Film Production

Encouraged by her mother, Sophie Neville kept a diary about her time filming on location in the lakes and mountains of Cumbria. Bouncy and effervescent, extracts from her childhood diary are interspersed among her memories of the cast and crew, offering a child's eye view of the making of the film from development to premiere—and the aftermath.

Practical filmmaking tips, tricks, and philosophies specific to the art and craft of directing commercials for television and the web. Filmmaker Jordan Brady has directed more than 1,000 spots and shares his insights from more than 20 years filming for advertising.

Filmmakers, film students, documentary makers for film and television, and lovers of pop culture will hear, in the filmmakers’ own words, the challenges and triumphs faced in making documentaries. Firsthand knowledge is shared on such topics as how the documentary process differs from making fictional films, storytelling technique, ethical boundaries, funding, film festivals, and much more.

10 Legal Basics for Getting a Distribution Deal describes the different provisions that are commonly included in a contract for distributing a film. It details the rights you are licensing and the obligations you have in return for what the distributor will do in releasing your film. It lists the many documents you need to supply and suggestions on what you can’t or can negotiate, such as the cost of marketing fees, the term of the agreement, and the requirement for insurance on your film.

Writers will understand why they're stuck and how to get unstuck through proven methods of breaking the logjam of self-judging and second-guessing that keeps good screenplays from being finished. Attain confidence by knowing your story is clear and solid. Seal out negative influences such as industry experts and fleeting trends. This is a way to write a script with integrity that makes a screenplay story-worthy. This is how to write a screenplay that works.

When Italian journalist Father Antonio Spadaro and Martin Scorsese first sat down together in Scorsese’s home, neither could have predicted the depth of the conversation, intellectual exchange, or friendship that would result. While discussing the acclaimed director’s film Silence, about the persecution of Jesuits in Japan, they began a dialogue about faith that continues to this day.

The YouTube money craze is on. Because of this wonderful innovation, ordinary individuals can now upload their own videos and monetize that through the number of viewers. But as more people join in the money tree, the competition has become very stiff. The explosion of videos taken by ordinary individuals has taken the world by storm and the formula for what would make the next YouTube viral video is on.

How can a film score make you cheer, shiver, cry or punch the air in exhilaration? How do directors communicate their musical vision to composers? And when does a soundtrack take on a life of its own? Award-winning film critic Mark Kermode and radio producer Jenny Nelson embark on a full-throttle trip down the glorious rabbit hole of film composition to answer these questions and more.

David O. Selznick (1902–1965) was one of the most prominent film producers of the Hollywood studio era. However, film production was not his only domain. Starting in the late 1930s, he built an impressive stable of stars within his own independent company. In Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System, author Milan Hain reveals the mechanisms by which Selznick and his collaborators discovered and promoted new stars and describes how these personalities were marketed, whether for financial gain or symbolic recognition and prestige.

The foundation of a successful writing career is to actually write. Yet, 99 percent of those who have a story to tell will never take the time to actually sit down and write it. Write a Screenplay Every 60 Days is your ultimate guide through the entire process - from concept to production.

Often considered one of the greatest filmmakers of all time, Stanley Kubrick has been widely praised for taking risks such as doing at least one film in a number of genres to avoid being pigeonholed into certain styles or expectations. Yet he still received a great deal of support from big Hollywood studios and mass audiences. From his humble beginnings as a chess enthusiast and photographer for Look Magazine who did not excel in academics to a legendary filmmaker who eventually had creative and financial autonomy over the majority.

10 Keys for Doing Your Own Film Distribution describes the many advantages of doing your own distribution when you haven’t found a distributor, or to help you find a distributor. It also provides an overview of the many different platforms for distributing your film, from contacting retail channels, to setting up your own showings and selling off your website.

Two classic filmmaking books in one box set: Fast, Cheap and Under Control: Lessons Learned from the Greatest Low-Budget Movies of All Time--Learn the tricks and pitfalls of low-budget filmmaking from 33 successful independent films and the filmmakers who created them. Fast, Cheap and Written That Way: Top Screenwriters on Writing for Low-Budget Movies--Hollywood's top screenwriters look back at their early low-budget efforts and provide valuable tips, tricks, and advice on how to create a solid screenplay for a low-budget movie.

Geboren wurde er 1935 in Brooklyn: mit sechzehn begann Woody Allen seine lebenslange künstlerische Karriere, als Witzeschreiber für Zeitungen. Schreiben sollte er auch später: Drehbücher, Theaterstücke, Storys für den New Yorker. Dazu kam bald eine Karriere als Stand-up-Comedian, als Schauspieler und dann als einer der bedeutendsten Regisseure unserer Zeit. Seit sechs Jahrzehnten steht Woody Allen vor und hinter der Kamera, macht er Filme, mehr als fünfzig sind es geworden.

A Nightmare on Elm Street. Halloween. Night of the Living Dead. These films have been indelibly stamped on moviegoers' psyches and are now considered seminal works of horror. Guiding readers along the twisted paths between audience, auteur, and cultural history, author Kendall R. Phillips reveals the macabre visions of these films' directors in Dark Directions: Romero, Craven, Carpenter, and the Modern Horror Film.

In the book, you'll learn everything you need to know about AFM. What badge to buy, what projects to bring, what printed materials you need, and all important etiquette tips for maximizing your success at the American film market. Producers need to understand distribution to find success, and this guide is a primer for the most reliable way American filmmakers can find traditional, non-DIY distribution.

From the hustle and bustle of film production in Hollywood to running the biggest “how-to” filmmaking press in the world, Michael has lived a life accompanied by countless paradigm thinkers such as Buckminster Fuller and Salvador Dalí, and he puts his heart and soul in every chapter to show you what the journey to true success, on every level of life, looks like.

10 Tips for Making a Final to Do List for Distributing Your Film summarizes the key tasks to do to successfully distribute your film. It features key marketing and promotion tasks, such as creating a poster, trailer, and press materials, setting up a website or page on your website for the film, making arrangements with a website, and more. The book is part of a series of short books, in which each book features tips and techniques for becoming more successful in the film industry.

Finally, a book that confronts the challenges filmmakers of all types of films face when bringing their vision to the screen. Emmy-nominated director and multi-hyphenate filmmaker Christopher Folkens (www.mysticfilms.com) provides an in-depth look at the personal journey necessary for any filmmaker to take on their debut film (or really any creative project for that matter).

Paris, Texas, directed by Wim Wenders and written by Sam Shepard, with adaptation by L.M. Kit Carson, and starring Harry Dean Stanton, Nastassja Kinski, and Hunter Carson, among others. Melinda Camber Porter passed away from ovarian cancer in 2008 and left behind a significant body of work in art, journalism, and literature. With her background as a journalist for The Times of London, her interviews had a unique way of getting to the heart of the creative process.