Historical Mystery Women Sleuth

It’s 1900, and Kat Livingston jumps at the chance to become one of the first female journalists in a small town just outside of old Chicago. Born to society and wealth, the death of her parents has forced her out into the working world. Kat’s good friend returns after a long and secret absence and the threat of scandal hangs in the air. When a suspicious stranger is murdered, casting blame on her friend, Kat uses her wits and natural gifts to find the cold blooded killer.

The villagers of Chipping Cleghorn, including Jane Marple, are agog with curiosity over an advertisement in the local gazette that read: "A murder is announced and will take place on Friday October 29th, at Little Paddocks at 6:30 p.m." Unable to resist the mysterious invitation, a crowd begins to gather at Little Paddocks at the appointed time when, without warning, the lights go out....

New York Times best-selling master of suspense, Elizabeth Peters, brings an exotic world of adventure, intrigue, and danger to vivid life, in a tale as powerful as ancient Egypt.

When an elderly priest is murdered, the killer searches the victim so roughly that his already ragged cassock is torn in the process. What was the killer looking for? And what had a dying woman confided to the priest on her deathbed only hours earlier? Mark Easterbrook and his sidekick, Ginger Corrigan, are determined to find out. Maybe the three women who run The Pale Horse public house - and who are rumored to practice the "Dark Arts" - can provide some answers....

Rosalind Thorne has slowly but assuredly gained a reputation as "a useful woman" - by helping respectable women out of some less-than-respectable predicaments. Her latest endeavor is a tragedy waiting to happen. Desperate Margaretta Seymore is with child - and her husband is receiving poisoned pen letters that imply that her condition is the result of an affair with the notorious actor Fletcher Cavendish.

London 1815. Newly widowed Lily Adler is returning to a society that frowns on independent women. At a ball thrown by her oldest friend, Lady Walter, she expects the scandal, gossip, and secrets. What she doesn't expect is the dead body in Lady Walter's garden. Lily overheard the man just minutes before he was shot: young, desperate, and attempting blackmail. But she's willing to leave the matter to the local constables - until Lord Walter bribes the investigating magistrate to drop the case. Stunned, Lily realizes she's the only one with the key to catching the killer.

It's 1942, and as far as her father knows, Evelyn Bishop, heiress to an aeronautics fortune, is working as a translator in London. In truth, Evelyn—daring, beautiful, and as adept with a rifle as she is in five languages—has joined the Office of Strategic Services as a spy. Her goal is personal: to find her brother, who is being held as a POW in a Nazi labor camp. Through one high-risk mission after another, she is paired with the reckless and rebellious Nick Gallagher, growing ever close to him until the war's end brings with it an act of deep betrayal.

England. 1923. After a year away at finishing school where she learned etiquette, deportment, and the difference between a fish fork and a salad one, Kitty Worthington is eager to return home. But minutes after she and her brother Ned board the Golden Arrow, the unthinkable happens. A woman with a mysterious connection to her brother is poisoned, and the murderer can only be someone aboard the train. When Scotland Yard hones on Ned as the main suspect, Kitty sets out to investigate.

Isobel Kingston is dead. Or so everyone believes. When a mysterious woman writes her last words in sand, Isobel steps out of the shadows to uncover the truth. As she plunges into a storm of betrayal, the winds are determined to throw Atticus Riot on her course, and the two detectives collide in a sea of madness and murder.

It’s seven in the morning. The Bantrys wake to find the body of a young woman in their library. She is wearing an evening dress and heavy makeup, which is now smeared across her cheeks. But who is she? How did she get there? And what is the connection with another dead girl, whose charred remains are later discovered in an abandoned quarry? The respectable Bantrys invite Miss Marple into their home to investigate. Amid rumors of scandal, she baits a clever trap to catch a ruthless killer.

Lymstock is a town with more than its share of shameful secrets - a town where even a sudden outbreak of anonymous hate mail causes only a minor stir. But all that changes when one of the recipients, Mrs. Symmington, commits suicide. Her final note says "I can’t go on", but Miss Marple questions the coroner's verdict of suicide. Soon nobody is sure of anyone - as secrets stop being shameful and start becoming deadly.

Present day. When respected American jewelry historian Kate Kirby receives a call about the Cheapside jewels, she knows she’s on the brink of the experience of a lifetime. But the trip to London forces Kate to explore secrets that have long been buried by her own family.

A mummified corpse, over half a century old, is found in the cellar of an abandoned building in a remote New Mexico ghost town. Corrie Swanson is assigned what seems to her a throwaway case: to ID the body and determine cause of death. She brings archaeologist Nora Kelly to excavate the body and lend her expertise to the investigation, and together they uncover something unexpected and shocking: the deceased apparently died in agony, in a fetal position, skin coming off in sheets, with a rictus of horror frozen on his face. Hidden on the corpse lies a 16th-century Spanish gold cross.

Late October 1909, and the season of ghouls and things that go bump in the night has descended on the village of Littleton Cotterell. Lady Hardcastle and her trusted lady’s maid, Florence, find themselves hosting a colorful cast of actors whose spooky moving picture, The Witch’s Downfall, is being shown to mark Halloween. But things take a macabre turn when the first night’s screening ends with a mysterious murder, and the second night with another. One by one the actors turn up dead in ways that eerily echo their film.

June 1920, Ireland: The streets of Dublin seethe with revolution as the Irish Republican Army clashes with British authorities. Roving assassination squads mean nowhere is truly safe, particularly for Verity Kent and her war hero husband, Sidney. Given their celebrity as society darlings and intrepid sleuths, they must tread carefully to go unnoticed—nearly impossible when they are called upon to search for Verity’s fellow spy and friend . . .

World War II comes to Farleigh Place, the ancestral home of Lord Westerham and his five daughters, when a soldier with a failed parachute falls to his death on the estate. After his uniform and possessions raise suspicions, MI5 operative and family friend Ben Cresswell is covertly tasked with determining if the man is a German spy. The assignment also offers Ben the chance to be near Lord Westerham's middle daughter, Pamela, whom he furtively loves. But Pamela has her own secret.

Chicago, 1923: Ten-year-old Dani Flanagan returns home to find police swarming the house, her parents dead. Michael Malone, the young patrolman assigned to the case, discovers there’s more to the situation—and to Dani Flanagan herself—than the authorities care to explore. Malone is told to shut his mouth, and Dani is sent away to live with her spinster aunts in Cleveland.

Georgie's best friend, Belinda, inherits a spooky old house in Cornwall and asks Georgie to go with her to inspect the property. When they arrive, they meet Rose, a woman Belinda knew as a child when she spent her summers with her grandmother in Cornwall. Belinda never liked Rose, who has always been bossy and a bit of a bully, but when Belinda's house proves to be uninhabitable, Rose invites them to stay with her. Rose is now married to Tony Summers, Belinda's childhood crush, and lives in the lovely house on the cliffs that he has inherited.

In 1887 New York City, Nellie Bly has ambitions beyond writing for the ladies pages, but all the editors on Newspaper Row think women are too emotional, respectable and delicate to do the job. But then the New York World challenges her to an assignment she'd be mad to accept and mad to refuse: go undercover as a patient at Blackwell’s Island Insane Asylum for women.

With the social season just around the corner, the women in Cleo’s family are having new outfits made by the most sought-after designer in the city. Madame Poitiers is bold, self-absorbed, and not French, despite her claims. When Cleo stumbles on her dead body in the salon, she is in a unique position to gather clues and speak to witnesses. But she doesn’t expect to find Harry Armitage’s business card in Madame’s possession. What is the alluring private detective’s connection to the victim? And why is he avoiding Cleo?