Essays Social

Why do superheroes choose to be superheroes? Where does Spider-Man's altruism come from, and what does it mean? Why is there so much prejudice against the X-Men, and how could they have responded to it, other than the way they did? Why are super-villains so aggressive? The Psychology of Superheroes answers these questions in a wide range of essays on topics from Aquaman to Arkham Asylum - exploring the inner workings our heroes usually only share with their therapists.

Jesus an anarchist? That doesn't sound like the Jesus preached by the political establishment, mega church pastors, or even most small town ministers. Nevertheless, Jesus spoke about the Kingdom of God that makes all other political loyalties inconsequential.

Imagine you could give an essay entitled "How to Make Me Come" to a past, present or future sex partner, free of judgment or repercussion. What would you want them to know? In this book inspired by Emma Koenig's wildly popular website, a diverse collective of women do just that. Emma Koenig was inspired to answer this question after a truly frustrating sexual experience with a partner. As she says, "THE SIMPLEST VERSION OF THIS STORY DEVOID OF ALL IDENTIFYING DETAILS: He thought I had an orgasm. I hadn't."

“And, at the center of it all, am I actually nice or am I just performing a role I think I’m expected to play?” Mia Mercado is a razor-sharp cultural critic and essayist known for her witty and hilarious dissections of the uncomfortable truths that rule our lives. In this thought-provoking collection of new essays, Mercado examines what it means to be “polite,” “agreeable,” and “nice.” She covers topics from the subtleties of the “Bad Bitch” and why women dominate the ASMR market, to what makes her dog an adorable little freak and how you know if you’re shy.

Bringing together Susan Sontag's most fearless and incisive writing, On Women examines the oppression of women and the tools necessary for liberation. First written in the 1970s during the height of second-wave feminism, Sontag's essays examine the 'biological division of labour', the double standard for ageing and the struggle for real power, topics which are strikingly relevant to our contemporary conversations. For any Sontag fan, this collection of lost essays is a revelation into her achievements as an essayist.

In Don't Call Me Princess, Orenstein's most resonant and important essays are available for the first time in collected form, updated with both an original introduction and personal reflections on each piece. Her takes on reproductive justice, the infertility industry, tensions between working and stay-at-home moms, pink ribbon fear-mongering and the complications of girl culture are not merely timeless - they have, like Margaret Atwood's The Handmaid's Tale, become more urgent in our contemporary political climate.

This book is for and about the women who kicked in doors, as pioneers of their craft or making politics central to their sound: those who offer a new way of thinking about the vast spectrum of women in music. In this radical departure from the historic narrative of music and music writing being written by men, for men, This Woman’s Work challenges the male dominance and sexism that have been hard-coded in the canons of music, literature, and film and has forced women to fight pigeon-holing or being side-lined by carving out their own space.

Author Joni B. Cole worries that Vlad the Impaler may be a distant cousin. She feuds with a dead medium. She thinks (or overthinks) about insulting birthday cards, power trips, and the real reason writers hate Amazon. And she wishes, really wishes, all those well-meaning people would stop talking about Guatemala. At once irreverent and thought provoking, Cole's collection is a joy ride through eclectic essays that arrive smack on that sweet spot between soul searching and social commentary, between humor and heft.

As geek culture goes mainstream - from Game of Thrones to the Avengers - it's never been more important to look at the role women play in it and the future they're helping to create. And Kameron is the smart, funny, and profane voice we need to guide listeners through the world of fandom and the coming revolution in pop culture.

This essay comes from the NPR series This I Believe, which features brief personal reflections from both famous and unknown Americans. The pieces that make up the series compel listeners to rethink not only what and how they have arrived at their beliefs, but also the extent to which they share them with others.

Throughout history, artists and philosophers have cultivated the deep self and seen value in solitude and reflection. But today, through social media, wall-to-wall marketing, reality television and the agitation of modern life, everything feels illuminated, made transparent. We feel bereft without our phones and their cameras and the feeling of instant connectivity. It gets hard to pick up a book, harder still to stay with it. In this eloquent and profound essay, renowned critic Sebastian Smee brings to the surface the idea of inner life.

Novelist Porochista Khakpour's family moved to Los Angeles after fleeing the Iranian Revolution, giving up their successes only to be greeted by an alienating culture. Growing up as an immigrant in America means that one has to make one's way through a confusing tangle of conflicting cultures and expectations. And Porochista is pulled between the glitzy culture of Tehrangeles, an enclave of wealthy Iranians and Persians in LA, her own family's modest life and culture, and becoming an assimilated American.

Within this essay, Orwell criticises the 'ugly and inaccurate' written English of his time and examines the connection between political orthodoxies and the debasement of language. The essay focuses on political language, which, according to Orwell, 'is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind'. Bad English, he believed, was a vehicle for oppressive ideology.

Based on the NPR series of the same name, This I Believe features 80 Americans—from the famous to the unknown—completing the thought that begins with the book's title. The pieces that make up the program compel listeners to re-think not only what and how they have arrived at their own personal beliefs, but also the extent to which they share them with others.

Written by a former election campaign consultant for a major political party, How to Win an Indian Election takes listeners into the forbidden world of election war-rooms and gives them a glimpse of how strategy is formulated, what works with voters on the ground and what doesn't. Based on research, interviews and the author's own experiences, this book is invaluable for its insight into the inner workings of politics, political parties and what really makes for a winning election campaign.

Quintus Curtius is an attorney, writer, translator, and former marine officer. Expertly blending history, biography, philosophy, and the author's personal experience, this penetrating collection of essays achieves what one reviewer called "a perfect fluency in [a] dialogue with truth." The unifying theme is the nature of masculine identity and how that identity has been manifested. Drawing on examples from history and using sources in their original languages, Quintus Curtius' soaring vision combines lucid explanation with a passionate intensity like few other writers.

Spanning four decades, these essays, speeches and meditations interrogate the world around us. They are concerned with race, gender and globalisation. The sweep of American history and the current state of politics. The duty of the press and the role of the artist. Throughout A Mouth Full of Blood our search for truth, moral integrity and expertise is met by Toni Morrison with controlled anger, elegance and literary excellence.

A searing, enlightening polemic about the tens of thousands of unaccompanied Mexican and Central American children arriving in the US without papers. Why did you come to the USA? When a child migrant arrives in the US all alone, this is the first question he or she will be asked. It's the beginning of an official interview of 40 questions used by the federal immigration court in New York City.

Sarah Polley's work as an actor, screenwriter and director is celebrated for its honesty, complexity and deep humanity. She brings all those qualities, along with her exquisite storytelling chops, to these six essays. Each one captures a piece of Polley's life as she remembers it, while at the same time examining the fallibility of memory, the mutability of reality in the mind, and the possibility of experiencing the past anew, as the person she is now but was not then. As Polley writes, the past and present are in a “reciprocal pressure dance”.

This is an essay on the unique teaching of J. Krishnamurti. It starts with the question "What is consciousness?" - and carefully proposes a holistic definition, after reviewing the various psychological and spiritual theories that deal with this subject. The author actually goes a step ahead and focuses on a more particular issue, a provocative question asked by K: “How to empty consciousness of its content?”