Film History

Melanin in Movies examines how Hollywood shapes the perception of Black Americans. This book challenges the idea that Hollywood is just about entertainment, exploring how the film industry actively influences society's view of Black people. By analyzing key examples and trends in Black representation, Melanin in Movies reveals how film can be both a tool for liberation and a means of oppression.

When the Fox Film Corporation merged with Twentieth Century Pictures in 1935, the company posed little threat to industry juggernauts such as Paramount and MGM. In the years that followed however, guided by executives Darryl F. Zanuck and Spyros Skouras, it soon emerged as one of the most important studios.

Sex scandals have rocked Hollywood since the industry began, but Once More With Feeling: You'll Never Make Love in This Town Again, Again is a brand new collection of stories that this town will never recover from - again.

Today's most acclaimed film directors reveal intimate behind-the-scenes details of their most influential work and their unique approaches to their art. In the companion to the Silver Plaque-winning Starz/Encore documentary series, this book offers interviews with 13 top filmmakers. Contains each director's filmography, complete listings of major awards, and cast credits for all films discussed.

Here are the very personal diaries of Richard E. Grant's debut behind the camera, as writer and director of his autobiographical movie of the same name.

It is both a fascinating insight into the intrigues and agonies he encounters along the way, and also a deeply moving portrait of his childhood and his love affair with Swaziland, where he was born and brought up during the last throes of the British Empire.

Yunte Huang ingeniously traces Charlie Chan from his real beginnings as a bullwhip-wielding detective in territorial Hawaii to his reinvention as a literary sleuth and Hollywood film icon. Huang finally resurrects the "honorable detective" from the graveyard of detested postmodern symbols and reclaims him as the embodiment of America’s rich cultural diversity. The result is one of the most critically acclaimed books of the year and a "deeply personal...voyage into racial stereotyping and the humanizing force of storytelling" (Donna Seaman, Los Angeles Times).

With a connoisseur's insight and an offbeat sensitivity perfectly tailored to his subjects, Gifford's brief essays cover a hundred of the noir buff's favorites. His highly polished impressions take the listener through five decades of noir to find both the heart and the art of the plotline.

Go back to the time of VCRs, DVD rentals, and movies that mattered. Turn off your streaming services, put down your phones, delete your Twitter account, and take a look back at the nineties with your Eyes Wide Shut, a White Russian in your hand, and yell “Hasta la vista, baby” to today's meaningless entertainment. Revel in the risk-taking brilliance of Quentin Tarantino, Amy Heckerling, Spike Lee, Robert Altman, Paul Thomas Anderson, and others in Scott Ryan's magnum opus, The Last Decade of Cinema.

Dana Andrews (1909-1992) worked with distinguished directors such as John Ford, Lewis Milestone, Otto Preminger, Fritz Lang, William Wyler, William A. Wellman, Mervyn Le Roy, Jean Renoir, and Elia Kazan. He played romantic leads alongside the great beauties of the modern screen, including Joan Crawford, Elizabeth Taylor, Greer Garson, Merle Oberon, Linda Darnell, Susan Hayward, Maureen O'Hara, and most important of all, Gene Tierney, with whom he did five films.

A must-listen for movie buffs, The Trouble with Love in the Movies is a painfully honest account of labouring in the fields of film production, of loving and losing, living and learning. Through six movies, across three continents, in clashes on and off the set: It's a romance.

For a moment in the 1980s, Carolyn Pfeiffer was the only woman in Hollywood who could greenlight a movie. Working with directors like Sam Shepard and Wes Craven, and with actors like River Phoenix and Bette Davis, she had a hand in producing or distributing many landmark films, among them Ridley Scott's The Duellists, Alan Rudolph's Choose Me, and the Academy Award-winning Kiss of the Spider Woman. However, long before establishing herself as a player in the world of film, Carolyn was a horseback-riding tomboy who dreamed of exploring the world beyond her small hometown.

Born to immigrant parents and raised in the slums of Toronto during the Depression, Ted Kotcheff learned storytelling on the streets before taking a stagehand job at CBC Television. Discovering his skills with actors and production, Kotcheff went on to direct some of the greatest films of the freewheeling 1970s, including The Apprenticeship of Duddy Kravitz, Wake in Fright, and North Dallas Forty.

The legend Newsweek once dubbed “Superflack,” Bobby Zarem knows all of Hollywood’s secrets, and he’s not afraid to share them all. Even if you don’t believe all his dish, you’ll never look at the movie business the same. In light of Peter Bogdanovich’s January 6 death, The Originals releases a never-before-heard 2019 interview in which the Oscar-nominated director narrates his own story. Candid, shocking, and often hilarious, Bogdanovich shares tales of the mistakes that bedeviled his career.

Jewel thievery, car chases, and romance on the French Riviera. Alfred Hitchcock's Oscar-winning film To Catch a Thief brought together Hollywood's two most glamorous stars, Grace Kelly and Cary Grant, in the most glamorous place on Earth, the French Riviera. It is a tale of jewel thievery, intrigue, false identity, covert investigation, and, most of all, romance.

From this comprehensive, yet critically measured wealth of material, Rollyson offers a distinctive and insightful portrait of Marilyn Monroe, highlighted by new perspectives that depict the central importance of acting to the authentic aspects of her being.

It's one of the greatest movie romances of all time. Yet the friction and controversy surrounding The Way We Were was so enormous, the movie was nearly never made at all. Drawing on Laurents's and Pollack's unpublished writings, as well as interviews with Streisand, Redford, and other key players, this is the definitive account of a film that changed the rules of moviemaking and defined romance ever since.

One hundred and thirty years ago Eadweard Muybridge invented stop-motion photography, anticipating and making possible motion pictures. He was the first to capture time and play it back for an audience, giving birth to visual media and screen entertainments of all kinds. Yet the artist and inventor Muybridge was also a murderer who killed coolly and meticulously, and his trial is one of the early instances of a media sensation.

Brimming with previously untold stories and insights, How Coppola Became Cage both revels in and demystifies Cage's onscreen eccentricities. No other modern actor has explored such profound creative extremes while bending the boundaries of good taste. Here is the origin story of an actor who truly is wild at heart and weird on top.

The inspiring true story of Loïe Fuller, a radical 19th-century art nouveau icon who turned artificial light into performance art and became the incandescent inventor of modern dance, is revealed in this transportive and hypnotic historical narrative.

The movies were flying blind in 1980. “New Hollywood” was over and the era of auteur-driven, personal films that had defined moviemaking since the late ‘60s came to a symbolic end with Heaven’s Gate (1980), replaced by a new world of multiplex blockbusters supported by massive marketing campaigns. But beyond the high-school comedies and hardbody action films came a new wave of cinematic excitement—an era defined by Ferris Bueller's Day Off, Purple Rain, When Harry Met Sally, E.T., and Top Gun, each of which are now classics for a new generation of nostalgic movie lovers.