Entertainment Memoir

As an apple-cheeked bubbly child, Julianna was bestowed with the family nickname “Sunshine Girl”. Shuttled back and forth between her divorced parents, often on different continents, she quickly learned how to be of value to her eccentric mother and her absent father.

America, 2003: A country at war, its shiny veneer beginning to crack. Von Dutch and The Simple Life dominate. And on the cover of every magazine, a twenty-one-year-old pop star named Britney Spears. Tracking her every move for a third-tier gossip rag in Los Angeles was an unknown young writer taking whatever job he could while pursuing his distant literary dreams. He'd instead become an eyewitness to the slow tragedy of a changing nation, represented in spirit by “the coy it-girl at the end of history.”

Serj Tankian will be the first to admit that his band, System of a Down, was “unlikely a chart-topper as had ever existed in modern music history: a band of Armenian-Americans playing a practically unclassifiable clash of wildly aggressive metal riffs, unconventional tempo-twisting rhythms, and Armenian folk melodies, with me alternately growling, screaming, and crooning lyrics that could pivot from avant-garde silliness to raging socio-political rants in the space of a single line.” After all, as Serj concedes, “it’s not easy listening.”

The wildly funny, occasionally heart-breaking internationally best-selling memoir about growing up, growing older, and learning to navigate friendships, jobs, loss, and love along the ride. When it comes to the trials and triumphs of becoming an adult, journalist and former Sunday Times columnist Dolly Alderton has seen and tried it all.

Suddenly the music is not notes or a tune, but what those seven people are exactly: the music is an aural holograph of the Grateful Dead. All their fibers, nuances, histories, desires, beings are clear. Jerry and his questing, Phil the loyal comrade, Tom drifting beside them both on a cloud, Pig staying stubbornly down to earth; Mickey working out furious complexities trying to understand how Bill is so simple, and Bob succumbing inevitably to Jerry and Phil and joining them.

After a lifetime of putting his body on the line to entertain his dozens (and dozens!) of fans, the Hardcore Legend is paying the price - physically and emotionally. When the final bell on Mick's career tolls, not in the ring, but in a neurologist's office, his future seems far from merry and bright. Until Mick is given the chance to become Santa Claus - not dress up, not pretend, but become Santa - allowing him to rediscover the joy of performing. Fully committing to his new mission, Mick details the drastic measures he takes to keep the Christmas magic alive.

In 1985, Mark Bryan heard Darius Rucker singing in a dorm shower at the University of South Carolina and asked him to form a band. For the next eight years, Hootie & the Blowfish-completed by bassist Dean Felber and drummer Soni Sonefeld-played every frat house, roadhouse, and rock club in the mid-Atlantic and Southeast, becoming one of the biggest independent acts in the region.

In the mid-70s, Steve Martin exploded onto the comedy scene. By 1978 he was the biggest concert draw in the history of stand-up. In 1981 he quit forever. Born Standing Up is, in his own words, the story of "why I did stand-up and why I walked away".

With extensive, first-hand reflections from Geddy Lee, Alex Lifeson, and Neil Peart, as well as from family, friends, and fellow musicians, Anthem: Rush in the '70s is a detailed portrait of Canada's greatest rock ambassadors. The first of three volumes, Anthem puts the band's catalog, from their self-titled debut to 1978's Hemispheres (the next volume resumes with the release of Permanent Waves) into both Canadian and general pop culture context.

Acclaimed journalist Peter Doggett recounts the previously untold story of the dramatic final chapter in the lives, loves, and legal battles of John, Paul, George, and Ringo - a.k.a. The Beatles - from their breakup in 1969 to the present day. Called "refreshingly straightforward and highly readable" by the Daily Telegraph (London), You Never Give Me Your Money is the dramatic and intimate story of the breakup and aftermath of The Fab Four as it's never been told before.

Laura Jane Grace doesn’t defy rock ‘n’ roll. She defines it. In an inspiring examination of identity and creativity, the founder and frontwoman of notorious punk band Against Me! recounts the story of her extraordinary life, her rise to fame, and the painful but powerful moments that have led her to where she is now. Black Me Out invites listeners to not only hear Grace’s complicated journey through gender dysphoria, addiction, mental health, and artistic integrity, but recognize the universal pursuit of our authentic selves. Track the common journey with a modern icon.

From the outrageously filthy and oddly innocent comedienne and star of the powerful 2015 film I Smile Back Sarah Silverman comes a memoir—her first book—that is at once shockingly personal, surprisingly poignant, and still pee-in-your-pants funny. If you like Sarah's television show The Sarah Silverman Program, or memoirs such as Chelsea Handler's Are You There Vodka? It's Me Chelsea and Artie Lange's Too Fat to Fish, you'll love The Bedwetter.

June Juanico was just 17 when she met Elvis Presley in 1955. As his first serious girlfriend, she was uniquely placed at a time when he was on the cusp of superstardom. This is her memoir of the summer of 1956, which they spent together, and an insight into the genesis of a star.

Yogi Berra is one of America's most beloved baseball players of all time, known as much for his wit and humor as he is for his exploits with the New York Yankees. In this new book, Yogi provides inspiring, funny, and surprisingly moving essays on life, happiness, and getting through the slumps.

"Everything about me is in my films," Steven Spielberg has said. Taking this as a key to understanding the hugely successful moviemaker, Molly Haskell explores the full range of Spielberg's works for the light they shine upon the man himself. Through such powerhouse hits as E.T., Jurassic Park, and Indiana Jones, to less-appreciated movies like the haunting Schindler's List, Haskell shows how Spielberg's uniquely evocative filmmaking and story-telling reveal the many ways in which his life, work, and times are entwined.

In The New Negro: The Life of Alain Locke, Jeffrey C. Stewart offers the definitive biography of the father of the Harlem Renaissance, based on the extant primary sources of his life and on interviews with those who knew him personally. He narrates the education of Locke, including his becoming the first African American Rhodes Scholar, earning a PhD in philosophy at Harvard University, and his long career as a professor at Howard University. And yet he became most closely associated with the flowering of Black culture in Jazz Age America.

In the early 80s, Mark Fleischman reopened Studio 54, the world's most glamorous and notorious nightclub, after it was closed down by the State of New York. Ten thousand people showed up that night, ready to restart the party that abruptly ended after the raid in 1978 landed its former owners in jail. Inside Studio 54 invites you to revisit the happening scenes of the 1960s, '70s, and '80s, the post-Pill, pre-AIDS era of free love, consequence-free sex, and seemingly endless partying. Following Fleischman as he built connections that lead him to Studio 54.

In this intimate journey of self-discovery, Sam sets out along Scotland's rugged ninety-six-mile West Highland Way to map out the moments that shaped his views on dreams and ambition, family, friendship, love, and life. The result is a love letter to the wild landscape that means so much to him, full of charming, funny, wise, and searching insights into the world through his eyes. Waypoints is a deeply personal journey that reveals as much about Sam to himself as it does to his audiences.

For the first and possibly last time, Josh Gad dives into a wide array of personal topics: the lasting impact of his parents’ divorce; how he struggled with weight and self-image; his first big break; how everyone was sure his most successful ventures (both on the big screen and the stage) would fail; his take on fatherhood, and so much more.

Peter Wolf grew up in the Bronx, a child of “fellow travelers” whose artistic inclinations influenced both his love of music and his initial desire to become a painter. Stories of his loving and sometimes eccentric parents complement scenes depicting a very young Bob Dylan as he arrived on the Greenwich Village folk scene. Reflections on Wolf’s studies in Boston—where he shared an apartment with David Lynch—are braided with accounts of first love, an untraditional literary education, and early musical influences such as Muddy Waters.