Historical Suspense Women Sleuths

April 1928: Daisy Dalrymple Fletcher is visited in London by her young cousins. On the list of must-see sites is the Crystal Palace. Discovering that her children's nanny, Nanny Gilpin, has never seen the Palace, Daisy decides to make a day of it - bringing her cousins, her three-year-old twins, her step-daughter Belinda, the nurserymaid, and Nanny Gilpin. Yet this ordinary outing goes wrong when Mrs. Gilpin goes off to the ladies room and fails to return. When Daisy goes to look for her, she doesn't find her nanny but instead the body of another woman dressed in a nanny's uniform.

As Mary Russell and Sherlock Holmes embark on their 11th adventure together, they find themselves immersed in the world of silent filmmaking. Here, the pirates are real—and unlike the shooting done with a camera, this sort can be deadly.

In the early days of 1924, Mary Russell and her husband, the inimitable Sherlock Holmes, are given an urgent task by his brother, Mycroft: find a British spy gone missing along India's northwest frontier, where men are dying and trouble is brewing. The spy's name? It is one Holmes knows from his sojourn in India long ago, and one Russell knows from a book. It is Kimball O'Hara, known to the world by the name Rudyard Kipling called him - Kim....

She keeps house for Inspector Witherspoon...and keeps him on his toes. Everyone's awed by his Scotland Yard successes - but they don't know about his secret weapon. No matter how messy the murder or how dirty the deed, Mrs. Jeffries' polished detection skills are up to the task...proving that behind every great man there's a woman - and that a crimesolver's work is never done.

With his dying breath, Bobby Lowell begs Ellison Russell, "Tell her I love her." Unable to refuse, Ellison struggles to find the girl the murdered boy loved. Too bad an epically bad blind date, a vindictive graffiti artist, and multiple trips to the emergency room keep getting in the way. Worse, a killer has Ellison in his sights, her newly rebellious daughter is missing, and there's yet another body in her hostas. Mother won't be pleased.

The year started badly and only got worse - blizzards, strikes, power cuts, and political unrest were the norm. For journalist Allie Burns, however, someone else's bad news was the unmistakable sound of opportunity knocking, and the year is ripe with possibilities. But Allie is a woman in a man's world. Desperate to get away from the "women's stories" the Glasgow desk keeps assigning her, she strikes up an alliance with wannabe investigative journalist Danny Sullivan. From the start, their stories create enemies.

On board the Flying Scotsman, the famous London-to-Edinburgh train, Daisy meets an old schoolfellow, Anne Bretton. Anne, along with all of her relatives, is en route to visit the deathbed of the family scion and notorious miser, Alistair McGowan. As it currently stands, Alistair's will leaves the entire family fortune to his brother Albert, and the rest of the family is rushing to his side, each hoping to convince him to change his will in their favor.

In the summer of 1923, the Honorable Daisy Dalrymple makes what should be an uneventful research trip to the Museum of Natural History quite an eventful day - with her nephew, Derek, and her soon-to-be stepdaughter, Belinda, in tow. But as she interviews the various curators for her article on the museums of London, she soon discovers that the Museum of Natural History is a hothouse of professional rivalry and jealousy.

London 1884. Electricity pioneer Simon Borthwick lights up Victorian London with a stunning illuminations display - then shoots himself in a hansom cab. Plucky Fleet Street reporter Penny Green witnesses the inventor's death and suspects the clue to his suicide lies in a mysterious letter he left behind. But can she persuade Inspector James Blakely of Scotland Yard that a crime has been committed? Borthwick isn't the only person who died that day, and Penny soon encounters a shadowy world which the police can't get close to.

Helen Carter has just landed her first case as a detective: a murder in an abandoned cinema. A mysterious clock-like symbol is drawn on the wall...in blood. Stranger still is what the killer left behind: the business card of an ex-cop. Since being promoted from WPC, Helen is having trouble making her mark in the male-dominated Edinburgh CID, working under Inspector Jack Craven. He’s not happy about having a woman on his team. Witnesses won’t talk to her; her colleagues don’t take her seriously.

With the dawn of the 20th century on the horizon, the fortunes of the venerable Vanderbilt family still shine brightly in the glittering high society of Newport, Rhode Island. But when a potential scandal strikes, the Vanderbilts turn to cousin and society page reporter Emma Cross to solve a murder and a disappearance....

Miss Daphne Beekman is a mystery writer by day, inquiry agent by night. Known for her ability to puzzle out plots, she happily works behind the scenes for the Bleecker Street Inquiry Agency, staying well away from danger. However, when Mr. Herman Henderson arrives on the doorstep of the agency, desperate for someone to investigate numerous attempts on his life, Daphne soon finds herself in the thick of a case she's determined to solve.

In early 1925, the Honorable Daisy Dalrymple Fletcher - recent mother of twins - resumes her journalistic career by agreeing to write a piece about the Tower of London - the Bloody Tower - for an American magazine. Invited to observe the centuries-old ritual Ceremony of the Keys, she's spending the night (her first time away from her babies), since the complex is locked and guarded, and the high walls are surrounded by a disused moat.

Summoned to Edinburgh by the Dowager Countess of Pembroke, Tabitha and Wolf reluctantly board a train and head north to Scotland. The dowager's granddaughter, Lily, refuses to participate in the preparations for her first season unless Tabitha and Wolf investigate the disappearance of her friend, Peter. Initially skeptical of the need to investigate, Tabitha and Wolf quickly realize that the idealistic Peter may have stumbled upon dark secrets. How far would someone go to cover their tracks?

At a summons from Detective Sergeant Frank Malloy, midwife Sarah Brandt arrives at the elegant home of famed magnetic healer Edmund Blackwell to find his wife in labor - and the good doctor dead from an apparent suicide. Only Malloy sees what no one else wants to: that Blackwell was murdered in his own home. After a successful delivery, the Blackwell baby falls mysteriously ill.

The Investigative Countess, Rapier Sharp Logic paired with Great Insight and Boldness. A Private Inquiry Agent. When the dowager countess receives her first assignment as a private inquiry agent from Tuchinsky, an East End gangster, she immediately throws herself into the case with gusto. Meanwhile, Lord Langley hires Tabitha and Wolf for an assignment that takes them deep into London's Jewish neighbourhood. Is there a connection between the two investigations? More importantly, can the two investigative teams work together?

In late 1926, the newly married Daisy Dalrymple and Detective Chief Inspector Alec Fletcher of Scotland Yard take an ocean voyage to America for their honeymoon. Daisy and Alec are accompanied by Daisy's childhood friend, Phillip Petrie; his wife, Gloria; and Gloria's father, American millionaire industrialist Caleb P. Arbuckle, and all are looking forward to a pleasant, uneventful trip. But at the last minute they are joined by Arbuckle's new friend, Yorkshire millionaire Jethro Gotobed, and his new wife, Wanda.

Childbirth can be dangerous even for the wealthy. So when opera singer Claire Buchanan shows Prudence and Geoffrey a postmortem cabinet photograph of her deceased twin sister and newborn niece, they express sadness but not surprise. The popular black-bordered portraits are the era's way of coping with the devastating losses that plague every family. What makes this death different is that Claire is convinced Catherine and her child were murdered.

Dying is the only thing people do with any regularity, and Fiona makes her indecorous living cleaning up after the corpses are carted away. Her childhood best friend, Mary, was the last known victim of Jack the Ripper. It's been two years since Fiona scrubbed Mary's blood from the floorboards, and London is no longer buzzing about the Ripper, but Fiona hasn't forgotten. When she's called to a murder in the middle of the night, Fiona finds a victim mutilated in an eerily similar fashion to those of the Ripper, and only a few doors down from Mary's old home.

When Lady Arlene Archibald tracks Wolf down and begs him for help, he plans to travel to Brighton alone to see her. What was he thinking? Instead, he finds himself with an unruly entourage of lords, ladies, servants, children, and even a dog. Can and will he help Arlene prove her friends innocence? How will he manage Tabitha coming face-to-face with his first love? And how is he to dissuade the Dowager Countess of Pembroke from insinuating herself into the investigation?