Fashion Biography

Aos 86 anos, Betty Halbreich é uma figura única no mundo da moda. Há quase quatro décadas comanda o departamento de compras personalizadas–ou personal shopping, como Betty prefere não chamar–da loja Bergdorf Goodman, ícone do consumo de luxo na Quinta Avenida. Meticulosa, impecável e deliciosamente engraçada, Betty é conhecida por não ter medo de abrir o jogo com as clientes.

Von der verhüllten ultraorthodoxen Jüdin zur Designerin und Unternehmenschefin in New York: Eine mitreißende, wahre Geschichte aus der Welt des ultraorthodoxen Judentums - verfilmt von Netflix. Geboren in eine streng religiöse jüdische Familie und mit 21 verheiratet an einen ultraorthodoxen Juden, kennt Julia Haart die ersten 42 Jahre ihres Lebens nur die Unterwerfung unter die strikten Gebote ihrer Religionsgemeinschaft: Unbedeckte Haare, kurzärmelige T-Shirts, Miniröcke, Bikinis - all dies gilt als Insignien des Teufels. Und doch ist Julia Haart von Kindesbeinen an fasziniert von der Glitzerwelt der Mode.

When Peta Mathias dug through the clothes she had stored away for 20 years in her shed, she realised it was full of valuable, beautiful items that were crying out to be worn again: ‘Fashion is mysterious, irresistible and alluring...they are not just frocks—they are beauty, art, history, emotion, memory, identity and, above all, joy.’ From this arose a new appreciation of buying well but cannily, so your clothes will not bankrupt you nor go out of fashion.

Long before Amelia Earhart became a superstar, she was a girl who longed to touch the stars. But the dresses women had to wear at the time made those dreams seem almost impossible. Amelia didn't let that stop her. As a young aviator breaking records and expectations, she learned to fly her plane with flair. Later, she dared to create a trendsetting fashion line for active women like herself.

"Ej blot til pynt" er første del af den danske modeskaber Erik Mortensens erindringer. Bogen er inddelt i tre dele og går helt tilbage til Mortensens barndom og fortæller i første del om hans opvækst i København. Anden del går tæt på hans læretid i København, før han i tredje del fortæller om rejsen til Paris og hans eventyr i den store modeverden uden for de trygge rammer i København. Erik Mortensen (1926-1998), dansk modeskaber og forfatter.

There is only one CEO in recent times who has faced ¿ and succeeded at ¿ the extraordinary challenges of leading three major companies ¿ Gillette, Nabisco, and Kraft ¿ into prosperous futures by doing what matters on the fundamentals. That CEO is Jim Kilts. In this vivid first-person account he reveals his system for success that is both cutting-edge and back-to-basics.

Vergessen Sie Jil Sander und Wolfgang Joop, der erfolgreichste deutsche Designer heißt Philipp Plein! Kaum zu glauben, aber wahr: Alles begann mit einem Hundebett. Die erste Million auf dem Konto, der Weg in die Luxusbranche ... Später startete das Multitalent dann in der Modewelt durch, sein Markenzeichen war ab dem ersten Piece ein funkelnder Totenkopf.

A review of the Mary Quant exhibition at the Victoria and Albert Museum London. The audiobook looks at the beginnings of the designer's practice, launched with the Kings Road boutique Bazaar in the 1950s; progressing to Quant's mini skirts and trouser suits in the 1960s, and development of a cosmetic range in the 1970s. Includes quotations from associates and biographical data.

Diane von Fürstenberg, belgisch-amerikanische Mode-Ikone: Leben und Werk in einer Kurzbiografie! Alles, was man wissen muss, kurz und knapp. Infotainment, Bildung und Unterhaltung vom Feinsten!

The price tags on clothes weren’t the only things that young fashionista Wynter Dias was accustomed to popping. For the right price, and with the right weapon, Wynter Dias had the ability to rid a person of any problem that they had. However, while solving everyone else’s problems is her specialty, Wynter is also forced to deal with her own issues.

Coco Chanel (1883-1971) prägte wie niemand sonst die Mode des 20. Jahrhunderts und machte Paris zum Mode-Mekka der Welt. Sie verwirrte und entzückte die Welt durch die Abschaffung des Korsetts und der langen Röcke, schuf das unentbehrliche "kleine Schwarze" und das Chanel-Kostüm und erfand den Modeschmuck.

"Mode muss Teil einer Bewegung sein, das Gegenteil von Stillstand." In allem, was er tut, fasziniert und polarisiert Wolfgang Joop. Hier betrachtet er erstmals sein Leben, das alles ist, aber nicht Stillstand, Sättigung und Zufriedenheit: eine Kindheit in Potsdam, Verlust der Heimat, Neuanfang in Braunschweig, Autodidakt und Star der deutschen und bald der internationalen Modeszene, ein Leben in Hamburg, New York, Berlin und Potsdam, seine Rolle als Ehemann, Vater, Künstler.

"C'est dans le pli que tout se joue. Comme dans le rêve, il se soulève et puis se cache, se déplisse en soleil, se petit plisse en rond ou se replisse plus serré. On ouvre le cœur du pli, c'est là qu'est le génie. [...] La beauté d'un seul pli là où il ne devrait pas être comme la mémoire avec tous les plis d'avant qui se sont posés là en attente. Et puis un pli précis pas un godet ni une fronce qui sont bâtards, qui sont là par hasard."

I used to love the rattle and whoosh of my grandma's buttons as they scattered from their Quality Street tin. An inlaid wooden chest the size of a shoe box holds Lynn Knight's button collection. A collection that has been passed down through three generations of women: a chunky '60s-era toggle from a favourite coat, three tiny pearl buttons from her mother's first dress after she was adopted as a baby, a jet button from a time of Victorian mourning. Each button tells a story.

Joanna Jepson was born with a facial deformity that led to her being mercilessly bullied through childhood and adolescence while a strict evangelical upbringing imposed further challenges. Reconstructive facial surgery and a religious meltdown left her unrecognizable and disorientated and triggered a search for identity and belonging.

Vogue magazine started, like so many great things do, in the spare room of someone's house. But unlike other such makeshift projects that flare up then fizzle away, Vogue burnt itself into our cultural consciousness. Today, 125 years later, Vogue spans 22 countries, has an international print readership upwards of 12 million and nets over 67 million monthly online users. Uncontested market leader for a century, it is one of the most recognisable brands in the world and a multi-million dollar money-making machine. It is not just a fashion magazine, it is the establishment.