Film Production

10 Keys to Making a Low-Cost Documentary Feature describes a low-cost approach for producing a feature-length documentary with a budget under $50,000. It features an approach I have used that combines interviews with interviewees and experts along with B-roll shots of activities to use with voice-overs from the interviews. It also suggests ways to find interviewees, obtain funding for the film, and more.The book is formatted like a journal, so readers can write down their ideas for what to do after reading each tip.

A haunted homicide detective is confronted by the apparent return of a brutal serial killer he helped send to the electric chair 15 years earlier.

Sex on sets: India's first intimacy coordinator, Aastha Khanna, wants to create a safe space for performers

Two unlikely lovers propelled into a violent game of high-stake negotiations and high-speed adventure when they take unexpected possession of valuable mob contraband.

In Holland during World War II, Father Lankester Merrin is forced by a Nazi officer to choose 10 of his flock to be executed, and the resulting psychological trauma shakes his faith in God. After the war, Merrin, on a temporary sabbatical from the priesthood, becomes an archaeologist in British East Africa, where an anachronistic 5th-century Byzantine church is discovered.

During his lifetime, Brian Gari has had many "Close Encounters of the Celebrity Kind", and this audiobook, based on the popular Bear Manor Media book, gives the low-down on many of the people he has met over the years, including Eddie Cantor, Robin Williams, George Carlin, Chris Rock, Rodney Dangerfield, Danny Thomas, Soupy Sales, Jerry Stiller, Katherine Hepburn, Mia Farrow, Georgie Jessel, John Lennon and the Beatles, Little Richard, Brian Wilson, Phil Spector, Neil Sedaka, Jan and Dean, and many more!

Raven, once known as Kukori, is the biggest exporter from all the Free Cities. Trading in salt, silver, labor, and other goods, it is known throughout Amalia. This novella is a glimpse into some of the less-known history of the city, and account of one of the greatest villains they faced.

Despite increasing corporate mergers and bottom-line thinking, the entertainment business will never function like a bank or an insurance company because it is an industry rooted in imagination. Rules are meant to be broken. The best work is often produced in an environment where plans change by the minute and nothing seems to make sense. To wit, those who choose this profession must alter preconceived notions of work itself, sometimes discovering that fantasy and horror describe both movie genres and life on the job.

On this team they don't just throw screwballs, they put them in uniform! A minor-league manager is on the spot to turn a squad of sad-sacks into title contenders.

Scott Shaw is arguably most well known in the film industry as the creator of Zen Filmmaking. This is a style of filmmaking based on the fact that no screenplay is used in the creation of a film. Early in his career, however, Shaw did write numerous scripts. This book presents several of Scott Shaw's unproduced screenplays. Plus, it also presents the screenplay that he wrote for the Cult Film Classic, The Roller Blade Seven. This script was never used, however, as The Roller Blade Seven became the first Zen Film.

Don't Do What I Did explains, in frank English, how to make a living in film and video production. From networking to booking gigs to taking care of yourself, this book comprehensively and methodically lays out what to expect in this industry.

In this Oxford Guide to Film Musicals, author Hannah Lewis gives listeners fascinating new insights into the development, style, and reception of the 2016 film musical La La Land. Directed by Damien Chazelle with music by Justin Hurwitz, the film tells the story of a romance between an aspiring actress and jazz pianist as the two pursue their dreams in Los Angeles. It uses a vintage form to tell a modern story and its blend of nostalgia and realism made it an instant classic even as it prompted a range of critical and audience responses.

Эльдар Александрович Рязанов—советский и российский кинорежиссёр, сценарист, актёр, поэт, драматург, телеведущий, педагог, продюсер. На страницах книги раскрывается внутренний мир известного режиссера. Эльдар Рязанов рассказывает о сути комедийного жанра, поднимает важные проблемы современного кинематографа и ТВ.

Quels sont les éléments du langage cinématographique (mouvements de caméra, plans, montage, etc.) ? Comment les cinéastes les ont-ils utilisés et comment ont-ils évolués depuis le début du XXe siècle ? En répondant à ces questions, Jean-Claude Carrière, scénariste de Luis Bunuel et de Louis Malle, nous permet de décrypter les images et le son, d'en prendre une conscience nouvelle et de changer à jamais notre regard sur le cinéma.

Rede an die Filmakademie: o. Univ. Prof. Peter Patzak, Institutsleiter der Filmakademie, an der Universität für Musik und darstellende Kunst Wien, begrüßt die Filmschaffenden und Freunde der Filmakademie am 18. Juni 2009 anlässlich der jährlichen Galaveranstaltung im neu gestalteten Orang-Utan Haus, Tiergarten Schönbrunn. Dort wo viele Jahre davor die Studios der Filmakademie und das Regiebüro von Peter Patzak zu Hause waren.

Insightful, incisive and enlightening, the first volume of Simon Callow's comprehensive biography of Orson Welles. Now in abridged audio, Callow's vastly entertaining chronicle of Welles's first 26 years seems even finer than it did in 1995. The author's ability to skewer his subject's evasions and lies while retaining critical affection for him is perhaps explained by the fact that Callow, an actor himself, understands the need to mythologise. Welles's innovative theatrical work in the 1930s has never been better described or analysed.

Improvisation is a form of performance in which the players have no script. Free of conventional methods and constraints, improv gives filmmakers and actors complete freedom to explore characters and relationships and capture genuine authenticity on camera. In Improv for Indie Filmmakers, author and improv filmmaker Ivan Malekin breaks down how independent filmmakers can use improvisation in their own work to creatively collaborate with actors, speed up production, make more films, and ultimately save time and money by working efficiently at all stages of production.

Animators work within a strictly defined, limited space that requires difficult artistic decisions. The blank frame presents a dilemma for all animators, and the decision of what to include and leave out raises important questions about artistry, authorship, and cultural influence. In Animating Space: From Mickey to WALL-E, renowned scholar J. P. Telotte explores how animation has confronted the blank template, and how responses to that confrontation have changed.

10 Tips for Promoting a Local Screening of Your Film describes some ways to promote a local screening. It suggests different promotional strategies for putting on your own event or helping an organization promote your screening. Then, the audiobook focuses on how to use Eventbrite and Meetup to sign-up attendees and receive advance payments. The audiobook is formatted like a journal, so listeners can write down their ideas for what to do after reading each tip.

10 Tips for Making Your Own Distribution Arrangements for Your Film describes how you can distribute your film through various online video platforms including aggregators and your own website. It discusses the different types of video platforms, including third-party aggregators and video on demand (VOD) sales platforms.