Film Studies

Do you watch movies with your eyes open? You buy your tickets and concessions, and you walk into the theater. Celluloid images flash at 24 frames per second, and the hypnotic sequence of moving pictures coaxes you to suspend disbelief and be entertained by the implausible. Unfortunately, many often suspend their beliefs as well, succumbing to subtle lessons in how to behave, think, and even perceive reality.

In Burn It Down, veteran reporter Maureen Ryan does just that. She draws on decades of experience to connect the dots and illuminate the deeper forces sustaining Hollywood’s corrosive culture. Fresh reporting sheds light on problematic situations at companies like Lucasfilm and shows like Lost, Saturday Night Live, The Goldbergs, Sleepy Hollow, Curb Your Enthusiasm and more.

Audrey Hepburn is an icon like no other, yet the image many of us have of Audrey - dainty, immaculate - is anything but true to life. Here, for the first time, Sam Wasson presents the woman behind the little black dress that rocked the nation in 1961. The first complete account of the making of Breakfast at Tiffany's, Fifth Avenue, 5 A.M. reveals little-known facts about the cinema classic: Truman Capote desperately wanted Marilyn Monroe for the leading role; director Blake Edwards filmed multiple endings....

The first comprehensive history of Hollywood's high-flying career women during the studio era, Nobody's Girl Friday covers the impact of the executives, producers, editors, writers, agents, designers, directors, and actresses who shaped Hollywood film production and style, led their unions, climbed to the top during the war, and fought the blacklist. Based on a decade of archival research, author J. E. Smyth uncovers a formidable generation working within the American film industry and brings their voices back into the history of Hollywood.

How to be a Man? That question—and all the anxiety, anger, and resentment it stirs up—is the starting point for a crisis in masculinity that today manifests as misogyny, nativism, and corporate greed; gives rise to incels and mass shooters; and leads to panic over the rights of women and minorities. According to Jessa Crispin, it is the most important question of our time, and the answer to it might be found in an unlikely place: the films of Michael Douglas.

Edit Better was made for video editors who consider themselves advanced hobbyists or growth-minded professionals, artists who know that the tools of editing matter far less than the knowledge of how to use those tools powerfully. This audiobook does not illuminate the workings of Avid, Final Cut, or Premiere, and is not a meditation on film editing. What it is: a provocative, wide-ranging collection of strategies and tactics for the creative application of TV and video editing, no matter your editing tools.

With humor and honesty, Girls on Film looks at the good, the bad, and the unfairly written women in film. A celebration of the power of cinema and the hidden messages within media and culture, this collection of personal essays explores the women who inspired and confused a young film enthusiast.

Stanley Kubrick revolutionized Hollywood with movies like Dr. Strangelove, 2001: A Space Odyssey, and A Clockwork Orange, and electrified audiences with The Shining and Full Metal Jacket. David Mikics takes listeners on a deep dive into Kubrick's life and work, illustrating his intense commitment to each of his films.

Back in January 1995 in Los Angeles, California, a Singaporean pornstar named Annabel Chong took cultural rebellion to an extreme, on terms that had never been negotiated before. She was filmed having sex with a long receiving line of men, servicing them 251 times over a ten-hour period to set a new world record: The World’s Biggest Gangbang.

The work of Stanley Kubrick amounts to a sustained reflection on the male condition: past, present, and future. The persistent theme of his filmmaking is less violence or sex than it is the pressurized exertion of masculinity in unusual or extreme circumstances, where it may be taxed or exaggerated to various effects, tragic and comic—or metamorphosed, distorted, and even undone.

This collection of children’s stories offers a mix of some best-loved tales as well as newer favorites. Included are “Puss in Boots”, read by Robby Benson; “A Day at Santa’s Workshop”, read by Betty White; “Elfis, the Elf Who Saved Christmas”, read by Brian Austin Green; “Jack and the Beanstalk”, read by John Ritter; “Peter Pan”, read by Sandy Duncan; and “The Wild Swans” and “The Elves and the Shoemaker”, both read by Michael York.

Yunte Huang ingeniously traces Charlie Chan from his real beginnings as a bullwhip-wielding detective in territorial Hawaii to his reinvention as a literary sleuth and Hollywood film icon. Huang finally resurrects the "honorable detective" from the graveyard of detested postmodern symbols and reclaims him as the embodiment of America’s rich cultural diversity. The result is one of the most critically acclaimed books of the year and a "deeply personal...voyage into racial stereotyping and the humanizing force of storytelling" (Donna Seaman, Los Angeles Times).

David Bordwell argues that the principles of visual storytelling created in the studio era are alive and well, even in today's bloated blockbusters. American filmmakers have created a durable tradition - one that we should not be ashamed to call artistic, and one that survives in both mainstream entertainment and niche-marketed indie cinema. Bordwell traces the continuity of this tradition in a wide array of films made since 1960.

In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.

The relationship between Hollywood and feminism is a complicated one, historically characterized by simultaneous repression and surprising breakthroughs. From Hitchcock and Marilyn to femme fatales and lush melodramas, the classical Hollywood era is a unique cultural moment that provides rich insight into both gender and film in America. This book looks beyond the glitz and glamour to explore how the history and legacy of this period have reflected, shaped, and at times even challenged expectations of women in society. As the film industry has changed, so too have its depictions of gender, ...

Can Christians discover spiritual meaning in a superhero movie!? As the culmination of twenty-plus movies, Marvel’s Avengers: Endgame made a massive cultural impact and broke all sorts of records on its march to become the highest-grossing movie of all time. Endgame earned $2.8 billion in the box-office, making it one of the most watched and most influential films in popular culture. For that reason, Marvel’s box-office bombshell is worth examining through the lens of faith. How does Endgame sit alongside the Christian faith? Does it echo the gospel in some fashion? Join award-winning ...

Instead of focusing on one service, like HBO, Pandora’s Box asks, “What did HBO do, besides give us The Sopranos?” The answer: It gave us a revolution. Biskind bites off a big chunk of entertainment history, following HBO from its birth into maturity, moving on to the basic cablers like FX and AMC, and ending up with the streamers and their wars, pitting Netflix against Amazon Prime Video, Max, and the killer pluses—Disney, Apple TV, and Paramount.

Robert Altman and the Elaboration of Hollywood Storytelling reveals an Altman barely glimpsed in previous critical accounts of the filmmaker. This re-examination of his seminal work during the "Hollywood Renaissance" or "New Hollywood" period of the early 1970s (including M*A*S*H and Nashville) sheds new light on both the films and the filmmaker, reframing Altman as a complex, pragmatic innovator whose work exceeds, but is also grounded in, the norms of classical Hollywood storytelling rather than someone who rejected those norms in favor of modernist art cinema.

Melvin Donalson’s Dream Warrior: Passages of a Creative-Scholar reveals a Black man’s artistic and educational journey during America’s decades of changes and challenges. Growing up in the South’s racial segregation of the 1950s, Mel survived the oppressive region through the bonds of family. Replanted within the integrated world of Massachusetts and Maine in the 1960s-1970s, and later to the Midwest and Los Angeles, his imagination was shaped through reading, music, and movies while honing educational skills that eventually led him to a Ph.D. from an Ivy League university. From New...

SCIENTOLOGY A Handbook for Interaction and Study of the Church of L. Ron Hubbard & David Miscaivage: On Dianetics, Auditing, E-Meters, RPF, Operation Snow White, Narcanon, Xenu, and the Free Zone --- This book is a simple book of facts concerning the beliefs and operations of Scientology. It is meant for a quick analysis of the new religious movement that can be used as a handbook for interaction and further study. Please be cautious if you are to begin engaging in comprehensive interaction with this new religious movement, but also keep in mind that this is a group of human beings involved...