European Comedy

What do you do when the doctor says you could die at any moment? Well...after you’ve made a cup of tea, of course. Nathan James is young, successful and has the world at his feet. Unfortunately, he’s also about to die - which ruins things somewhat. And now he’s staring imminent death in the face, Nathan is having to rethink some of his life choices very hard. Then Nathan falls in love with a charming girl called Alison, which is a really stupid thing to do. Because how can you give your heart to someone when it might be about to stop?

Dexter Yates loves his fun, carefree London life; he has money, looks, and girlfriends galore. But everything changes overnight when his sister dies, leaving him in charge of her eight-month-old daughter Delphi. How is he ever going to cope? Comic-strip artist Molly Hayes lives in the beautiful Cotswold village of Briarwood. When it comes to relationships, she has a history of choosing all the wrong men. Leaving the city behind, Dex moves to Briarwood - a much better place to work on his parenting skills - and he and Molly become neighbors.

Ferdinand Brun hasn't always been a grumpy old man. Many years ago, he was a grumpy young man. Now he'd much rather spend time with his canine companion, Daisy, than any of his nosy neighbors. But as his behavior becomes increasingly peculiar, his daughter grows concerned and begins to consider moving him into a retirement home.

Eugenia, a baroness divorced from a German prince, and her bohemian brother, Felix, are coming back to America. Raised and cultured in Europe, they are returning destitute to New England to seek out their rich and innocent cousins. In a bungle of culture clash and love triangles, the Europeans hang their fortunes upon their ability to adapt. Where their scheming leads them is the last place they expect.

Dame Edith Evans, Sir John Gielgud and Anthony Quayle perform a selection of 18th-century comedy.

As her 30th birthday approaches, spirited and unconventional Carlotta is a little nervous. She's just been fired because of her irrepressible frankness, her family is a mess, and her love life is nonexistent. Plus, living in Rome isn't cheap, so she's forced to rent out a room in her apartment to make ends meet.

Lord Dawlish is a well-liked and generous man. But he is poor, the poorest of his rank in the British Isles. His fiancée will not marry a man of modest means, so Dawlish decides to make his fortune any way possible. Romance, golf, the theater, and mad monkeys are all part of this merry mix-up that has more witty remarks and sharp retorts in one minute than most people could dream up in a lifetime.

Lisa’s dated a series of disastrous men; Simon’s loved and lost the girl of his dreams. She’s hoping fate might intervene in her love life; he’d prefer that it stopped meddling with his. Today, they’re meeting, courtesy of the local paper’s ‘Blind Date’ feature - but while Lisa’s looking for that elusive ‘spark’, Simon’s sure lightning doesn’t strike twice. Will theirs be a love that’s written in the stars, or merely another mismatch written up in the Gazette?

A piano tuner called Murkin, a close-shaven man with a yellow face, with a nose stained with snuff and cotton wool in his ears, came out of his hotel room into the passage. And looking at his frightened face one might have supposed that the ceiling had fallen in on him. 'Upon my word, Semyon!' he cried, seeing the attendant running towards him. 'What is the meaning of it? I am a rheumatic, delicate man and you make me go barefoot! Why is it you don't give me my boots all this time? Where are they?'

C'est le premier portrait de femme profondément destructrice, rancunière et laide que Balzac ait produit. Elle se voit apparentée à un animal malfaisant : "ses sourcils épais réunis par un bouquet, sa face longue et simiesque laissent deviner derrière la paysanne des Vosges un caractère de sauvage". Et c'est bien d'une sauvage dont il s'agit. La cousine est animée d'une rage et d'une passion impuissante. Telle une araignée tissant sa toile, elle gaspille une énergie folle à nuire sans recueillir les fruits de ses intrigues, pourtant patiemment élaborées.

"Three Men on the Bummel" (1900) is a comical travelogue by Jerome K. Jerome. The three companions are on a bicycle tour through the German Black Forest. What does Bummel mean? D. C. Browning writes: "The title must be puzzling to many readers, for 'bummel' will not be found in English dictionaries." You can learn its meaning at the last chapter of the book, which is a series of humorous vignettes, each of which builds slowly, through accumulation of layer on layer of detail, through several pages.

Evie Clement has perfected the art of avoiding attention as she works at her family’s bakery and dreams of a life where she can trade dusting flour for designing dresses. Her focus is on honing her sewing skills—she doesn’t need to be fawned over by some teenage boy. Least of all Beau Bellegarde—the playboy of Paris, the second son of the ultra-wealthy Bellegarde family, the most popular guy in their prestigious high school. Others may swoon over his rakish charm and winning smile, but not Evie.

Martin Clay, an easily distracted philosopher, and his scrupulous art historian wife find themselves enlisted to assess the value of three dusty paintings. But blocking the soot from the chimney is nothing less, Martin believes, than one of the world's lost treasures. There it is: Martin's new distraction. So begins a wild trail of lies and concealments, soaring hopes and sudden panics as Martin embarks on an obsessive quest to prove his hunch and resolve one of the great mysteries of European art.

Written in 1911, The Card is the story of Edward Henry (Denry) Machin, who rises from washerwoman's son to the Mayor of Bursley (Burslem in the Potteries town of Stoke-on-Trent) via a mixture of gentle deceit and personal hype. He is literally a trickster of confidence. His rise to fame is begun at an exclusive ball to which he has got himself invited, where he has the audacity to claim a dance with the glamourous but imposing Countess of Chell.

Things are finally looking up for Rosie: she's debt-free, or at least almost, her trailer is in great condition, and she even has time to take her three kids on a Christmas vacation. But she knows the smooth sailing can't last. Rosie is always there for a friend in need, and before she knows it, she has her hands full. Again. To cover for her best friend, Véro, she fills in as housekeeper for a renowned psychoanalyst.

Rastignac, resté seul, fit quelques pas vers le haut du cimetière et vit Paris tortueusement couché le long des deux rives de la Seine où commençaient à briller les lumières. Ses yeux s'attachèrent presque avidement entre la colonne Vendôme et le dôme des Invalides, là où vivait ce beau monde dans lequel il avait voulu pénétrer. Il lança sur cette ruche bourdonnante un regard qui semblait par avance pomper le miel, et dit ces mots grandioses : "À nous deux maintenant !"

Esta novela constituye un momento afortunado del Siglo de Oro de la literatura espanola. No solo fue uno de los mas apreciados logros en la literatura picaresca, sino tambien una de las obras fundadoras del genero novelistico. Por medio de la narracion de simples travesuras, el autor dio a su personaje Lazaro, la voz adecuada para retratar los defectos y las miserias de los grupos y clases sociales espanolas de la epoca.

As a teen Maddy Harvey was a bit of an ugly duckling. Luckily she's blossomed since then, and Maddy thanks God for this small miracle when a tall, handsome stranger comes to her rescue one starry summer's night. But instant attraction turns to a disaster in the making when Maddy learns the identity of her superman: Kerr McKinnon. Of all the colorful residents of the small Cotswold town of Ashcombe, why did it have to be him? Because, as family feuds go, the Montagues and the Capulets have nothing on the Harveys and the McKinnons.

"La Spéculation, dit le parfumeur, quel est ce commerce ? C'est le commerce abstrait, reprit Claparon, un commerce qui restera secret pendant une dizaine d'années encore, au dire du grand Nucingen, le Napoléon de la finance, et par lequel un homme embrasse les totalités des chiffres, écrème les revenus avant qu'ils n'existent, une conception gigantesque, une façon de mettre l'espérance en coupes réglées, enfin une nouvelle Cabale !"

Ces trois nouvelles, "Mademoiselle Fifi", "L'odyssée d'une fille" et "L'armoire", mettent en scène des "filles publiques" - leurs peines, leurs joies, leurs obligations. Maupassant décrit, avec l'ironie qu'on lui connaît, une société du libre-échange dont le moteur est l'argent et où circulent les corps, les pulsions, les désirs. Au-delà du réalisme cru, ces nouvelles ont le charme particulier des histoires sombres, tendres et édifiantes.