a dark presence whispers to him from under the streets. Strange names start appearing on his nightstand notepad, and before he knows it, those people end up dead, too. Yup, it seems that Charlie Asher has been recruited for a new job, an unpleasant but utterly necessary one: Death.

Breakfast of Champions (1973) provides frantic, scattershot satire and a collage of Vonnegut's obsessions. His recurring cast of characters and American landscape was perhaps the most controversial of his canon; it was felt by many at the time to be a disappointing successor to Slaughterhouse-Five, which had made Vonnegut's literary reputation.

Once more, we catch up with the delightful goings-on in the fictitious 44 Scotland Street from Alexander McCall Smith. With customary charm and deftness, Alexander McCall Smith gives us another instalment in this popular series, now running in its eighth season in The Scotsman.