English Theater

Stephen Sondheim died on November 26, 2021, but for countless fans around the world, he is “still here,” to quote one of his lyrics. With acclaimed revivals of his landmark shows occurring around the world and introducing new generations to the man who transformed American musical theater, Sondheim’s legacy has only grown. What is it about such classic songs as “Rose’s Turn” from Gypsy, “Send in the Clowns” from A Little Night Music, and “Children Will Listen” from Into the Woods that speaks to us so intimately and profoundly?

In the distant past, a time of magic and swordplay, there lived Harold, the mightiest lich of all, a master of arcane sciences, and a challenger of gods. After reaching the pinnacle of his power and finding it surprisingly bland, Harold waged a cataclysmic war against the gods, aiming to shatter the very system that confined him. He took a nap, but he is awake once more.

Following up his perennially best-selling writers' guide Story and his inspiring exploration of the art of verbal action in Dialogue, the most sought-after expert in the storytelling brings his insights to the creation of compelling characters and the design of their casts. Character explores the design of a character universe: The dimensionality, complexity and arcing of a protagonist, the invention of orbiting major characters, all encircled by a cast of service and supporting roles.

With The Last Stand of the Tin Can Sailors and Ship of Ghosts, James D. Hornfischer created essential and enduring narratives about America’s World War II Navy, works of unique immediacy distinguished by rich portraits of ordinary men in extremis and exclusive new information. Now he does the same for the deadliest, most pivotal naval campaign of the Pacific war: Guadalcanal. Neptune’s Inferno is at once the most epic and the most intimate account ever written of the contest for control of the seaways of the Solomon Islands.

The world waits for no one. While Boxxy is off chasing shinies and delving dungeons abroad, Azurvale's shadows churn, fester, and ferment into a potent cocktail of trouble. Secret organizations maneuver behind the scenes, patiently advancing their nefarious plots. Government agencies lay in wait, ready to pounce at the first sign of trouble. Powerful adventurers gear up and train for the next challenge, uncertain as to what form it might take.

This is the riveting, brutally honest story of a man’s struggle to make something of himself in the theater. Coming from meager circumstances in the Ozark Mountains, he fights his way up the shaky ladder toward fame. He makes mistakes, goes down blind alleys, fails and succeeds, again and again. But he never quits.

In Lethal Tides, Catherine Musemeche weaves together science, biography, and military history in the compelling story of an unsung woman who had a dramatic effect on the U.S. Navy’s success against Japan in WWII, creating an intelligence-gathering juggernaut based on the new science of oceanography. When World War II began, the U.S. Navy was unprepared to enact its island-hopping strategy to reach Japan. Anticipating tides, planning for coral reefs, and preparing for enemy fire was new ground for them, and with lives at stake it was ground that had to be covered quickly.

On March 17, 2005, Spamalot debuted on Broadway to rapturous reviews for its star-studded creative team, including creators Eric Idle and John Du Prez, director Mike Nichols, and stars Hank Azaria, David Hyde Pierce, Sara Ramirez, Tim Curry, and more. But long before the show was the toast of Broadway and the winner of three Tony Awards, it was an idea threatening to fizzle before it could find its way into existence. Now, Eric Idle shares original journal entries and raw email exchanges, revealing the sometimes bumpy, always entertaining, path to the show’s unforgettable run.

Growing up on Long Island, lonely and quiet and queer, she was enchanted by Hollywood starlets like Kim Novak. She found her turn in New York’s early Off-Off-Broadway theater scene, in Warhol’s films Flesh and Women in Revolt, and at the famed nightclub Max's Kansas City. She inspired songs by Lou Reed and the Rolling Stones. She became friends with Jane Fonda and Lily Tomlin, borrowed a dress from Lauren Hutton, posed for Richard Avedon, and performed alongside Tennessee Williams in his own play.

Jack is addicted to porn. He goes to a XXX adult movie theater hoping to get a thrill and meet some ladies there. He ends up having even more fun than he ever thought possible with a trans babe instead!

Why would the multimillionaire producer of Cats, The Phantom of the Opera, and Miss Saigon take his limo from Manhattan to the struggling former steel town of Levittown, Pennsylvania, to see a high school production of Les Misérables? To see the show performed by the astoundingly successful theater company at Harry S Truman High School, run by its legendary director, Lou Volpe. Broadway turns to Truman High when trying out controversial shows such as Rent and Spring Awakening before they move on to high school theater programs across the nation. Volpe’s students from this blue-collar town go on to become Emmy-winning producers, entertainment executives, newscasters, and community-theater founders.

Instead of starting with what is real and trying to wrestle that onto the screen, Patrick Tucker explains how to work with the realities of a shoot and work from there toward the real. His step by step guide to the elements of effective screen acting is an extension and explanation of a lifetime of work in the field, containing over 50 acting exercises and the tried-and-tested screen acting checklist.

Ethan Wolfe, once the top enforcer for the Grimm Family Mob, has eliminated the Cobras, an infamous street gang, and taken the second card of the Gate to the Underworld set. Unfortunately, Wolfe’s old boss, Big Man Grimm, was slain during the fighting. Damian Grimm is still around, though, and he’s got a bone to pick. He wants Wolfe’s cards, and he’ll do anything to get them. So, Wolfe faked his own death and moved to the nearby town of Joliet, along with his girlfriend, Shel. He thought he could leave the Dark Noimoire underworld behind…

A gunslinger with four affinities is a myth. It's the kind of story whispered in frontier saloons one drink before closing and around campfires in the dead of night. For the heroes and villains in those tales, that impossible power is a boon, a gift. For Mr. Jones, it's a curse. Of course, that's not his real name. He's had many. Changing names is necessary when you possess a power that every lawman and outlaw would kill to obtain. To survive, you keep your head down, kill when you must, and never stay in one place too long.

August Wilson wrote a series of ten plays celebrating African American life in the 20th century, one play for each decade. No other American playwright has completed such an ambitious oeuvre. Two of the plays became successful films, Fences, starring Denzel Washington and Viola Davis; and Ma Rainey’s Black Bottom, starring Viola Davis and Chadwick Boseman. Fences and The Piano Lesson won the Pulitzer Prize for Drama; Fences won the Tony Award for Best Play, and years after Wilson’s death in 2005, Jitney earned a Tony Award for Best Revival of a Play.

From the archives of the American Film Institute comes a unique picture of what it was like to work in Hollywood from its beginnings to its present day. Gleaned from nearly three thousand interviews, involving four hundred voices from the industry, Hollywood: The Oral History, lets a listener “listen in” on candid remarks from the biggest names in front of the camera—Bette Davis, Meryl Streep, Tom Hanks, Harold Lloyd—to the biggest behind it—Frank Capra, Steven Spielberg, Alfred Hitchcock, Jordan Peele, as well as the lesser known individuals that shaped what was heard and seen on screen.

As a martial arts instructor, Nori has always had a simple purpose in life: Help underprivileged kids build confidence and self-discipline. Now she'll have to do so for everyone else, too. It all started with a mist, one that gave everyone stats and levels, but also disabled technology and transformed animals and humans into cybernetic horrors that preyed on the living. Within months of its inception, civilization had crumbled.

Life is cruel. Arbor learns this lesson the hard way when everything he loves is taken from him in a single night. Left alive by the men who butchered his family, Arbor has two options: give up and perish, or rise up and fight to take back the life he's lost. To do that, though, he'll have to leave behind the only home he's ever known and venture out into the world beyond. What he doesn't yet realize is that the world is a much more dangerous place than he could ever have imagined. A world filled with magic, monsters, and mythic beasts powerful enough to destroy entire nations!

Cuckolds have to be good for something, right? This series of stories focuses on husband's who accept that their inadequacies mean they have to be sexually subservient to both their wives and the bulls who actually satisfy women. Steve takes his wife Marsha out to an amateur production of a musical theater show, "Bi Guy," that she likes. He's initially unimpressed, Steve becomes fixated on the lead actor in the story, whose character is charismatic and sensual. Steve sets out to find the star and introduce him to Marsha, but only later does he realize just what he wants from this.

Tom Stoppard is a towering and beloved literary figure. Known for his dizzying narrative inventiveness and intense attention to language, he deftly deploys art, science, history, politics, and philosophy in works that span a remarkable spectrum of literary genres: theater, radio, film, TV, journalism, and fiction. His most acclaimed creations - Rosencrantz and Guildenstern Are Dead, The Real Thing, Arcadia, The Coast of Utopia, Shakespeare in Love - remain as fresh and moving as when they entranced their first audiences.