Fiction Realism

Three best friends, all with the same birthday, are about to turn 40. They plan to share this momentous occasion together at a summerhouse in Maine, taking stock of their lives and loves, their wishes and choices. But none of them expect the gift that awaits them at the summerhouse: the chance for each of them to turn their "what might have beens" into reality.

Eighty-two-year-old Etta has never seen the ocean. So early one morning she takes a rifle, some chocolate, and her best boots, and begins walking the 3,232 kilometers from rural Canada eastward to the coast. Her husband Otto wakes to a note left on the kitchen table. "I will try to remember to come back," Etta writes to him. Otto has seen the ocean, having crossed the Atlantic years ago to fight in a far-away war. He understands. But with Etta gone, the memories come crowding in and Otto struggles to keep them at bay.

For reasons of her own, Hero Tojosoa accepts an invitation she was half expected to decline, and finds herself in Prague on a bachelorette weekend hosted by her estranged friend Sofie. Little does she know she’s arrived in a city with a penchant for playing tricks on the unsuspecting. A book Hero has brought with her seems to be warping her mind: the text changes depending on when it’s being listened to and who’s doing the listening, revealing startling new stories of fictional Praguers past and present.

As the novel opens, Artemio Cruz, the all-powerful newspaper magnate and land baron, lies confined to his bed and, in dreamlike flashes, recalls the pivotal episodes of his life. Carlos Fuentes manipulates the ensuing kaleidoscope of images with dazzling inventiveness, layering memory upon memory, from Cruz’s heroic campaigns during the Mexican Revolution, through his relentless climb from poverty to wealth, to his uneasy death. Perhaps Fuentes’ masterpiece, The Death of Artemio Cruz is a haunting voyage into the soul of modern Mexico.

In the 12 unforgettable tales of Lesser Known Monsters of the 21st Century, the strange is made familiar and the familiar strange, such that a girl growing wings on her legs feels like an ordinary rite of passage, while a bug-infested house becomes an impossible Kafkaesque nightmare. Each story builds a new world all its own: A group of children steal a haunted doll; a runaway bride encounters a sea monster; a vendor sells toy boxes that seemingly control the passage of time; an insomniac is seduced by the Sandman.

The year: 1936. Europe dances while an invidious dictator establishes himself in Portugal. The city: Lisbon-gray, colorless, chimerical. Ricardo Reis, a doctor and poet, has just come home after sixteen years in Brazil.

In "Books and Roses", one special key opens a library, a garden, and clues to at least two lovers' fates. In "Is Your Blood as Red as This?", an unlikely key opens the heart of a student at a puppeteering school. "'Sorry' Doesn't Sweeten Her Tea" involves a "house of locks", where doors can be closed only with a key - with surprising unobservable developments. And in "If a Book Is Locked There's Probably a Good Reason for That Don't You Think", a key keeps a mystical diary locked (for good reason).

Irene Beltrán is a force to be reckoned with. As a magazine journalist, an unusual profession for a woman with her privileged upbringing, she is constantly challenging the oppressive regime. Her investigative partner is photographer Francisco Leal, the son of impoverished Spanish Marxist émigrés. Together, they are an inseparable team and - despite Irene’s engagement to an army captain - form a passionate connection.

In the fictional Chinese city of Yong’an, an amateur cryptozoologist is commissioned to uncover the stories of its fabled beasts. These creatures live alongside humans in near-inconspicuousness - save their greenish skin, serrated earlobes, and strange birthmarks. Aided by her elusive former professor and his enigmatic assistant, our narrator sets off to document each beast and is slowly drawn deeper into a mystery that threatens her very sense of self.

This magical realist short tale was inspired by the Latin American myth of El Sombrerón, the nighttime guardian of peace and justice. El Sombrerón arrives in a sleepy town to find that a young girl has stolen a golden necklace. El Sombrerón must convince the girl to return the necklace so she can avoid El Sombrerón’s justice…and before the sun rises.

Hirasaka regenta un estudio de fotografía en el más allá. Antes de que sus «invitados» abandonen ese lugar de paso, él les da una taza de té y una pila de fotos de su historia para que escojan una por cada año que han vivido antes de partir en su último viaje.

Morgan Blackmoore has a secret, and she’s desperate to hide it from her sisters. So, when local paranormal healer Clementine Vega is murdered, and Morgan is accused of the crime, she has to do something she’s never done before - lie to her family. But soon, one lie turns into another, and she finds herself navigating a tangled web of deceit.

On the last day of December 1921, three enigmatic men - Cairo Martyr, a blue-eyed African who controls the Middle East's supply of aphrodisiac mummy dust; O'Sullivan Beare, a former Irish patriot and gunrunner who has made a fortune selling spurious, phallic-shaped Christian artifacts; and Mark Szondi, a dedicated Zionist who wagers only fried fish futures - sit down to a fateful game of poker in the back room of a Jerusalem antiquities shop owned by a 3000-year-old knight errant.

When best-selling author Carrie McClelland visits the windswept ruins of Slains Castle, she is enchanted by the stark and beautiful Scottish landscape. The area is strangely familiar to her but she puts aside her faint sense of unease to begin her new novel, using the castle as her setting, and one of her own ancestors, Sophia, as her heroine. Then Carrie realizes her writing is taking on a life of its own and the lines between fact and fiction become increasingly blurred.

The year is 1949, the city London. Amidst the smog of the capital is Dennis Knuckleyard, a hapless eighteen-year-old employed by a second-hand bookshop. One day, on an errand to acquire books for sale, Dennis discovers a novel that simply does not exist. It is a fictitious book, a figment from another novel. Yet it is physically there in his hands. How?

Click your heels three times and say, "There's no place like Bloomies!" Katie Chandler's life is pure magic - literally. As an executive assistant at Magic, Spells, and Illusions, Inc., she's seen more than her share of fantastical occurrences. A mere Manhattan mortal, Katie is no wizard, but she's a wiz at exposing "hokum" pocus, cloaked lies, and deceptive enchantments. And she's fallen under the all-too-human spell of attraction to Owen, a hunky wizard and coworker. Owen, however, is preoccupied. Someone has broken into his office and disrupted top-secret files, and it reeks of an inside job.

Alice Sun has always felt invisible at her elite Beijing international boarding school, where she’s the only scholarship student among China’s most rich and influential teens. But then she starts uncontrollably turning invisible—actually invisible. When her parents drop the news that they can no longer afford her tuition, even with the scholarship, Alice hatches a plan to monetize her strange new power—she’ll discover the scandalous secrets her classmates want to know, for a price.

There’s a village an hour from London. It’s no different from many others today: one pub, one church, redbrick cottages, some public housing, and a few larger houses dotted about. Voices rise up, as they might anywhere, speaking of loving and needing and working and dying and walking the dogs. This village belongs to the people who live in it, to the land and to the land’s past. It also belongs to Dead Papa Toothwort, a mythical figure local schoolchildren used to draw as green and leafy, choked by tendrils growing out of his mouth, who awakens after a glorious nap.

OAF – A Heartfelt, Suspenseful Tale of Loyalty, Loss, and the Unknown Little Randal Daniels knows life isn’t easy. Growing up in the quiet farm town of Franklin with his widowed mother and two brothers, he’s no stranger to hardship. If not for the kindness of the Tetleys—his late father’s closest friends and the wealthiest couple in town—his family might not have survived at all. But generosity breeds resentment, and when a vicious rumor spreads through Franklin during a devastating drought, jealousy turns to anger, and anger turns to something far more dangerous. As tensions ...

If Tipsy Collins learned one thing from her divorce, it’s that everyone in Charleston is a little crazy - even if they’re already dead. Tipsy, a gifted artist, cannot ignore her nutty friends or her vindictive ex-husband, but as a lifelong reluctant clairvoyant, she has always avoided dead people. When Tipsy and her three children move into the house on Bennett Street, she realizes that some ghosts won’t be ignored. Till death do us part didn’t pan out for Jane and Henry Mott, who have haunted the house for nearly a century.