Grief Poetry

All three volumes of Amanda Lovelace’s poetry in one audio collection - read by the author and guest contributors! Goodreads Choice Award-winning poet and USA Today best-selling author Amanda Lovelace’s 'women are some kind of magic' series is now available in one amazing audio collection! Includes: the princess saves herself in this one; the witch doesn't burn in this one; and the mermaid's voice returns in this one.

This book is an attempt to create something beautiful from this chaos; to make sense of the things we dare not breathe to life. Focusing on loss, heartbreak, mental health, and the impact of isolation on a tired mind, these poems are the starlings that gather above the water. This book is the hope that we can learn to heal; that the future can survive the past.

I recorded this the day after we lost one of our beloved pets. Rainbow Bridge is the theme of several works of poetry written in the 1980s and 1990s that speak of an other-worldly place where pets go upon death, eventually to be reunited with their owners. It brings a lump to my throat, and often a tear to my eye but also comfort as I recall good times with Pongo.

Kae Tempest is one of the most exciting and innovative performers to have emerged in spoken-word poetry in many years; her dramatic poem "Brand New Ancients" won the prestigious Ted Hughes Prize for innovation in poetry. Tempest's wholly unique blend of street poetry, rap, and storytelling - combined with the spellbinding delivery of an open-air revivalist - has won her legions of followers all over the UK. Her remarkable stage presence is wholly audible in this poem, a spoken story written to be told with live music.

No amarás es un viaje de autodescubrimiento, sanación y transformación personal. Este libro es una esperanza para quien haya sobrevivido a una relación tóxica, así como también para cualquiera que esté transitando una ruptura o un duelo. Es momento de reparar viejas heridas y dejar que el amor regrese de manera saludable y segura.

Countee Cullen was already a prominent literary figure when he published Color, his auspicious debut collection of poetry. In deceptively simple verse, and in harmony with lyric tradition rather than rebellion against it, Cullen covered such complex terrain as race, faith, mortality, sexuality, and identity. Cullen may be less well known today than his contemporaries, but his emotional candor, creative ambition, and impudent humor retain an unforgettable spark.

The Only Worlds We Know is a nuanced and tactile look at both sobriety and what comes after. Patient meditations on loss and the land where the people we love live and are also buried.

These are poems that I wrote when I lost two women that have played a role in my child-hood, my grand-mother and aunt. They both passed away this year, I mourned for them and wrote these poems. They tormented my life when I was young. I held the hands that once beaten me with love instead of with revenge. I forgave them, prayed for them and loved them before they died. In all these I thank God of heaven.

With My Back to the World engages with the paintings and writings of Agnes Martin, the celebrated abstract artist, in ways that open up new modes of expression, expanding the scope of what art, poetry, and the human mind can do. Filled with surprise and insight, wit and profundity, the book explores the nature of the self, of existence, life and death, grief and depression, time and space. Strikingly original, fluidly strange, Victoria Chang's new collection is a book that speaks to how we see and are seen.

Over four decades, Carolyn Forché's visionary work has reinvigorated poetry's power to awaken the reader. Her groundbreaking poems have been testimonies, inquiries, and wonderments. They daringly map a territory where poetry asserts our inexhaustible responsibility to each other. Her first new collection in 17 years, In the Lateness of the World is a tenebrous book of crossings, of migrations across oceans and borders but also between the present and the past, life and death.

Stephen C. Pollock's poetry collection Exits explores the beauty and frailty of life, the cycles of nature, and the promise of renewal. Musical and multilayered, the poems in Exits have drawn comparisons to the poetry of Seamus Heaney and the sonnets of William Shakespeare.

Celebrating James Tate’s work as it transcends convention, time, and everything that tells us, “No, you can’t do that,” Hell, I Love Everybody gives us the poet at his best, his most intimate, hopeful, inventive, and brilliant. John Ashbery called Tate the “poet of possibilities,” and this collection records forays into possibilities for American poetry’s future. With a foreword by Terrance Hayes, it is sure to give listeners new and old a lasting collection of favorites.

The Back of Your Pickup: Poems of Love, Loss, and the Roads That Never Led Home. I remember the summer heat sticking to my skin, the radio humming a song we half-knew, and your hand tapping the steering wheel like you had nowhere to be but everywhere to go. The back of your pickup wasn’t just a truck bed—it was a church, a confessional, a place where love was whispered under a sky too big for the things we couldn’t say. The Back of Your Pickup is a collection of poetry that lingers in the spaces between love and loss, between leaving and staying, between who we were and who we became.

Temp jobs, conspiracy theories, squatters, talk therapy, urban gardening, the robot revolution: this collection fixes its eye on the strangeness of labor, through poems that are searching, keen, and wry. The virtuosic central sequence explores the untimely death of the poet’s estranged father, a handyman and addict, and the brothers left to sort through the detritus of a life long lost to them. Through lyrical, darkly humorous vignettes, Kunz asks what it costs to build a home and a love that not only lasts but sustains.

Award-winning narrator Mike Vendetti becomes the speaker of Dickinson's poem personifying Death. Death is a gentleman who is riding in the horse carriage that picks up the speaker in the poem and takes the speaker on her journey to the afterlife.

We Alive, Beloved moves beyond being a poetry collection; it's a celebration of the profound aspects of our existence. Each poem seeks to immortalize the fleeting moments of joy, love, resilience, and inspiration that often slip through the grasp of our fast-paced lives.

The Twilight Zone Haiku explores the essence of Rod Serling’s iconic, uncanny 1960s television show through haiku, giving us dazzling, spot-on snapshots of each episode. In seventeen syllables, Boykin captures the show's main objective: to deliver a keen jolt of existential awareness.

"Ashes in the Milk" will remind listeners that their greatest path to healing lies within—all they must do is walk down the path. Valerie Johns, MA, MFT, is a prolific poet, author, and therapist who is passionate about helping others heal from their deepest wounds.

This volume brings together for the first time all of the poems that appeared in Anthony Hecht’s seven trade collections, from A Summoning of Stones of 1954 through to The Darkness and the Light of 2001; it adds the remarkable work contained in his posthumously issued Interior Skies: Late Poems from Liguria of 2011; and it rounds this out with the best of the many poems which were left uncollected at the time of his death in 2004, the earliest dating from 1950 and the latest from 2001.

The definitive collection from a writer whose transgressive legacy and raw, funny, acutely observant writing has left an enduring mark. Here is Bukowski eating walnuts and scratching his back, rolling a cigarette while listening to Brahms, showering with Linda in the midafternoon. Here is Bukowski knowing that the secret is beyond him, that people who never go crazy live truly horrible lives, that there's a bluebird in his heart that wants to get out.