Family Life Fiction

Dear Anna, What I have to tell you is difficult to write, but I know it will be far more difficult for you to hear, and I'm so sorry. The unfinished letter is the only clue Tara and Emerson have to the reason behind their close friend Noelle's suicide. Everything they knew about Noelle - her calling as a midwife, her passion for causes, her love for her friends and family - described a woman who embraced life. Yet there was so much they didn't know. With the discovery of the letter and its heartbreaking secret, Noelle's friends begin to uncover the truth about this complex woman who touched each of their lives.

Emily Emerson is used to being alone; her dad ran out on the family when she was just a kid, her mom died when she was 17, and her beloved grandmother has just passed away as well. But when she's laid off from her reporting job, she finds herself completely at sea until the day she receives a beautiful, haunting painting of a young woman standing at the edge of a sugarcane field under a violet sky. That woman is recognizable as her grandmother - and the painting arrived with no identification other than a handwritten note saying, "He always loved her."

When a simple mix-up leaves their father Joe’s estate to Eden, their long-absent mother, Clare and Aaron decide it’s finally time to track Eden down. But it’s been over thirty years since she left their remote outback mining town, and they’ve never heard from her again. Aaron is dealing with a new marriage that’s currently trapped in immigration limbo, and his teenage daughter Cady is clearly going through a personal crisis of her own.

A solid marriage, a thriving business, and the esteem of their close-knit Alabama community - Joyce and Odell Watson have every reason to count their blessings. Their marriage has given well-off Joyce a chance at the family she's always wanted - and granted Odell a once-in-a-lifetime shot to escape grinding poverty. But all that respectability and status comes at a cost. Just once, Joyce and Odell want to break loose and taste life's wild side, without consequences.

It's been over a decade since Nora left her hometown of Scupper Island, Maine, and very seldom looked back. She's carved out a successful life in Boston, where no one knows her as the awkward girl with the delinquent sister and the dad who left, but a not-as-dramatic-as-it-sounds brush with death has her taking stock of her life. Inspired to reconnect with her prickly mother and snarky teenage niece, Nora returns home for the summer, where she's forced to face the people she's spent the last ten years trying to avoid.

Freelance writer Jacqueline Tate arrives in Los Angeles and soon meets brilliant, award-winning scientist Randall Atwater, the man she's come to cover at a conference on trends and technology. He is everything she's read about - brainy, witty, handsome, and cool. And after a week spent with the most fascinating man she's ever known, there's no way she can give him up. There's just one problem: Randall's wife of 20 years. No matter - men like Randall are few and far between.

Early morning, August 1975: a camp counselor discovers an empty bunk. Its occupant, Barbara Van Laar, has gone missing. Barbara isn’t just any thirteen-year-old: she’s the daughter of the family that owns the summer camp and employs most of the region’s residents. And this isn’t the first time a Van Laar child has disappeared. Barbara’s older brother similarly vanished fourteen years ago, never to be found.

After 18 years of marriage, Kathy Walker has settled into a pattern of comfortable routines-ferrying her two teenagers between soccer practice and piano lessons, running a film production business with her husband, Robert, and taking care of the beautiful Boston home they share. Then one day, Kathy discovers a suspicious number on her husband's phone. Six years before, Kathy accused Robert of infidelity - a charge he vehemently denied - and almost destroyed their marriage in the process. Now Kathy must decide whether to follow her suspicions and risk of losing everything, or to trust.

2 CHILDREN FOR SALE. In 1931, near Philadelphia, ambitious reporter Ellis Reed photographs the gut-wrenching sign posted beside a pair of siblings on a farmhouse porch. With the help of newspaper secretary Lily Palmer, Ellis writes an article to accompany the photo. Capturing the hardships of American families during the Great Depression, the feature story generates national attention and Ellis's career skyrockets. But the piece also leads to consequences more devastating than he and Lily ever imagined - and it will risk everything they value to unravel the mystery and set things right.

It is 1985 in a small Irish town. During the weeks leading up to Christmas, Bill Furlong, a coal merchant and family man, faces into his busiest season. Early one morning, while delivering an order to the local convent, Bill makes a discovery that forces him to confront both his past and the complicit silences of a town controlled by the church.

The Garretts are everything the Reeds are not: loud, numerous, messy, affectionate. And every day from her balcony perch, 17-year-old Samantha Reed wishes she was one of them...until one summer evening, Jase Garrett climbs her terrace and changes everything. As the two fall fiercely in love, Jase's family makes Samantha one of their own. Then in an instant, the bottom drops out of her world and she is suddenly faced with an impossible decision. Which perfect family will save her? Or is it time she saved herself?

Madeline, Avery, and Nikki are strangers to each other, but they have one thing in common. They each wake up one morning to discover their life savings have vanished, along with their trusted financial manager - leaving them with nothing but co-ownership of a ramshackle beachfront house. Throwing their lots in together, they take on the challenge of restoring the historic property. But just as they begin to reinvent themselves and discover the power of friendship, secrets threaten to tear down their trust.

Eleanor Murray will always remember her childhood on Edisto Island, where her late father, a local shrimper, shared her passion for music. Now her memories of him are all that tempers the guilt she feels over the accident that put her sister in a wheelchair and the feelings she harbors for her sister's husband. To help support her sister, Eleanor works at a Charleston investment firm during the day, but she escapes into her music, playing piano at a neighborhood bar. Until the night her enigmatic boss walks in and offers her a part-time job caring for his elderly aunt, Helena, back on Edisto.

Meredith White was one of Hollywood's most recognizable faces. But a personal tragedy cut her acting career short and alienated her from her family. For the last 15 years, Meredith has been living alone in San Francisco with two trusted caretakers. Then a massive earthquake strikes Northern California. Meredith invites her stunned and shaken neighbors into her mostly undamaged home as the recovery begins. These people did not even realize that a movie star was living on their street. Now, they are sharing her mansion, as well as their most closely kept secrets.

When Lucy Bagshaw's life in Boston falls apart thanks to a scathing editorial written by her famous artist mother, she accepts her half-sister Juliet's invitation to stay with her in Hartley-by-the-Sea, a charming seaside village in Northern England. Lucy is expecting quaint cottages and cream teas but instead finds that her sister is an aloof host; the weather is wet, windy, and cold; and her new boss, Alex Kincaid, is a disapproving widower who hired her only as a favor to Juliet.

In God Don't Like Ugly, she weaves a powerful tale of devastating abuse, the strength of friendship, and the burden of terrible secrets. Shy, overweight Annette Goode is only seven years old when Mr. Boatwright, a boarder in her house, begins sexually abusing her. She keeps this information to herself for years, until gorgeous, self-assured Rhoda Nelson becomes her new friend. Annette confides in Rhoda and finds the strength and courage to survive to adulthood.

Eric Jerome Dickey strides boldly over the minefield that is modern marriage. The central couple's biggest challenge is timing: He works days; she works nights. Instead of growing together, they're rapidly drifting apart, coexisting on stolen phone calls from work, punctuated by occasional bedroom encounters that leave them both feeling even emptier and more alone. When she finds out about his affair - and starts her own - the delicate fabric of their marriage is torn irrevocably asunder. Or is it?

Franciszka and her daughter, Helena, are simple, ordinary people until 1939, when the Nazis invade their homeland. Providing shelter to Jews in Nazi-occupied Poland is a death sentence, but Franciszka and Helena do exactly that. In their tiny home in Sokal, they hide a Jewish family in a loft above their pigsty, a Jewish doctor with his wife and son in a makeshift cellar under the kitchen, and a defecting German soldier in the attic - each party completely unknown to the others.

Ruby Lennox begins narrating her life at the moment of conception, and from there takes us on a whirlwind tour of the 20th century as seen through the eyes of an English girl determined to learn about her family and its secrets.

Sam Hill always saw the world through different eyes. Born with red pupils, he was called “Devil Boy” or Sam “Hell” by his classmates; “God’s will” is what his mother called his ocular albinism. Her words were of little comfort, but Sam persevered. Sam believed it was God who sent Ernie Cantwell, the only African American kid in his class, to be the friend he so desperately needed. And that it was God’s idea for Mickie Kennedy to storm into Our Lady of Mercy like a tornado, uprooting every rule Sam had been taught about boys and girls. Forty years later, Sam, a small-town eye doctor, is no longer certain anything was by design.