European Fiction

A gripping and moving story of loss and love, of hatred and passion, and of horror and hope, set in Spain’s most evocative city during the Spanish Civil War in the 1930s and the following decades. Ramon flees rural Andalucia for the apparent safety of Seville. In the city’s Triana district a flamenco dancer, Beatriz, faces a heart rending choice. And in northern Morocco, Izil reluctantly joins Franco’s invasion army to save his family from hunger. When a wealthy landowner becomes a key figure in Seville's oppressive government he seeks revenge, bringing despair. It seems all hope is ...

Charles Strickland, a conventional stockbroker, abandons his wife and children for Paris and Tahiti, to live his life as a painter. While his betrayal of family, duty and honour gives him the freedom to achieve greatness, his decision leads to an obsession which carries severe implications.

In Italy, 1478, a murderous attack in Florence Cathedral has seen Andrea de' Grigi's close friend Giuliano de' Medici killed. Giuliano's brother, Lorenzo de' Medici, "the Magnificent", survived the attack, but enemies remain both within Florence and in armies on her borders. Lorenzo must rally supporters to drive Florence's enemies away for good. Andrea has sworn to support Lorenzo and to make amends for what he sees as his failure in the cathedral, where he lost Giuliano to assassins. But politics and diplomacy sometimes get in the way. And for Andrea, even under the mentorship of his ...

It’s 1942. German Nazis occupy much of France. And twelve-year-old Miriam, who is Jewish, is not safe. With help and quick thinking, Miri is saved from the roundup that takes her entire Jewish neighborhood. She escapes Paris, landing in a small French village, where the spires of the famous Chateau de Chenonceau rise high into the sky, its bridge across the River Cher like a promise, a fairy tale.

"Castle Richmond" (1860) is a novel by Anthony Trollope. It is set in southwestern Ireland at beginning of the Irish famine. Castle Richmond is situated on the banks of the Blackwater River in County Cork. The plot features the competition of two Protestant cousins of English origin, Owen and Herbert Fitzgerald, for the hand of Clara Desmond, the noble but impoverished daughter of the widowed Countess of Desmond, providing the novel’s principal dramatic interest.

Political alliances are beginning to rupture, and no state is immune: England, France, the Holy Roman Empire, Milan Genoa, Venice, Constantinople . . . Every mercenary knight must sharpen his sword and prepare for battle. But Sir William Gold has other problems. Just to reach Europe, he must capture its most unassailable fortress. He must also protect his liege lord, the Green Count, from assassins hell-bent on his death.

Evan MacIan is a tall, dark-haired, blue-eyed Scottish Highlander and a devout Roman Catholic. James Turnbull is a short, red-haired, gray-eyed Lowlander and a devout but naïve atheist. The two meet when MacIan smashes the window of the street office where Turnbull publishes an atheist journal. This act of rage occurs when MacIan sees posted on the shop's window a sheet that blasphemes the Virgin Mary, presumably implying she was an adulteress who gave birth to an illegitimate Jesus.

The Man of Property, the first novel in Galsworthy's epic social satire The Forsyte Saga, introduces us to Soames Forsyte, a solicitor and prominent man of his important family. Accustomed to getting whatever he wants, he sets his sights with absolute determination on the beautiful Irene in spite of her pennilessness and her indifference to him.

Secular humanism has triumphed. Everything the late Victorians and Edwardians believed would bring human happiness has been achieved: Technology has made it so no one needs to work for a living, the social sciences ensure a smooth-running social order, and, in the name of tolerance, religious beliefs have been uprooted and eliminated except for a single holdout - a largely discredited and rapidly shrinking Catholic Church. Yet people are unhappy.

Quand on enferme la vérité sous terre, elle s'y amasse, elle y prend une force telle d'explosion, que, le jour où elle éclate, elle fait tout sauter avec elle. On verra bien si l'on ne vient pas de préparer, pour plus tard, le plus retentissant des désastres. Zola publie en 1898 l'article "J'accuse !" dans "L'Aurore", pour dénoncer l'incroyable erreur judiciaire portée à l'encontre d'Alfred Dreyfus.

On the Social Contract's appeal and influence has been wide-ranging and continuous. It has been called an encomium to democracy and, at the same time, a blueprint for totalitarianism. Individualists, collectivists, anarchists, and socialists have all taken courage from Rousseau's controversial masterpiece.

This unique fairy tale filled with whimsy and satire is much more than a story for the nursery. The tale begins with two old philosophers who live in a dark pine wood with their companions the Grey woman of Dun Gortin and the Thin Woman of Inis Magrath. When the wife of farmer MacMurrachu loses her washing board, the farmer comes to ask the philosophers for advice. They direct the old farmer not to a washboard, but to a tree containing a pot of gold.

Ashley Dunne is a bad boy, a notorious member of Dublin’s most ruthless gang. But when privileged daddy’s girl Ryan Mahony finds herself living on an urban estate they control, she can’t help feeling he’s not that bad at all. Ryan and Ash were never meant to cross paths: she’s always been sheltered by her successful barrister father. But when he’s unexpectedly sent to prison, she’s forced to move in with estranged relatives in the city, where a chance encounter with Ash sends sparks flying.

Marseille, 1815. Edmond Dantès ramène à bon port, après la mort de son capitaine, le trois-mâts "Le pharaon". Bientôt capitaine de ce bateau et fiancé à la belle Mercédès, il voit ses espérances comblées. Jamais le bonheur n'a été aussi proche. Mais soudain, le soir du repas de fiançailles le rêve se brise. Une dénonciation anonyme, une machination diabolique le sépare de son amour, l'enterre vivant dans un cachot, séparé à jamais du monde des vivants. Edmond Dantès se retrouve prisonnier au château d'If. Qui veut lui nuire ? Pourquoi ?

Relinquishing thoughts of a materially rewarding life, the respectably educated Felix Holt returns to his native village in North Loamshire and becomes an artisan. He is a forceful young man of honor, integrity, and idealism, burning to participate in political life so that he may improve the lot of his fellow artisans.

From a variety of masterfully rendered perspectives, these six stories depict people at painful odds with the world around them. A wife can only surrender to a desert night by betraying her husband. An artist struggles to honor his own aspirations as well as society's expectations of him. A missionary brutally converted to the worship of a tribal fetish is left with but an echo of his identity. Whether set in North Africa, Paris, or Brazil, the stories in Exile and the Kingdom are probing portraits of spiritual exile, and man's perpetual search for an inner kingdom.

The crônica, a literary genre peculiar to Brazilian newspapers, allows writers, or even soccer stars, to address a wide readership on any theme they like. Chatty, mystical, intimate, flirtatious, and revelatory, Clarice Lispector’s pieces for the Saturday edition of Rio’s leading paper, the Jornal do Brasil, from 1967 to 1973, take the forms of memories, essays, aphorisms, and serialized stories. Endlessly delightful, her insights make one sit up and think, whether about children or social ills or pets or society women or the business of writing or love.

Everyone's favorite octogenarian is back, and together with his pals in the Old-But-Not-Dead Club, he is more determined than ever to wreak havoc and turn a twinkly eye on the brighter side of life. After a year spent mourning the death of his beloved friend Eefje, Hendrik may be older and a little more wobbly, but his youthful appetite for mischief hasn't diminished. When fears arise that the home is set for demolition, it's up to Hendrik and the Old-But-Not-Dead Club to intervene.

Ian Fleming was best known for bringing to life the legendary character of James Bond, one of the most beloved and enduring icons of our time, but he was perhaps even more interesting than his creation. His career in Naval Intelligence and extensive travels around the world gave Fleming a keen eye and the authority to write on a wide range of topics beyond Bond’s adventures. This collection contains a selection of journalism and other writings by Fleming, covering his wartime experiences, reflections on crime and espionage, and the process of writing his novels, among other topics.

Andy Bellows is in a right state. Plagued with insomnia, anxiety and neckache, he’s convinced there’s something seriously wrong with him. And the worst thing is that his doctor agrees. The diagnosis: Andy is in the grip of a self-destructive addiction to technology - he just cannot put that bloody mobile phone down. Texting, tweeting, gaming and online dating - technology rules Andy’s life. His phone even monitors his bowel movements. So how will he cope when he’s forced to follow doctor’s orders and step away from all of his beloved screens?