Historical Horror Fiction

One June day when Mia Jacob can no longer see a way to survive, the power of words saves her. The Scarlet Letter was written almost two hundred years earlier, but it seems to tell the story of Mia’s mother, Ivy, and their life inside the Community—an oppressive cult in western Massachusetts where contact with the outside world is forbidden. But how could this be? How could Nathaniel Hawthorne have so perfectly captured the pain and loss that Mia carries inside her?

The year is 1888, two decades after the American Civil War. An ancient evil has slept unseen in the deep places of the earth since the war ended. All the death and destruction in the war provided plenty of food. It slept deeply for two decades, satiated on the souls of the slain. Now it is awake. It is hungry. Having snared a human servant, it is luring the unwary to its lair in order to satisfy its dark craving for men’s souls. Jonathan Best is one of those souls. A divinity student in Nashville, Best is snared by one of his classmates who is under the beast’s spell and seduced into a ...

The Ripper Lives: The Living and the Dead (2/10) A city on edge. A killer in the shadows. A crime scene like no other. The slums of Whitechapel reek of despair, a place where violence festers in the damp alleyways and darkness consumes the living as surely as it does the dead. When a mutilated body is discovered in full public view on Thrawl Street, it shatters the uneasy peace that had settled after the Ripper’s reign. But this murder feels different—chaotic, frenzied, and far too exposed. As Inspector Abberline and his secret task force dig deeper, they realize that everyone has ...

Beatrice Bird is plagued by ghosts. It’s a gift she’s had since she was a small child. Unfortunately, it’s a gift that has grown more intense, shifting from flashes and feelings to physical manifestations she can’t escape. In a desperate attempt for relief, Beatrice flees her home, her partner, and a psychology practice in San Francisco for a remote island with only nuns and a few cows for company. She sees as few people as she possibly can. She doesn’t call home. Then she meets Anne Iredale, a timid woman who has lost everything that matters to her.

Anne Rice, creator of the Vampire Lestat, the Mayfair witches and the amazing worlds they inhabit, now gives us the first in a new series of novels linked together by the fledgling vampire David Talbot, who has set out to become a chronicler of his fellow Undead. The novel opens in present-day Paris in a crowded café, where David meets Pandora. She is two thousand years old, a Child of the Millennia, the first vampire ever made by the great Marius. David persuades her to tell the story of her life.

It’s autumn in the town of Harrow, but something besides the season is changing there. Because in that town there is an orchard, and in that orchard, seven most unusual trees. And from those trees grows a new sort of apple: strange, beautiful, with skin so red it’s nearly black. Take a bite of one of these apples, and you will desire only to devour another. And another. You will become stronger. More vital. More yourself, you will believe. But then your appetite for the apples and their peculiar gifts will keep growing—and become darker.

From electrifying horror author Nick Cutter comes a haunting new novel, reminiscent of Cormac McCarthy's Blood Meridian and Stephen King's It, in which a trio of mismatched mercenaries is hired by a young woman for a deceptively simple task: check in on her nephew, who may have been taken against his will to a remote New Mexico backwoods settlement called Little Heaven. Shortly after they arrive, things begin to turn ominous.

A body always tells a story - but this child’s was a blank page. Rita reached for the lantern. She trained its light on the child’s face. "Who are you?" she murmured, but the face said as little as the rest of her. It was impossible to tell whether, in life, these blunt and unfinished features had borne the imprint of prettiness, timid watchfulness, or sly mischief. If there had once been curiosity or placidity or impatience here, life had not had time to etch it into permanence. Only a very short time ago, the body and soul of this little girl had still been securely attached.

When Cora Seaborne's brilliant, domineering husband dies, she steps into her new life as a widow with as much relief as sadness: her marriage was not a happy one. Wed at 19, this woman of exceptional intelligence and curiosity was ill-suited for the role of society wife. Seeking refuge in fresh air and open space in the wake of the funeral, Cora leaves London for a visit to coastal Essex, accompanied by her inquisitive and obsessive 11-year old son, Francis, and the boy's nanny, Martha.

Deep within the cold, primordial forest and the Algonquin people's consciousness lives the Wendigo: a towering, emaciated being with translucent skin draped over its skeletal frame like a veil of mortality. Its hollow eyes gleam like fiery coals, emanating a malevolent crimson glow that mirrors its unquenchable craving for human flesh. An extraterrestrial shifter, stranded on our planet millennia ago, assumes the forms of not only humans but also hideous creatures in order to survive. The story of the Wendigo spans millennia, entwining native folklore with modern-day mysteries.

It's centuries since I've seen one single other member of my own species. Oh, there have been others. I've heard of them, chased after them, and in some instances almost found them. Mark, I say almost. But not in centuries have I touched my own flesh and blood, as humans are so fond of saying. Never in all this time....

Consumption has ravaged Louise Pinecroft's family, leaving her and her father alone and heartbroken. But Dr. Pinecroft has plans for a revolutionary experiment: convinced that sea air will prove to be the cure his wife and children needed, he arranges to house a group of prisoners suffering from the disease in the caves beneath his new Cornish home. While he devotes himself to his controversial medical trials, Louise finds herself increasingly discomfited by the strange tales her new maid tells of the fairies that hunt the land, searching for those they can steal away to their realm.

Lenora expected her unique ability would condemn her to a life of solitude, shunned by society. But when she receives an unexpected marriage proposal hinging on it, Lenora is shocked. All she must do in exchange for the life of a duchess is use her communicative skills to determine the reason for the former Duchess of Blackmoore’s suicide. Beyond the strange blackening on the stones of Blackmoore Castle, Lenora discovers another darkness lurks in her new Scottish Highlands home.

Mary Fawcett refines the healing recipes she’s inherited from generations of women before her—an uncanny and moral calling to empathize with the sick. When witchfinder Matthew Hopkins arrives in her small village, stoking the fires of hate, he sees not healing but the devil at work. Mary’s benevolent skills have now cast her and her young brother under suspicion of witchery. Soon, the husband of one of Mary’s patients is found murdered, his body carved with strange symbols.

Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor", and they plunge her into a world she never dreamed of: a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.

In his Commonplace Book and and his lengthy essay "Supernatural Horror in Literature", author H.P. Lovecraft carefully assessed weird tales through the ages. He named a great many stories that he admired. The H.P. Lovecraft Historical Society has curated a collection of 43 of the best of them and recorded them as audiobooks for your listening enjoyment. Read by the HPLHS' own Andrew Leman and Sean Branney and featuring original music by Troy Sterling Nies, these eerie tales will delight your mind and chill your blood.

It's the end of the 19th century. San Francisco's cobblestone streets are haunted, but Chinatown has an unlikely protector in a young Daoist priestess named Li-lin. Using only her martial arts training, spiritual magic, a sword made from peachwood, and the walking, talking spirit of a human eye, Li-lin stands alone to defend her immigrant community from supernatural threats. But when the body of a young girl is brought to the deadhouse Li-lin oversees for a local group of gangsters, she faces her most bewildering - and potentially dangerous - assignment yet.

A pharaoh made immortal by a mysterious and powerful elixir, Ramses the Great became counselor and lover to some of Egypt's greatest and most powerful rulers before he was awakened from centuries of slumber to the mystifying and dazzling world of Edwardian England. Having vanquished foes both human and supernatural, he's found love with the beautiful heiress Julie Stratford, daughter of Lawrence Stratford, the slain archeologist who discovered his tomb.

Once a legendary police inspector, Nicolas Lenoir is now a disillusioned and broken man who spends his days going through the motions and his evenings drinking away the nightmares of his past. Ten years ago, Lenoir barely escaped the grasp of the Darkwalker, a vengeful spirit who demands a terrible toll on those who have offended the dead. But the Darkwalker does not give up on his prey so easily, and Lenoir has always known his debt would come due one day. When Lenoir is assigned to a disturbing new case, he treats the job with his usual apathy- until his best informant, a street savvy orphan, is kidnapped.

Gemma Turner once dreamed of stardom. Now the actress is on the cusp of obscurity. When she’s offered the lead in a radical new horror film, Gemma believes her luck has changed—but her dream is about to turn into a nightmare. One night, between the shadows of an alleyway, Gemma disappears on set and is never seen again. Yet, Gemma is alive. She’s been pulled into the film. And the script—and the monsters within it—are coming to life. Gemma must play her role perfectly if she hopes to survive.