Film Production

10 Keys to Making a Low-Cost Documentary Feature describes a low-cost approach for producing a feature-length documentary with a budget under $50,000. It features an approach I have used that combines interviews with interviewees and experts along with B-roll shots of activities to use with voice-overs from the interviews. It also suggests ways to find interviewees, obtain funding for the film, and more.The book is formatted like a journal, so readers can write down their ideas for what to do after reading each tip.

Pieter Bruegel’s epic masterpiece The Way To Calvary depicts the story of Christ’s Passion set in Flanders under brutal Spanish occupation in the year 1564, the very year Bruegel created his painting. From among the more than five hundred figures that fill Bruegel’s remarkable canvas, The Mill & The Cross focuses on a dozen characters whose life stories unfold and intertwine in a panoramic landscape populated by villagers and red-caped horsemen.

Encouraged by her mother, Sophie Neville kept a diary about her time filming on location in the lakes and mountains of Cumbria. Bouncy and effervescent, extracts from her childhood diary are interspersed among her memories of the cast and crew, offering a child's eye view of the making of the film from development to premiere—and the aftermath.

From the hustle and bustle of film production in Hollywood to running the biggest “how-to” filmmaking press in the world, Michael has lived a life accompanied by countless paradigm thinkers such as Buckminster Fuller and Salvador Dalí, and he puts his heart and soul in every chapter to show you what the journey to true success, on every level of life, looks like.

Don't Do What I Did explains, in frank English, how to make a living in film and video production. From networking to booking gigs to taking care of yourself, this book comprehensively and methodically lays out what to expect in this industry.

You don't need Hollywood. No, seriously. When we first started making movies, we were broke college kids with no connections or experience. Fast forward five years and we were producing a million-dollar movie with well-known Hollywood stars. We wrote The Break In to share all the most valuable lessons (and hilarious stories) from our experience so that you can launch a promising career on your own terms.

A must listen for any bootstrapping creative or entrepreneur! 10,000 Miles to Go: An American Filmmaking Odyssey focuses on the making of an award winning contemporary feature film, which was successfully bootstrapped against monumental odds with near-zero funding, yet which made its way to numerous international sales and broadcasts and a place in the Museum of Modern Art (MoMA), NYC, films collection.

“Business” doesn’t have to be a dirty word in the creative sector. It is by harnessing business that creative people empower themselves to bring their full creative vision to life. Business is the servant, not the master, of bringing creativity into the world. The Creative Entrepreneur focuses on the stories of high-profile creative leaders, with these vital voices showing that creators are also entrepreneurs, who harness business to achieve success.

Biografia jednego z największych geniuszy filmowych wszechczasów. Tim Burton urodził się w Burbank jako Timothy Walter Burton 25 sierpnia 1958 r. Ogromnie ceniony reżyser i scenarzysta jest też niezwykłym rysownikiem i pisarzem. Jest pasjonatem baśni, które potrafi kształtować według własnego uznania, przekładając je potem na genialne filmy. Reżyser klasyków kinowych takich jak "Edward Nożycoręki", "Charlie i fabryka czekolady" czy "Sok z Żuka". Absolwentka nauk o dziedzictwie kulturowym, uwielbia pisać. Na co dzień jest autorką wierszy i opowiadań.

Despite increasing corporate mergers and bottom-line thinking, the entertainment business will never function like a bank or an insurance company because it is an industry rooted in imagination. Rules are meant to be broken. The best work is often produced in an environment where plans change by the minute and nothing seems to make sense. To wit, those who choose this profession must alter preconceived notions of work itself, sometimes discovering that fantasy and horror describe both movie genres and life on the job.

Эльдар Александрович Рязанов—советский и российский кинорежиссёр, сценарист, актёр, поэт, драматург, телеведущий, педагог, продюсер. На страницах книги раскрывается внутренний мир известного режиссера. Эльдар Рязанов рассказывает о сути комедийного жанра, поднимает важные проблемы современного кинематографа и ТВ.

Alexandra Boylan has gone from a homeless struggling actor to an award winning film producer. Producing, writing, and staring in numerous films that have landed distribution deals with Netflix, Universal Home Studios Entertainment, Pure Flix Entertainment, Image Entertainment, and on the shelves of Walmart and Red Box. This compilation of true tales from the Hollywood trenches chronicles her journey. The tips and tricks contained in these accounts will guide you through the ever-changing landscape of the entertainment industry while maintaining your sanity and self-respect.

During his lifetime, Brian Gari has had many "Close Encounters of the Celebrity Kind", and this audiobook, based on the popular Bear Manor Media book, gives the low-down on many of the people he has met over the years, including Eddie Cantor, Robin Williams, George Carlin, Chris Rock, Rodney Dangerfield, Danny Thomas, Soupy Sales, Jerry Stiller, Katherine Hepburn, Mia Farrow, Georgie Jessel, John Lennon and the Beatles, Little Richard, Brian Wilson, Phil Spector, Neil Sedaka, Jan and Dean, and many more!

Improvisation is a form of performance in which the players have no script. Free of conventional methods and constraints, improv gives filmmakers and actors complete freedom to explore characters and relationships and capture genuine authenticity on camera. In Improv for Indie Filmmakers, author and improv filmmaker Ivan Malekin breaks down how independent filmmakers can use improvisation in their own work to creatively collaborate with actors, speed up production, make more films, and ultimately save time and money by working efficiently at all stages of production.

Можно смело утверждать, что XX век был веком режиссуры. Под влиянием режиссера, то есть организатора, педагога, творца, развивались театр и кинематограф. За прошедший век режиссура обогатилась многими выдающимися именами, среди которых немало наших соотечественников. Это К.С. Станиславский, С.М.

I sine stærkt underholdende erindringer fortæller Woody Allen om et liv som instruktør, standupkomiker, forfatter, musiker og skuespiller - og som familiefar og ægtemand. Et ofte tumultarisk liv, der tager sin begyndelse i Brooklyn, New York. Allen giver et levende indblik i sin 60 år lange filmkarriere, fra klassikerne "Annie Hall", "Manhattan og Hannah og hendes søstre" og frem til nyere film som "Midnight in Paris" og "A Rainy Day in New York".

Animators work within a strictly defined, limited space that requires difficult artistic decisions. The blank frame presents a dilemma for all animators, and the decision of what to include and leave out raises important questions about artistry, authorship, and cultural influence. In Animating Space: From Mickey to WALL-E, renowned scholar J. P. Telotte explores how animation has confronted the blank template, and how responses to that confrontation have changed.

In little more than a century of cinema - Birth of a Nation was 100 years old in 2015 - our sense of what a film director is, or should be, has shifted in fascinating ways. A director was once a functionary; then an important but not decisive part of an industrial process; then accepted as the person who was and should be in charge, because he was an artist and a hero. But the world has changed.

Удивительно, но до сих пор нет однозначного ответа на вопрос, когда, собственно появилась режиссура. Еще в 1890-х годах театральный режиссер был фигурой второстепенной и выполнял преимущественно административные функции. И вдруг в конце XIX столетия режиссер становится хозяином театра.

Défier les lois de la physique avec "Ant-Man", et celles de l'anatomie avec "Godzilla". S'aventurer aux abords d'un trou noir... et y plonger avec "Interstellar". Communiquer avec les aliens comme dans "Premier Contact". Se retrouver seul sur Mars et tenter d'y survivre. Étudier Prometheus et s'interroger sur l'origine et l'évolution des espèces extraterrestres.