Film Production

A Nightmare on Elm Street. Halloween. Night of the Living Dead. These films have been indelibly stamped on moviegoers' psyches and are now considered seminal works of horror. Guiding readers along the twisted paths between audience, auteur, and cultural history, author Kendall R. Phillips reveals the macabre visions of these films' directors in Dark Directions: Romero, Craven, Carpenter, and the Modern Horror Film.

“See Dean Martin Save the World!” – trailer for “Murderer’s Row’ Matt Helm, the literary creation of author Donald Hamilton, was America’s answer to 007 – a two-fisted, hardboiled assassin whose exploits sold millions of paperbacks. Dean Martin was an Italian crooner who rose to fame as the straight man of the comedy duo Martin & Lewis before embarking on a solo singing and acting career that made him one of the most popular performers of the 1960s, appearing in movies and TV and selling millions of records. Martin’s easygoing, boozy. lounge lizard persona was far from ...

10 Keys for Doing Your Own Film Distribution describes the many advantages of doing your own distribution when you haven’t found a distributor, or to help you find a distributor. It also provides an overview of the many different platforms for distributing your film, from contacting retail channels, to setting up your own showings and selling off your website.

Packed with interviews from director John Carpenter, screenwriter Bill Phillips, producer Richard Kobritz, stars Keith Gordon and Alexandra Paul, plus various members of the cast and crew including co-composer Alan Howarth and SFX artist Roy Arbogast, Hell Hath No Fury: The Making of Christine is a definitive look at the 1983 cinematic adaptation of Stephen King’s terrifying novel about the eponymous demonic Plymouth Fury and the obsessive teenage boy who loves her.

When Italian journalist Father Antonio Spadaro and Martin Scorsese first sat down together in Scorsese’s home, neither could have predicted the depth of the conversation, intellectual exchange, or friendship that would result. While discussing the acclaimed director’s film Silence, about the persecution of Jesuits in Japan, they began a dialogue about faith that continues to this day.

How can a film score make you cheer, shiver, cry or punch the air in exhilaration? How do directors communicate their musical vision to composers? And when does a soundtrack take on a life of its own? Award-winning film critic Mark Kermode and radio producer Jenny Nelson embark on a full-throttle trip down the glorious rabbit hole of film composition to answer these questions and more.

The YouTube money craze is on. Because of this wonderful innovation, ordinary individuals can now upload their own videos and monetize that through the number of viewers. But as more people join in the money tree, the competition has become very stiff. The explosion of videos taken by ordinary individuals has taken the world by storm and the formula for what would make the next YouTube viral video is on.

Tells the true story of when and why China set out to replace Hollywood as the world’s number one movie cinema, how it gained control of Hollywood along the way, and what Hollywood needs to do now to regain its former greatness.

A rollicking, provocative, racy, colorful irreverent show business memoir culled from Michael Kutza’s decades rubbing elbows with the giants of film at the Chicago International Film Festival and numerous other festivals around the globe. It includes many of the lowlights as well as the highlights of a life lived just off-screen.

Is it your dream to make feature films? Get advice on how to do that by some of the best in the business! It’s like going to film school without ever leaving home!

Two classic filmmaking books in one box set: Fast, Cheap and Under Control: Lessons Learned from the Greatest Low-Budget Movies of All Time--Learn the tricks and pitfalls of low-budget filmmaking from 33 successful independent films and the filmmakers who created them. Fast, Cheap and Written That Way: Top Screenwriters on Writing for Low-Budget Movies--Hollywood's top screenwriters look back at their early low-budget efforts and provide valuable tips, tricks, and advice on how to create a solid screenplay for a low-budget movie.

In the age of digital content, aspiring creators and vloggers dream of becoming the next YouTube sensation, but the path to stardom can be elusive. Discover the secrets, strategies, and insights you need to embark on your journey to YouTube stardom with our "Becoming a YouTube Sensation Bundle." This exclusive bundle features two essential audiobooks that will guide you from a novice content creator to a true YouTube hero.

In the book, you'll learn everything you need to know about AFM. What badge to buy, what projects to bring, what printed materials you need, and all important etiquette tips for maximizing your success at the American film market. Producers need to understand distribution to find success, and this guide is a primer for the most reliable way American filmmakers can find traditional, non-DIY distribution.

10 Legal Basics for Getting a Distribution Deal describes the different provisions that are commonly included in a contract for distributing a film. It details the rights you are licensing and the obligations you have in return for what the distributor will do in releasing your film. It lists the many documents you need to supply and suggestions on what you can’t or can negotiate, such as the cost of marketing fees, the term of the agreement, and the requirement for insurance on your film.

Barry Avrich - a self-made, Montreal-born film producer-director, flamboyant advertising executive, and legendary biographer and connector of moguls and stars. For over three decades, he has relentlessly produced films on some of the most notorious show-business titans and also found the time to market and promote feature films, concerts, and the biggest shows on Broadway.

To some, she was the female Tarzan. To others, she was the sexiest pin-up of their teenage years. To the Coca-Cola Company, she was the way to liberate millions of dollars held hostage in Africa. But to executive producer Yoram Ben-Ami, she was the most complex and challenging motion picture he had ever made. Now, in My Adventure with Sheena, Queen of the Jungle, Ben-Ami tells about shooting the first major studio film made entirely in Africa, from dealing with a director who wouldn’t take “no” for an answer to a rhinoceros that wouldn’t take direction.

10 Tips for Making a Final to Do List for Distributing Your Film summarizes the key tasks to do to successfully distribute your film. It features key marketing and promotion tasks, such as creating a poster, trailer, and press materials, setting up a website or page on your website for the film, making arrangements with a website, and more. The book is part of a series of short books, in which each book features tips and techniques for becoming more successful in the film industry.

Often considered one of the greatest filmmakers of all time, Stanley Kubrick has been widely praised for taking risks such as doing at least one film in a number of genres to avoid being pigeonholed into certain styles or expectations. Yet he still received a great deal of support from big Hollywood studios and mass audiences. From his humble beginnings as a chess enthusiast and photographer for Look Magazine who did not excel in academics to a legendary filmmaker who eventually had creative and financial autonomy over the majority.

Scott Shaw is arguably most well known in the film industry as the creator of Zen Filmmaking. This is a style of filmmaking based on the fact that no screenplay is used in the creation of a film. Early in his career, however, Shaw did write numerous scripts. This book presents several of Scott Shaw's unproduced screenplays. Plus, it also presents the screenplay that he wrote for the Cult Film Classic, The Roller Blade Seven. This script was never used, however, as The Roller Blade Seven became the first Zen Film.

David O. Selznick (1902–1965) was one of the most prominent film producers of the Hollywood studio era. However, film production was not his only domain. Starting in the late 1930s, he built an impressive stable of stars within his own independent company. In Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System, author Milan Hain reveals the mechanisms by which Selznick and his collaborators discovered and promoted new stars and describes how these personalities were marketed, whether for financial gain or symbolic recognition and prestige.