Historical Fiction Renaissance

Kateryn Parr, a 30-year-old widow in a secret affair with a new lover, has no choice when a man old enough to be her father who has buried four wives - King Henry VIII - commands her to marry him.

They ruled England before the Tudors, and now internationally best-selling author Philippa Gregory brings the Plantagenets to life through the dramatic and intimate stories of the secret players: the indomitable women.

A shocking ancient secret. The origins of western civilization discovered. The Renaissance - our most fundamental age of technological and artistic advance, was built upon a secret passed down to a banking family in Florence - the Medici. 500 years ago that secret was buried. Florence, Italy, present day. A trove of letters belonging to the Medici family is discovered underground. Archaeologist Kat Cullen comes across a map that leads her to the Swiss Alps where her partner is murdered and she is left for dead.

Cesare Aldo, a former soldier and now an officer of the Renaissance city's most feared criminal court, is given four days to solve the murder: catch the killer before the feast of Epiphany—or suffer the consequences. During his investigations Aldo uncovers a plot to overthrow the volatile ruler of Florence, Alessandro de' Medici. If the duke falls, it will endanger the whole city. But a rival officer of the court is determined to expose details about Aldo’s private life that could lead to his ruin.

Daughter of the Duke of Milan and wife of the conniving Count Girolamo Riario, Caterina Sforza was the bravest warrior Renaissance Italy ever knew. She ruled her own lands, fought her own battles, and openly took lovers whenever she pleased. Her remarkable tale is told by her lady-in-waiting, Dea, a woman knowledgeable in reading the "triumph cards", the predecessor of modern-day Tarot.

In Navola, a city-state dominated by a handful of influential families, business is power, and power is everything. For generations, the di Regulai family—merchant bankers with a vast empire—has nurtured tendrils that stretch to the farthest reaches of the known world. And though they claim not to be political, their wealth has bought cities and toppled kingdoms. Soon, Davico di Regulai will be expected to take the reins of power from his father and demonstrate his mastery of the games of Navolese diplomacy. But in Navola, strange and ancient undercurrents lurk behind the gilt and grandeur.

Alexander “Sander” Cooke is the most celebrated “boy player” in the Chamberlain’s Men, William Shakespeare’s theatre company. Indeed, Sander’s androgynous beauty and deft portrayal of female roles have made him the toast of London, and his companionship is sought by noblewomen and -men alike. And yet, now at the height of his fame, he teeters on the cusp of adulthood, his future uncertain. Often, he wishes he could stop time and remain a boy forever.

As England descends into civil war, John Tradescant the Younger, gardener to King Charles I, finds his loyalties in question, his status an ever-growing danger to his family. Fearing royal defeat and determined to avoid serving the rebels, John escapes to the royalist colony of Virginia, a land bursting with fertility that stirs his passion for botany. Only the native American peoples understand the forest, and John is drawn to their way of life just as they come into fatal conflict with the colonial settlers.

My lady, Fiammetta Bianchini, was plucking her eyebrows and biting color into her lips when the unthinkable happened and the Holy Roman Emperor’s army blew a hole in the wall of God’s eternal city, letting in a flood of half-starved, half-crazed troops bent on pillage and punishment. Thus begins In the Company of the Courtesan, Sarah Dunant’s epic novel of life in Renaissance Italy. Escaping the sack of Rome in 1527, with their stomachs churning on the jewels they have swallowed, the courtesan Fiammetta and her dwarf companion, Bucino, head for Venice.

Present day: When thirty-six-year-old Robyn Willoughby discovers an exquisite yet blood-stained Tudor map in her father’s antique map shop, desperate for a distraction from her problems, she decides to investigate. But as Robyn delves into the mystery, she finds herself caught up in a centuries-old secret—one that will change her life forever.

"Combine elements of evil kings and dukes, Game of Thrones-style characters, and the horrific Bastille Prison, and you have everything set for an explosive medieval thriller novel. It's a great cast with very engaging characters. Fantastic dialogue that pulls you in. And there are already enough stakes within the story to keep you engaged.” - Reedsy Discovery A sacred artifact. An impossible rescue. And the threat of war hanging over all... During the height of the Renaissance, the Annunciation—a sacred painting said to protect the Republic of Florence from foreign invasion—is stolen ...

There is no dowry left for Elisabeth Knolly. She is destined for a nunnery, for eternal chastity – which is a good thing – because she doesn’t want to do that with anyone. But the devil is at her back, tempting her with impure thoughts about her tutor, Samuel. Her parents, deeply ashamed of their libidinous daughter, do everything they can to keep Elisa’s thoughts from bodily pleasures. When she finally finds refuge in the nunnery, Elisa breathes a sigh of relief. But shame and guilt about her true nature follow her everywhere...

With her drunk of a father missing and her mother dead, it falls upon Celeste to protect her younger brothers and sister from starvation. When the burden becomes overwhelming, and Celeste makes plans to escape her wretched life, her wealthy aunt appears and whisks her off to work as a nanny to young Federigo Benetto. One day, as Celeste escorts Federigo to his art lesson with Maestro Luciano Vicente, the maestro discovers a sketch drawn by Celeste. He immediately recognizes her raw artistic talent and begs her to become his secret protégé.

Raised by her aunt and uncle amidst the rolling hills of the Tuscan countryside, young orphan Virginia Tacci has always harbored a deep love for horses - though she knows she may never have the chance to ride. As a shepherdess in sixteenth-century Italy, Virginia's possibilities are doubly limited by her peasant class and her gender.