Epic Classics

Elantris was built on magic, and it thrived. But then the magic began to fade, and Elantris began to rot. Now its shattered citizens face domination by a powerful Imperium. Can a young Princess unite the people of Elantris and lead a rebellion against the imperial zealots? Brandon Sanderson's debut fantasy showed his skill as a storyteller and an imaginer of baroque magical systems to be fully developed from the start.

Aranthur is a promising young mage. His talents compel him to attend University to develop his abilities further. But the world is not safe for a mage, and after a confrontation leaves him no choice but to display his skill with a blade, Aranthur is instructed to train under a renowned Master of Swords. During his intensive training he begins to question the bloody life he's chosen. And while studying under the Master, Aranthur is conscripted to the City Militia. Soon after, he finds himself thrown into the middle of a political revolt that will impact everyone he's come to know.

Seven years ago Kaylin fled the crime-riddled streets of Nightshade, knowing that something was after her. Children were being murdered— and all had the same odd markings that mysteriously appeared on her own skin….Since then, she's learned to read, she's learned to fight and she's become one of the vaunted Hawks who patrol and police the City of Elantra. Alongside the winged Aerians and the immortal Barrani, she's made a place for herself, far from the mean streets of her birth.

Live fast, die young. Tam Hashford is tired of working at her local pub, slinging drinks for world-famous mercenaries and listening to the bards sing of adventure and glory in the world beyond her sleepy hometown. When the biggest mercenary band of all rolls into town, led by the infamous Bloody Rose, Tam jumps at the chance to sign on as their bard. It's adventure she wants - and adventure she gets as the crew embark on a quest that will end in one of two ways: glory or death.

This remarkable poem, dedicated to Queen Elizabeth I, was Spenser's finest achievement. The first epic poem in modern English, The Faerie Queene combines dramatic narratives of chivalrous adventure with exquisite and picturesque episodes of pageantry. At the same time, Spenser is expounding a deeply-felt allegory of the eternal struggle between Truth and Error....

Renowned poet and critic Clive James presents the crowning achievement of his career: a monumental translation into English verse of Dante’s The Divine Comedy. The Divine Comedy is the precursor of modern literature, and this translation - decades in the making - gives us the entire epic as a single, coherent and compulsively listenable lyric poem. Written in the early 14th century and completed in 1321, the year of Dante’s death, The Divine Comedy is perhaps the greatest work of epic poetry ever composed.

Surviving Ragnarok is a challenge no matter what powers you have, and new problems keep cropping up. Demanding witches, genocidal monsters, divine feuds, and local politics will all keep Daniel on his toes. But his enemies have made one crucial mistake. They've given an engineer who understands the nature of magic time to build things.

The moving end to the tale of the Farseers, in which kingdoms must stand or fall on the beat of a dragon's wings, or a Fool's heart. A small and sadly untried coterie – the old assassin Chade, the serving-boy Thick, Prince Dutiful, and his reluctant Skillmaster, Fitz – sail towards the distant island of Aslevjal. There they must fulfil the Narcheska’s challenge to her betrothed: to lay the head of the dragon Icefyre, whom legends tell is buried there deep beneath the ice, upon her hearth.

J.R.R. Tolkien famously described the Second Age of Middle-earth as a ‘dark age, and not very much of its history is (or need be) told’. And for many years readers would need to be content with the tantalizing glimpses of it found within the pages of The Lord of the Rings and its appendices, including the forging of the Rings of Power, the building of the Barad-dûr and the rise of Sauron.

Sancia Grado is a thief, and a damn good one. And her latest target, a heavily guarded warehouse on Tevanne’s docks, is nothing her unique abilities can’t handle. But unbeknownst to her, Sancia’s been sent to steal an artifact of unimaginable power, an object that could revolutionize the magical technology known as scriving. The Merchant Houses who control this magic - the art of using coded commands to imbue everyday objects with sentience - have already used it to transform Tevanne into a vast, remorseless capitalist machine.

Long ago, the wizards had vanished from the world, and all knowledge was left hidden in riddles. Morgon, prince of the simple farmers of Hed, proved himself a master of such riddles when he staked his life to win a crown from the dead Lord of Aum.But now ancient, evil forces were threatening him. Shape changers began replacing friends until no man could be trusted. So Morgon was forced to flee to hostile kingdoms, seeking the High One who ruled from mysterious Erlenstar Mountain.Beside him went Deth, the High One's Harper. Ahead lay strange encounters and terrifying adventures.

For years, the Trader cities valiantly battled their enemies, the Chalcedeans. But they could not have staved off invasion without the powerful dragon, Tintaglia. In return, the Traders promised to help her serpents migrate up the Rain Wild River after a long exile at sea - to find a safe haven and, Tintaglia hopes, to restore her species. But too much time has passed, and the newly hatched dragons are damaged and weak, and many die.

The Homecoming of Beorhtnoth Beorhthelm’s Son was originally published in the 1953 edition of Essays and Studies. In December of that year, J.R.R. Tolkien took possession of a reel-to-reel tape recorder and, some time during the first few months of 1954, decided to record ‘the whole thing on tape’ as a way of ‘testing’ the performative quality of the dramatic dialogue between Tídwald and Torhthelm.

Samuel Pickwick, founder and chairman of the Pickwick Club, engages three fellow members to accompany him on a journey. By coach they’ll travel to the outreaches of London to explore, observe, and report back on the quaint wonders of the English countryside. What transpires is a picaresque romp of misadventures, hair-raising challenges, and romantic follies entangling the fates of a riot of colorful characters - a passel of villains, spinsters, poets, and sportsmen - and the unworldly Pickwick himself, who has much to learn about life outside his gentleman’s club.

A new version of The Epic of Gilgamesh by Sebastian Lockwood. This is the story of Gilgamesh, King of Kings, who brought back knowledge from before the flood - who loved and lost his companion Enkidu and had to find out why we die. The Epic of Gilgamesh was written on clay tablets over 4,000 years ago, in what is today Baghdad Iraq - the Biblical Garden of Eden between the Tigris and the Euphrates. Lockwood gives a passionate reading from a text that faithfully follows the original.

Under the order of King Pelias, Jason embarks on a perilous journey to steal the Golden Fleece from the Land of Colchis. Far from heroic, Jason is the typical everyman. Often compared with Homer's Iliad and Odyssey, Jason and the Argonauts is the only surviving poem from the Hellenistic period and was hugely influential on later literature, especially the Roman poetry of Virgil and Ovid.

Sam Vimes is on a well-deserved holiday. But for the commander of the City Watch, a vacation in the country is anything but relaxing. The balls, the teas, the muck - not to mention all that fresh air and birdsong - are more than a bit taxing on a cynical city-born and -bred copper. Yet a policeman will find a crime anywhere if he decides to look hard enough, and it’s not long before a body is discovered, and Sam - out of his jurisdiction, out of his element, and out of bacon sandwiches (thanks to his well-meaning wife) - must rely on his instincts, guile, and street smarts to see justice done.

In Paradise Lost, Milton produced a poem of epic scale, conjuring up a vast, awe-inspiring cosmos and ranging across huge tracts of space and time. And yet, in putting a charismatic Satan and naked Adam and Eve at the centre of this story, he also created an intensely human tragedy on the fall of man....

Farmer Giles of Ham did not look like a hero. He was fat and red-bearded and enjoyed a slow, comfortable life. Then one day a rather deaf and short-sighted giant blundered on to his land. More by luck than skill, Farmer Giles managed to scare him away. The people of the village cheered: Farmer Giles was a hero. His reputation spread far and wide across the kingdom. So it was natural that when the dragon Chrysophylax visited the area it was Farmer Giles who was expected to do battle with it!

The epic grandeur of Dante's masterpiece has inspired readers and listeners for 700 years and has entered the human imagination. But the further we move from the late medieval world of Dante, the more a rich understanding and enjoyment of the poem depends on knowledgeable guidance.