Film History

Fascinante ensayo que recorre, no solo la representación del vudú en el cine, desde cintas emblemáticas como El corazón del ángel a La serpiente y el arco iris, sino también los propios orígenes, evolución, idiosincrasia y prácticas del vudú real, de la mano de uno de los mayores expertos en el tema. El texto principal está aderezado con críticas y ensayos sobre el tema de otros autores emblemáticos de la escena hispanohablante contemporánea.

The fifth and final PHANTASM took an incredible eight years to go from set to screen. The project began as an experimental short before becoming a 13-part web series and finally a feature length sequel. Shot in secret on a microbudget, RAVAGER reunites PHANTASM's core cast 35 years after the original cult classic. The new sequel filmed not in Hollywood soundstages but in the homes of cast and crew. Visual effects were handled mostly by the director.

His signature jaw line and charismatic characters made him an American symbol. His films, including Bringing Up Baby, The Philadelphia Story, and North by Northwest, were timeless classics. However, Grant was also married five times and sustained a tortured, obsessive relationship with money. In this comprehensive book, Geoffrey Wansell traces the threads of both light and darkness in one of Holly-wood's greatest stars.

One hundred and thirty years ago Eadweard Muybridge invented stop-motion photography, anticipating and making possible motion pictures. He was the first to capture time and play it back for an audience, giving birth to visual media and screen entertainments of all kinds. Yet the artist and inventor Muybridge was also a murderer who killed coolly and meticulously, and his trial is one of the early instances of a media sensation.

In The Wicked Witch of the West: The Enduring Legacy of a Feminist Icon, Lona Bailey explores the radical feministic undertones of one of the most enduring characters in popular culture. This book traces her transformation over the past century, highlighting how she has evolved through countless adaptations from The Wizard of Oz to the film adaptation of Wicked while maintaining her core identity as a powerful, defiant figure.

Born to immigrant parents and raised in the slums of Toronto during the Depression, Ted Kotcheff learned storytelling on the streets before taking a stagehand job at CBC Television. Discovering his skills with actors and production, Kotcheff went on to direct some of the greatest films of the freewheeling 1970s, including The Apprenticeship of Duddy Kravitz, Wake in Fright, and North Dallas Forty.

What did President Ronald Reagan think of Rocky IV? How did the Matthew Broderick film WarGames inform America's missile defense system? What Michael J. Fox movie made such an impression on President Reagan that he felt compelled to mention it in a speech to the Joint Session of Congress? Over the course of eight years, Mark Weinberg travelled to Camp David each weekend with Ronald and Nancy Reagan.

To continue doing business in Germany, Hollywood studios agreed not to make films attacking Nazis or condemning persecution of Jews. Ben Urwand reveals this collaboration and the cast of characters it drew in, ranging from Goebbels to Louis B. Mayer. At the center was Hitler himself - obsessed with movies and their power to shape public opinion.

In The Time of My Life, celebrated music journalist Andrea Warner excavates the layers of Dirty Dancing, from its anachronistic, chart-topping soundtrack, to Baby and Johnny’s chemistry, to Bergstein’s political intentions, to the abortion subplot that is more relevant today than ever. The film’s remarkable longevity would never have been possible if it was just a throwaway summer fling story. It is precisely because of its themes—deeply feminist, sensitively written—that we, over 30 years later, are still holding our breath during that last, exhilarating lift.

"Was hat die Generation meines Vaters dazu bewegt, nur 20 Jahre nach dem Ersten Weltkrieg Adolf Hitler in einen neuen Krieg zu folgen?" Die Suche des Autors nach einer Antwort führt zu überraschenden Ergebnissen. Zusammenhänge werden deutlich, die bislang schlichtweg übergangen wurden. "Dieser Krieg", so Gerd Schultze-Rhonhof, "hatte viele Väter." Vieles in unserer deutschen Geschichte zwischen 1919 und 1939 ist ohne Kenntnis des zeitgleichen Geschehens in anderen Ländern nicht zu verstehen, zu eng greifen oft Wirkung und Wechselwirkung ineinander.

The following recording is a discussion between movie star Vivien Leigh, film producer Samuel Goldwyn and British Theatre critic Kenneth Tynan.

Fifty years ago, a little boy was cast in a movie with some of Hollywood's brightest stars. The movie: It's a Wonderful Life; the boy: Jimmy Hawkins; today, he tells his story. Through personal recollection, careful research, and interviews with cast and crew, actor Jimmy Hawkins, who played four-year-old Tommy Bailey, takes you behind the scenes for a first-hand look at the American movie classic It's a Wonderful Life.

A smart, engaging investigation of the show that brought real teens to TV My So-Called Life lasted only 19 episodes from 1994 to 1995, but in that time it earned many devoted viewers, including the showrunners who would usher in the teen TV boom of the late ’90s and the new millennium. With its focus on 15-year-old Angela Chase’s search for her identity, MSCL’s realistic representation of adolescence on TV was groundbreaking; without her there would be no Buffy or Felicity, Rory Gilmore or Veronica Mars.

Mark Kermode’s compelling study of this horror classic was originally published in 1997, and then extensively updated and expanded in 2003 to incorporate the discovery of new material. This revised edition documents the deletion and reinstatement of key scenes that have now been integrated into the film to create The Exorcist: The Version You’ve Never Seen. Candid interviews with director William Friedkin and writer/producer William Peter Blatty reveal the behind the-scenes battles which took place during the production.

In Nazi Germany, the cult of celebrity was the embodiment of Hitler's style of cultural governance. Hitler's rise to power owed much to the creation of his own celebrity, and the country's greatest stars, whether they were actors, writers, or musicians, could be one of only two things. If they were compliant, they were lauded and awarded status symbols for the regime; but if they resisted - or were simply Jewish - they were traitors to be interned and murdered.

Splatter Capital shows how a subgenre of cinematic horror has developed a unique perspective on the cycles of capitalism. It argues that the messy brand of horror mobilized in gore or "splatter" films is extremely responsive to the internal contradictions that threaten the future sustainability of capitalist accumulation. And, while responding to the prospect of that end, splatter promotes an extant truth: capitalist accumulation is and always has been a nightmare of systematized bloodshed.

Cinema emerged alongside the rules that ushered in boxing’s modern age and the “squared circle” proved the ideal stage for cinematic display. The public had its first taste of the new medium in 1894 through a heavyweight bout, recognized today as the world’s first feature film. Smash Hit: Race, Crime, and Culture in Boxing Films uses twenty films as the basis of a hard-nosed exploration as to how the genre held a bloody mirror to twentieth century America’s most prominent social anxieties, elucidating two conjoined mediums that serve as bellwether to an ever-shifting cultural zeitgeist.

Before the internet and social media offered voyeuristic glimpses into the lives of others, the acclaimed Master of Suspense, Alfred Hitchcock, exposed the dangers and delights of looking—and knowing—too much in his 1954 masterpiece Rear Window. Hailed as one of the greatest films ever made, it stars James Stewart and Grace Kelly but, in an unusual gamble, is shot entirely from within a Greenwich Village apartment.

Here, for the first time, is the complete history of Saturday Night Fever. From the New York magazine article that inspired the film—"Tribal Rites of the New Saturday Night" by Nik Cohn—to the on-and-off-set dramas of Travolta, director John Badham, and producer Robert Stigwood, this deep dive into the making of a movie classic also includes special interviews with actors Donna Pescow and Joseph Cali, among others. It explores the huge impact of the film on the industry—including a "Death to Disco" backlash—as well as on American culture itself.

Ignoring the systemic racial inequalities in film is losing the industry $10 billion a year. Yet, parity, diversity, and inclusion are fundamental issues that the Oscar Awards are only just beginning to address. In this book, award-winning writer, broadcaster, model, and fashion designer, Ben Arogundade, provides a manual for deconstructing everything you thought you knew about Hollywood - documenting the stories and struggles of black artists within the movie industry that have so far been left out of the canon.