Fiction Realism

It was supposed to be my first summer on my own, but then I meet Seth, Axel, Jasper, and Cody. There's something about them that drew me closer, and they seemed hell-bent on protecting me. I didn't think I needed protecting until people started showing up dead in the woods.

When ballet dancer Clara Campbell arrives in New Orleans, lonely and homesick, she is immediately captivated by the story of Windisle Plantation and the tragic tale that is said to have transpired beyond its gate. Legend has it that it is abandoned by all living souls, but to Clara’s great surprise, it is not a ghost she hears through the stone wall surrounding the property, but a flesh and blood man: a scarred stranger with a pain deeper and darker than the churning waters of the Mississippi river that flows beside his self-imposed prison.

Whale, set in a remote village in South Korea, follows the lives of many linked characters, including Geumbok, an extremely ambitious woman who has been chasing an indescribable thrill ever since she first saw a whale crest in the ocean; her mute daughter, Chunhui, who communicates with elephants; and a one-eyed woman who controls honeybees with a whistle. Brimming with surprises and wicked humor, Whale is an adventure-satire of epic proportions by one of the most original voices in international literature.

Instead, in the course of a moment, she is transformed into the stuff of myth, the stuff of her grandmother’s old Filipino stories—an aswang. She spent her life on the margins, knowing very little about her own life, let alone the lives of others; she was shot like a pinball through a childhood of loss, a veteran of Child Protective Services and a survivor, but always reacting, watching from a distance. Death brings her into the hearts and minds of those she has known—even her killer—as she is able to access their memories and to see anew the meaning of her own.

Jailbird. Klepto. Spectacular failure to launch. Nicole Wood’s sticky fingers have earned her many names, but it’s not that she’s stealing—some objects just need to be moved elsewhere, and the universe has chosen her to do it. Still, being a relocator of objects isn’t easy. With her marriage on the rocks, no real-world skills, and the threat of prison hanging over her head, Nicole is determined to change her ways.

Irreverently juggling magical realism, film noir, hip hop, and chicanismo, Tropic of Orange takes place in a Los Angeles where the homeless, gangsters, infant organ entrepreneurs, and Hollywood collide on a stretch of the Harbor Freeway. Hemmed in by wildfires, it's a symphony conducted from an overpass, grandiose, comic, and as diverse as the city itself - from an author who has received the California Book Award and the Association for Asian American Studies Book Award, among other literary honors.

Sara Paretsky's genius made Chicago private eye V.I. Warshawski a household name. Now the New York Times bestselling author explores an unseen corner of the city she loves. In Ghost Country she has written a parable for the millennium, a powerful, haunting novel of magic and miracles, of four troubled people who meet beneath Chicago's shadowy streets - and of the woman whose mysterious appearance changes all of their lives forever.

After the death of his brother, a grief-stricken young man seeks refuge and oblivion in a secluded fishing village dominated by a family of brujas in this haunting debut novel, inspired, in part, by the ramifications of Diné history and thought—a mesmerizing, original tale in the tradition of works by Toni Morrison, Haruki Murakami, and Gabriel García Márquez.

A girl grows up in Nunavut in the 1970s. She knows joy and friendship and parents' love. She knows boredom and listlessness and bullying. She knows the tedium of the everyday world and the raw, amoral power of the ice and sky, the seductive energy of the animal world. She knows the ravages of alcohol and violence at the hands of those she should be able to trust. She sees the spirits that surround her and the immense power that dwarfs all of us. When she becomes pregnant, she must navigate all this.

Annie, Edward, and their young daughter, Rose, live in a cramped apartment. One night, without warning, they find a beautiful terrace hidden in their closet. It wasn’t there before, and it seems to only appear when their friend Stephanie visits. A city dweller’s dream come true! But every extra bit of space has a hidden cost, and the terrace sets off a seismic chain of events, forever changing the shape of their tiny home, and the shape of the world.

A woman in her 30s begins to question the routine and predictability of her days. In everybody's eyes, she has a perfect life: happy marriage, children, and a career. Yet what she feels is an enormous apathy. All that changes when she encounters a successful politician who had, years earlier, been her high school boyfriend. As she rediscovers the passion missing from her life, she will face a life-altering choice.

A dazzlingly accomplished debut collection explores the ties that bind parents and children, husbands and wives, lovers and friends to one another and to the places they call home. In “Who Will Greet You at Home”, a National Magazine Award finalist for The New Yorker, a woman desperate for a child weaves one out of hair, with unsettling results. In “Wild”, a disastrous night out shifts a teenager and her Nigerian cousin onto uneasy common ground. In "The Future Looks Good", three generations of women are haunted by the ghosts of war.

A powerful, eerily unsettling story collection from a major international literary star. Unearthly and unexpected, the stories in Mouthful of Birds burrow their way into your psyche and don't let go. Samanta Schweblin haunts and mesmerizes in this extraordinary, masterful collection. Schweblin's stories have the feel of a sleepless night, where every shadow and bump in the dark take on huge implications, leaving your pulse racing, and the line between the real and the strange blur.

When the story opens, the eponymous hero of Rudolfo Anaya's novel is in an ambulance en route to a hospital for crippled children in the New Mexican desert. A poor boy from Albuquerque, 16-year-old Tortuga takes his name from the odd, turtle-shaped mountain that is rumored to possess miraculous curative powers. Tortuga is paralyzed, and not even his mother's fervent prayers can heal him. But under the mountain's watchful gaze, with the support of fellow patients, he begins the Herculean task of breaking out of his shell and becoming whole again.

Most will see only a cosy ramen restaurant. And just the chosen ones – those who are lost – will find a place to pawn their life choices and deepest regrets. Hana Ishikawa wakes on her first morning as the pawnshop's new owner to find it ransacked, the shop’s most precious acquisition stolen and her father missing. And then into the shop stumbles a charming stranger, quite unlike other customers. For he offers help, instead of seeking it.

Toru Okada's cat has disappeared, and this has unsettled his wife, who is herself growing more distant every day. Then there are the increasingly explicit telephone calls he has started receiving. As this compelling story unfolds, the tidy suburban realities of Okada's vague and blameless life, spent cooking, reading, listening to jazz and opera and drinking beer at the kitchen table, are turned inside out, and he embarks on a bizarre journey, guided (however obscurely) by a succession of characters, each with a tale to tell.

In Tome, a small, seemingly sleepy New Mexico hamlet, Sofia and her four fated daughters reveal a world of marvels where the comic and horrific, past and present, real and fantastic coexist and collide. Over two crowded decades, Sofia tries to hold things together following the disappearance of her husband, Domingo, he of the Clark Gable mustache and the uncontrollable gambling habit. Adventurous Esperanza, Chicana campus radical turned television news reporter, travels farthest from home only to be reeled back in spirit.

Machado de Assis’ classic novel, the precursor of Latin American fiction, is finally rendered as a stunningly relevant work for 21st-century audiences. In eloquent, contemporary prose, Costa and Patterson breathe new life into the dynamic character of Brás Cubas and reveal the vivid, tempestuous Rio de Janeiro of his time. The recently deceased Cubas narrates his life story, admitting glibly: “I am not so much a writer who has died, as a dead man who has decided to write.”

In the wake of her mother's passing, Layla Hurley unexpectedly reconnects with her mother's sisters, women she hasn't been allowed to speak to, or of, in years. Her aunts reveal to Layla that a Gullah-Geechee island off the shore of South Carolina now belongs to her. As Layla digs deeper into her mother’s past and the mysterious island’s history, she discovers that the terrifying nightmares that have plagued her throughout her life and tainted her relationship with her mother and all of her family, is actually a power passed down through generations of her Gullah ancestors.

Un viejo coronel retirado va al puerto todos los viernes a esperar la llegada de la carta oficial que responda a la justa reclamación de sus derechos por los servicios prestados a la patria. Pero la patria permanece muda.