Horror Genre

It is 1831 when eight-year-old Aurelia Vennaway finds a naked baby girl abandoned in the snow on the grounds of her aristocratic family's magnificent mansion. Her parents are horrified that she has brought a bastard foundling into the house, but Aurelia convinces them to keep the baby, whom she names Amy Snow. Amy is brought up as a second-class citizen, but she and Aurelia are as close as sisters. When Aurelia dies at the age of 23, she leaves Amy 10 pounds. But Aurelia also left her much more.

Chris and Cathy made such a loving home for 14-year-old Jory - so handsome, so gentle. And for Bart, who had such a dazzling imagination for a nine-year-old. Then the lights came on in the house next door. Soon the Old Lady in Black was there, watching them, guarded by her strange old butler. Soon she had Bart over for cookies and ice cream and asked him to call her "Grandmother". And soon Bart's transformation began....

On a blistering summer day in 1968, nine-year-old Tommy vanishes without a trace from Coram House, an orphanage on the shores of Lake Champlain. Some say a nun drowned him, others say he ran away. Or maybe he never existed. Fifty years later, his disappearance is still unsolved. Struggling true crime writer Alex Kelley needs a fresh start. When she’s asked to ghostwrite a book about the orphanage—and the abuses that occurred there—she packs up her belongings and moves to wintry Burlington, Vermont.

For his entire life, Charley Sutherland has concealed a magical ability he can't quite control: He can bring characters from books into the real world. His older brother, Rob - a young lawyer with a normal house, a normal fiancee, and an utterly normal life - hopes that this strange family secret will disappear with disuse, and he will be discharged from his life's duty of protecting Charley and the real world from each other. But then, literary characters start causing trouble in their city, making threats about destroying the world...and for once, it isn't Charley's doing.

In this dazzling debut, Taylor M. Polites crafts a Southern gothic novel that mines classic literary archetypes while shaping them in new ways. Set in Reconstruction-era Alabama, The Rebel Wife opens with Augusta Branson losing her husband to a terrible blood fever. Now she and her son must fend for themselves in a community being destroyed by violence.

A young boy suffers amnesia from a trauma he suffered in what feels like must have been another life. He's adopted into a wealthy family - but what will happen when he learns the truth about his past?

Lisey lost her husband, Scott, two years ago, after a 25-year marriage of profound and sometimes frightening intimacy. Scott was an award-winning, best-selling novelist and a very complicated man. Early in their relationship, before they married, Lisey knew there was a place Scott went - a place that both terrified and healed him, could eat him alive or give him the ideas he needed in order to live. Now it’s Lisey’s turn to face Scott’s demons, to go to that terrifying place known as Boo’ya Moon.

Harran Blackwood was a Warrior-Priest of ruthless virtue. Now he's a man with a scorched reputation, prowling the back alleys of Greywater Fastness, content to fight the petty wars of racketeers for survival. But when a desperate message arrives from an old friend, Blackwood is forced to confront a past he thought long buried. Summoned to the isolated village of Wald, Blackwood sets off on a perilous trek to ensure the sins of his former life remain forgotten.

Blaze is the story of Clayton Blaisdell, Jr., of the crimes committed against him and the crimes he commits, including his last, the kidnapping of a baby heir worth millions. Blaze has been a slow thinker since childhood, when his father threw him down the stairs and then threw him down again. After escaping an abusive institution for boys when he was a teenager, Blaze hooks up with George, a seasoned criminal who thinks he has all the answers.

From Matt Shaw comes the story of a new breed of serial killer - a stranger who travels the country kidnapping his victims before torturing them and discarding them in a field, dressed up as scarecrows.

Adam Lang has been Britain’s longest serving—and most controversial—prime minister of the last half century. As pressure mounts for Lang to complete this memoirs, he hires a professional ghostwriter to finish the book. As he sets to work, the ghostwriter discovers many more secrets than Lang intends to reveal, secrets with the power to alter world politics - secrets with the power to kill.

The cause of the devastation is a phenomenon that will come to be known as The Pulse, and the delivery method is a cell phone. Everyone's cell phone. Clay and the few desperate survivors who join him suddenly find themselves in the pitch-black night of civilization's darkest age, surrounded by chaos, carnage, and a human horde that has been reduced to its basest nature...and then begins to evolve.

Hidden deep beneath Manhattan lies a warren of tunnels, sewers, and galleries, mostly forgotten by those who walk the streets above. There lies the ultimate secret of the Museum Beast. When two grotesquely deformed skeletons are found deep in the mud off the Manhattan shoreline, museum curator Margo Green is called in to aid the investigation.

When Eleanor Harper becomes the director of a renowned artists' retreat, she knows nothing of Cliffside Manor's dark past as a tuberculosis sanatorium, a "waiting room for death". After years of covering murder and violence as a crime reporter, Eleanor hopes that being around artists and writers in this new job will be a peaceful retreat for her as much as for them.

A collection of four chilling novels, ingeniously wrought gems of terror from the brilliantly imaginative number one New York Times best-selling author of The Fireman, Joe Hill.

A body always tells a story - but this child’s was a blank page. Rita reached for the lantern. She trained its light on the child’s face. "Who are you?" she murmured, but the face said as little as the rest of her. It was impossible to tell whether, in life, these blunt and unfinished features had borne the imprint of prettiness, timid watchfulness, or sly mischief. If there had once been curiosity or placidity or impatience here, life had not had time to etch it into permanence. Only a very short time ago, the body and soul of this little girl had still been securely attached.

Satantango, the novel that inspired Béla Tarr’s classic film, is proof that the devil has all the good times. Set in an isolated hamlet, the novel unfolds over the course of a few rain-soaked days. Only a dozen inhabitants remain in the bleak village, rank with the stench of failed schemes, betrayals, failure, infidelity, sudden hopes, and aborted dreams. “Their world,” in the words of the translator George Szirtes is “rough and ready, lost somewhere between the cosmic and tragic, in one small insignificant corner of the cosmos. Theirs is the dance of death.”

Bridie Devine - flame-haired, pipe-smoking detective extraordinaire - is confronted with the most baffling puzzle yet: the kidnapping of Christabel Berwick, secret daughter of Sir Edmund Athelstan Berwick, and a peculiar child whose reputed supernatural powers have captured the unwanted attention of collectors in this age of discovery. Winding her way through the sooty streets of Victorian London, Bridie won’t rest until she finds the young girl, even if it means unearthing secrets about her past that she’d rather keep buried.

Dexter Morgan is not your average serial killer. He enjoys his day job as a blood spatter analyst for the Miami Police Department . . . but he lives for his nighttime hobby of hunting other killers. Dexter is therefore not pleased to discover that someone is shadowing him, observ­ing him, and copying his methods. Dexter is not one to tol­erate displeasure . . . in fact, he has a knack for extricating himself from trouble in his own pleasurable way.

When Cora Seaborne's brilliant, domineering husband dies, she steps into her new life as a widow with as much relief as sadness: her marriage was not a happy one. Wed at 19, this woman of exceptional intelligence and curiosity was ill-suited for the role of society wife. Seeking refuge in fresh air and open space in the wake of the funeral, Cora leaves London for a visit to coastal Essex, accompanied by her inquisitive and obsessive 11-year old son, Francis, and the boy's nanny, Martha.