Film Art

If you've ever dreamed of being in charge of your own network, cable, or web series, then this is the book for you. The TV Showrunner's Roadmap provides you with the tools for creating, writing, and managing your own hit show. Combining his 20+ years as a working screenwriter and UCLA professor, Neil Landau expertly guides you through 21 essential insights to the creation of a successful show, and takes you behind the scenes with exclusive and enlightening interviews with showrunners from some of TV's most lauded series.

Molding a Jurassic Universe is a collection of essays exploring the space where nostalgia and geek culture collide, all through the lens of Jurassic Park and the Jurassic Park franchise. The 21 essays muse on traumatized heroes, dinosaur martyrdom, the ethical implications of having a theme park full of extinct creatures brought back to life, cynicism as form and function in filmmaking, a shaving cream can as a foundation to worldbuilding, and more.

Bela Lugosi is a true screen icon forever memorialized for his performance as Dracula in the legendary 1931 film, and it is as that supernatural creature he is best remembered. Yet Lugosi's talents went far-beyond the blood-sucking count, mad doctors and voodoo masters. In this book, long-time Lugosi fan Peter H. Brothers examines the actor's screen performances from diabolical villains such as Dr. Mirakle in "Murders in the Rue Morgue" and Dr. Richard Vollin in the 1935 "The Raven" to unexpected comedic turns in "Broadminded" and "International House." A perfectionist, Lugosi was also a ...

Audrey Hepburn is an icon like no other, yet the image many of us have of Audrey - dainty, immaculate - is anything but true to life. Here, for the first time, Sam Wasson presents the woman behind the little black dress that rocked the nation in 1961. The first complete account of the making of Breakfast at Tiffany's, Fifth Avenue, 5 A.M. reveals little-known facts about the cinema classic: Truman Capote desperately wanted Marilyn Monroe for the leading role; director Blake Edwards filmed multiple endings....

Want to know how to write a script that people will remember, and can catch the attention of producers and other above-the-line talent? (Don't worry about agents; they don't want to talk to you). Nail your dialogue. Really. Now I know you've heard all the maxims: Film is a Visual Medium; You Can Either Write Dialogue or You Can't. And they both sound very logical. And esteemed writers, such as David Mamet, have been preaching them for years. But, in my not so humble opinion, they're both total bullcrap.

Artist Julie Schachter has created 100 pinhole photographic portraits of artists, writers, musicians, filmmakers, actors and supporters thereof, who sat before a hollowed-out 1980 Who's Who book, which she refashioned into a camera. Among those celebrated in these pages are Ant Farm founder Chip Lord; T.R. Uthco artists Doug Hall and Diane Andrews Hall; painters/sculptors M. Louise Stanley, Katherine Sherwood, C. G. Simonds, Clayton Bailey; performance/video/installation artists George Coates, Paul Cotton, Lowell Darling, Spalding Gray, Doug Hollis, Joe Rees, Willie Boy Walker; filmmakers ...

Partiendo de conceptos básicos (¿qué es una escena?, ¿qué es una secuencia?, ¿cómo lograr el clímax de un acto?, ¿cómo lograr el clímax de una película?) McKee muestra el misterio de las estructuras, explica las características de cada género, define la importancia de la ambientación, la diferencia entre la caracterización y la realidad de un personaje, en suma, todo aquello que hace que un guión destaque por encima de los demás.

Steven Spielberg has changed the cinematic world with his hugely popular films. Testing out new technology, telling dramatic stories, and collaborating with successful directors, actors, and producers built Spielberg's reputation as a director and producer.

Mel Brooks' own words telling all about the players, the filming, and studio antics during the production of this great comedy classic. The audiobook is alive and teeming with hundreds of photos, original interviews, and hilarious commentary. Young Frankenstein was made with deep respect for the craft and history of cinema-and for the power of a good schwanzstucker joke. This audiobook will also rely on interviews with gifted director of photography Gerald Hirschfeld, Academy Award-winning actress Cloris Leachman, and veteran producer Michael Gruskoff.

Since its publication in 1966, Jacqueline Susann's Valley of the Dolls has reigned as one of the most influential pieces of commercial fiction. Dolls! Dolls! Dolls! digs deep into the creation of that hugely successful film - a journey nearly as cut-throat, sexually charged, tragic, and revelatory as Susann's novel itself - and uncovers how the movie has become a cherished, widely imitated camp classic, thanks to its over-the-top performances, endlessly quotable absurd dialogue, outre costumes and hairdos, despite the high aspirations, money, and talent lavished on it.

Una peli por semana es un libro de introducción al cine que te propone 52 filmes para ver y analizar a lo largo de un año. Una selección realizada por Jesús Iglesias, autor de la popular cuenta de crítica cinematográfica La peli de la semana, para que cada mes puedas elegir de cuatro a seis filmes, cada uno ampliamente comentado y repleto de datos que saciarán tu ambición cinéfila.

In How to Start and Run Your Own Video Production Company, you will learn every aspect of the trade, from the initial setup to seeing the orders roll in and keeping customers happy. The book covers every aspect of the business, including: selecting your company structure, finding your first customers, pricing services, tips for setting up, following your financial plan, working with investors, forming a marketing strategy, and much more.

Baseball has always been a symbol as much as a sport. With a blend of individual confrontation and team play, a luxurious pace, and an immaculate urban parkland setting, it offers a sunny rendering of the American Dream, both the hard work that underpins it and the rewards it promises. Film, America's other national pastime, which magnifies and mythologizes all it touches, has long been the ideal medium to canonize this aspirational idea.

In this adventure, which would have played well in one of his own films, Schmuel Goldfisz left the Warsaw ghetto in 1895. He walked 300 miles to the Oder River, where he paid someone to row him across, smuggling him out of the Russian empire into Germany, past border patrols to another long walk to Hamburg. The gleam in his eye was America, "a far-away country, a vision of paradise." Schmuel Goldfisz became Samuel Goldwyn, one of the producers who created the Hollywood film industry.

Al Jolson, born Asa Yoelson, immigrated from a shtetl in Lithuania to the United States in 1894 after his father secured a job as a rabbi in Washington, D.C. A poor, Yiddish-speaking newcomer navigating a racially segregated and antisemitic America, young Jolson dreamed of becoming a star, and he did. Through Jolson, Bernstein simultaneously breaks open the history and legacy of the cultural sensation The Jazz Singer. Not only was The Jazz Singer the first feature-length film with synchronized music and dialogue, but it was also taboo smashing in its content.

Tom Junod’s Esquire profile of Fred Rogers, "Can You Say...Hero?", has been hailed as a classic of magazine writing. Now, his moving story of meeting and observing the beloved host of Mister Rogers' Neighborhood is the inspiration for A Beautiful Day in the Neighborhood, directed by Marielle Heller and written by Micah Fitzerman-Blue and Noah Harpster. Here, Junod’s unforgettable piece appears for the first time in audiobook form alongside an inspiring collection of advice and encouragement from Mister Rogers himself.

At last, everything you ever wanted to know about "Gilligan's Island" from the Professor himself, Russell Johnson. Sit right back and take a nostalgic, first-hand look into the world of Gilligan's Island. Directly from the ship's log, Russell Johnson takes you the day when Sherwood Schwartz shipwrecked seven strangers on a tiny desert isle—and America hasn't been the same since.

In this mixture of cultural and social history that is both scholarly and vastly entertaining, Eyman dispels the myths and gives us the missing chapter in the history of Hollywood, the ribbon of dreams by which America conquered the world.

Movies (And Other Things) is a book about, quite frankly, movies (and other things). One of the chapters, for example, answers which race Kevin Costner was able to white savior the best, because did you know that he white saviors Mexicans in McFarland, USA, and white saviors Native Americans in Dances with Wolves, and white saviors Black people in Black or White, and white saviors the Cleveland Browns in Draft Day? Another of the chapters creates a special version of the Academy Awards specifically for rom-coms, the most underrated movie genre of all.

The tale of Luke Skywalker, Han Solo, and the fall and redemption of Anakin Skywalker has become modern myth, an epic tragedy of the corruption of a young man in love into darkness, the rise of evil, and the power of good triumphing in the end. But it didn't start out that way. In this thorough account of one of cinema's most lasting works, Michael Kaminski presents the true history of how Star Wars was written, from its beginnings as a science fiction fairy tale to its development over three decades into the epic we now know, chronicling the methods, techniques, thought processes, and struggles of its creator.