Historical Classics

Social climber Alroy Kear is flattered when he is selected by Edward Driffield’s wife to pen the official biography of her lionized novelist husband, and determined to write a bestseller. But then Kear discovers the great novelist’s voluptuous muse (and unlikely first wife), Rosie. The lively, loving heroine once gave Driffield enough material to last a lifetime, but now her memory casts an embarrassing shadow over his career and respectable image.

Cluny Brown refuses to know her place in society. Last week, she took herself to tea at the Ritz. Then she spent almost an entire day in bed eating oranges. So, to teach her discipline, her uncle, a plumber who has raised the orphaned girl since she was a baby, sends her into service as a parlor maid at one of England's stately manor houses. While everyone around her struggles to keep pace with a rapidly changing world, Cluny continues to be Cluny, transforming those around her with her infectious zest for life.

Elinor is an Extraordinary and the only one in England capable of wielding fire in over 100 years. As an Extraordinary she is respected and feared, but to her father she represents power and prestige for himself. Mr. Pembroke, having spent his life studying magic, is determined to control Elinor and her talent by forcing her to marry whom he chooses, a marriage that will produce even more powerful offspring.

When Twenty Years After opens it is 1648: the Red Sphinx, Cardinal Richelieu, is dead, France is ruled by a regency in the grip of civil war, and across the English Channel the monarchy of King Charles I hangs by a thread. As d’Artagnan will find, these are problems that can’t be solved with a sword thrust. In Twenty Years After, the musketeers confront maturity and face its greatest challenge: sometimes, you fail. It’s in how the four comrades respond to failure, and rise above it, that we begin to see the true characters of Dumas’s great heroes.

Chichikov, a mysterious stranger, arrives in a provincial town and visits a succession of landowners to make each a strange offer. He proposes to buy the names of dead serfs still registered on the census, saving their owners from paying tax on them, and to use these "souls" as collateral to reinvent himself as a gentleman. In this ebullient masterpiece, Nikolai Gogol created a grotesque gallery of human types.

With 1919, the second volume of his U.S.A. trilogy, John Dos Passos continues his "vigorous and sweeping panorama of 20th-century America" ( Forum), lauded on publication of the first volume not only for its scope but also for its groundbreaking style. The novel opens to find America and the world at war, and Dos Passos's characters, many of whom we met in the first volume, are thrown into the snarl.

In the coming-of-age story, we follow a young Italian nobleman, Fabrizio Valserra, Marchesino del Dongo, on many adventures, including his experiences at the Battle of Waterloo, and romantic intrigues.

In the wake of the 1929 stock market crash, Lanny Budd’s financial acumen and his marriage into great wealth enable him to continue the lifestyle he has always enjoyed. But the devastation the collapse has wrought on ordinary citizens has only strengthened Lanny’s socialist ideals. In Germany to visit relatives, Lanny encounters a disturbing atmosphere of hatred and jingoism. But Lanny’s gravest fear is the threat a national socialist government poses to the German Jewish family of Hansi, the musician husband of Lanny’s sister, Bess.

“Mr. Darcy’s Regrets” is a Pride and Prejudice Regency variation novella of approximately 30K words, with low angst, lots of romance, and some original twists in the timeless story of Elizabeth and Darcy, told from Darcy’s point of view. Many of us wonder about the friendship between Darcy and Bingley. How did they end up together when there is a significant difference in age, character, and situation in life between the two? What if their bond has its roots in the past relationship of their families? The story starts in London after Elizabeth returns from Kent, and she and Jane are...

Jane Eyre es una niña huérfana que se ha educado en un orfanato, su inteligencia y su afán por aprender consiguen apartarla del mundo de su infancia. Al llegar a los dieciocho años abandona la institución y comienza a trabajar como institutriz, para educar a la hija del señor Rochester. Poco a poco, el amor irá tejiendo su red entre ellos, pero la casa y la vida de Rochester guardan un estremecedor y terrible misterio.

Celtic mythology, Arthurian romance, and an intriguing interpretation of British history - these are just some of the themes embraced by the anonymous authors of the eleven tales that make up the Welsh medieval masterpiece known as The Mabinogion. They tell of Gwydion the shape-shifter, who can create a woman out of flowers; of Math the magician whose feet must lie in the lap of a virgin; of hanging a pregnant mouse and hunting a magical boar.

Sherlock Holmes is an unparalleled genius who uses the gift of deduction and reason to solve the most vexing of crimes. Warlock Holmes, however, is an idiot. A good man, perhaps; a font of arcane power, certainly. But he’s brilliantly dim. Frankly, he couldn’t deduce his way out of a paper bag. The only things he has really got going for him are the might of a thousand demons and his stalwart flatmate. Thankfully, Dr. Watson is always there to aid him through the treacherous shoals of Victorian propriety...

The land of Terre d'Ange is a place of unsurpassed beauty and grace. It is said that angels found the land and saw it was good...and the ensuing race that rose from the seed of angels and men live by one simple rule: Love as thou wilt.

The story of France from the Renaissance to the 19th century, as Dumas vibrantly retold it in his numerous enormously popular novels, has long been absent one vital, richly historical era: the Age of Napoleon. But no longer. Now dynamically, in a tale of family honor and undying vengeance, of high adventure and heroic derring-do, The Last Cavalier fills that gap.

San Kuo: Or Romance of the Three Kingdoms is a historical novel attributed to Luo Guanzhong, set during the turbulent final years of the Eastern Han Dynasty and the Three Kingdoms period (circa 184–280 AD). Widely regarded as one of the Four Great Classical Novels of Chinese literature, it combines history, legend, and myth to depict the power struggles and heroic exploits of the era.

Written at the request of Charles Dickens, North and South is a book about rebellion that poses fundamental questions about the nature of social authority and obedience. Gaskell expertly blends individual feeling with social concern and her heroine, Margaret Hale, is one of the most original creations of Victorian literature. When Margaret Hale's father leaves the Church in a crisis of conscience she is forced to leave her comfortable home in the tranquil countryside of Hampshire....

Redburn charts the coming-of-age of Wellingborough Redburn, a young innocent who embarks on a crossing to Liverpool together with a roguish crew. Once in Liverpool, Redburn encounters the squalid conditions of the city and meets Harry Bolton, a bereft and damaged soul, who takes him on a tour of London that includes a scene of rococo decadence unlike anything else in Melvilles fiction.

The land outside of the Old City was supposed to be green, lush, hopeful. A place where Alice could finally rest, no longer the plaything of the Rabbit, the pawn of Cheshire, or the prey of the Jabberwocky. But the verdant fields are nothing but ash - and hope is nowhere to be found. Still, Alice and Hatcher are on a mission to find his daughter, a quest they will not forsake even as it takes them deep into the clutches of the mad White Queen and her goblin or into the realm of the twisted and cruel Black King. The pieces are set, and the game has already begun.

Even as a young girl, Jill was a favorite of the magical, mysterious Wildfolk, who appeared to her from their invisible realm. Little did she know her extraordinary friends represented but a glimpse of a forgotten past and a fateful future. Four hundred years - and many lifetimes ago - one selfish young lord caused the death of two innocent lovers. Then and there he vowed never to rest until he'd righted that wrong - and laid the foundation for the lives of Jill and all those whom she would hold dear.

Emma Woodhouse no es la típica heroína de Jane Austen: no es dependiente, no tiene un status y una economía precarios, y no necesita, para asegurar su futuro, cazar marido. Al contrario, es una joven «inteligente, bella y rica», que no aspira al matrimonio y que rige como por derecho natural los destinos de la pequeña comunidad de Highbury. Emma (1816) es una fulgurante comedia de equívocos, llena de ocultaciones, intrigas y errores que muchas veces inspiran vergüenza ajena, pero en la que el sentido del ridículo sirve como vehículo para el acierto y la sensatez.