English Theater

London, winter of 1589. The city is alive with intrigue, and the players of Lord Strange’s Men are preparing to rehearse a new play written by one of their young actors—William Shakespeare. But then disaster strikes. The authorities shut down the company over a minor offense, leaving Will jobless and desperate. Determined to press on, he begins crafting a grisly revenge tragedy—Titus Andronicus—hoping to sell it to another troupe. But before he can do so, his entire collection of playscripts is stolen. His reputation, his career—everything is at stake. To have any hope of ...

When Jean-Marc Sauvet, successful lawyer and the best friend of Aix-en-Provence's examining magistrate Antoine Verlaque, accepted a small role in a local theater's summer production of Marcel Pagnol's Cigalon, he had no idea that the lead actress would be played by the great Liliane Poncet. But Jean-Marc's excitement about rubbing elbows with one of France's legendary film stars is quickly extinguished.

With one major enemy town behind them, the GreenPiece clan marches onward to new conquests. Facing Oren and his monster army are the combined forces of the so-called "civilized races", intent on halting his invasion of their territory. Reality blurs as Oren fights harder than ever to save the trapped players, his clan, and his family.

Sondheim in Our Time and His offers a wide-ranging historical investigation of the landmark works and extraordinary career of Stephen Sondheim, a career which has spanned much of the history of American musical theater. Each author uncovers those aspects of biography, collaborative process, and contemporary context that impacted the creation and reception of Sondheim's musicals. In addition, several authors explore in detail how Sondheim's shows have been dramatically revised and adapted over time, bringing together his past with the present, thriving existence of his musicals.

Meg Langslow’s in for a busy summer. Her husband is directing a production of Macbeth, and most of the cast and crew are occupying spare bedrooms in their house. She also has to keep an eye on Camp Birnam, where a group of medieval reenactors are commemorating the real-life Macbeth by setting up what they fondly believe is an authentic medieval Scottish military camp. And then there’s Damien Goodwin, a filmmaker who has been hanging around, trying to document the production.

Instead of starting with what is real and trying to wrestle that onto the screen, Patrick Tucker explains how to work with the realities of a shoot and work from there toward the real. His step by step guide to the elements of effective screen acting is an extension and explanation of a lifetime of work in the field, containing over 50 acting exercises and the tried-and-tested screen acting checklist.

This spring, Mia's determined to have a good time, despite the fact that the student government over which she presides is suddenly broke. Fortunately (or unfortunately, depending on how you look at it) Grandmere has an elaborate scheme to simultaneously raise money, catapult Mia to theatrical fame, and link her romantically with an eligible teen bachelor, not her boyfriend. It's no wonder that Michael, the love of her life, seems to think she's a psycho, or worse: not much fun.

Poppy thought her toughest challenge this winter would be sticking to her Paleo diet and filling all her orders for her gluten-free goodies, but now she has to choose between two suitors. She's not the only one with boyfriend drama. Aunt Ginny's long-ago high-school beau, Royce Hanson, a retired Broadway actor, has returned to Cape May, New Jersey, to star in a Senior Center staging of Mamma Mia. Slated to open February 13th, the problem-plagued production seems to be cursed - with stolen props, sabotage, and even a death threat.

Joe Pappalardo's Inferno tells the true story of the men who flew the deadliest missions of World War II, and an unlikely hero who received the Medal of Honor in the midst of the bloodiest military campaign in aviation history.

Leaving behind a wife and three young children in Stratford-upon-Avon, Shakespeare moved to London for its thrilling theater scene, where everyone mixed freely across ages, classes, and ranks. It was through their mutual passion for the theater that the handsome twenty-seven-year-old playwright first met and fell deeply in love with the effeminate seventeen-year-old earl who beguiled men and women alike and avowed that 'desire and pleasure [should] sometimes triumph over reason.'

Most witches don't work for police departments, but Michelle isn't your average witch. She's clanless, looking for a warlock who isn't offended by her lack of family connections, and in danger of losing her job if she can't find the eight escaped trolls before they start eating the local residents. Trolls, angry police, and misbehaving spells are the least of her problems. Statues attacking homeowners might be problematic for your average witch, but to Michelle it's another day at the office.

Born Joel David Katz to a wild and wooly Jewish American family in Cleveland, Ohio, in 1932, Joel Grey began his life in the theater at the age of nine, starting in children's theater and then moving to the main stage. He was hooked, and his seven-decades-long career charts the evolution of American entertainment - from Vaudeville performances with his father, Mickey Katz, to the seedy, gangster-filled nightclubs of the '40s.

Lee is a quiet and unassuming office worker who leads a life of solitude, comfort, and routine. Day in and day out, he shuts off his brain, keeps his head down, and goes about doing his job and minding his own business. That is, he does until a drunken god shows up randomly one day and whisks him off into another world, demanding that Lee serve as his pawn in a game between the gods. Now, trapped in a completely different world full of danger, magic, and creatures, Lee has to figure out how to stay alive long enough to make it back home.

This compassionate, personal, and illuminating work of nonfiction draws on the author's celebrated work as a director of socially conscious theater to connect listeners with the power of an ancient artistic tradition. For years Bryan Doerries has been producing ancient tragedies for current and returned servicemen and women, addicts, tornado and hurricane victims, and a wide range of other at-risk people in society.

Barlowe Theater stole the life of Greta Mercy’s eldest brother during its construction. Now in 1915, the completed theater appears every bit as deadly. When Greta’s younger brother goes missing after breaking into the building, Greta engages the assistance of a local police officer to help her unveil the already ghostly secrets of the theater. But when help comes from an unlikely source, Greta decides that to save her family she must uncover the evil that haunts the theater and put its threat to rest.

Despite his victory against the Guild, Kers soon learns that there is now an even greater target upon his cloudy back. Typical. Then there’s the small matter of Marwan, the Dark Lord who wants to take over the world, and the Jade Citadel sortie that is on the verge of collapsing. Not to mention the fact that he now has to ‘get along’ with his neighboring core and deal with a mysterious orca-like monster that has started flying nearby…

From 1935 to 1939, the Federal Theatre Project staged over a thousand productions in 29 states that were seen by thirty million (or nearly one in four) Americans, two thirds of whom had never seen a play before. At its helm was an unassuming theater professor, Hallie Flanagan. It employed, at its peak, over twelve thousand struggling artists, some of whom, like Orson Welles and Arthur Miller, would soon be famous, but most of whom were just ordinary people eager to work again at their craft. The Playbook takes us through some of its most remarkable productions.

Esper worked closely with Meisner for 17 years and has spent decades developing his famous program for actor's training. The result is a rigorous system of exercises that builds a solid foundation of acting skills from the ground up, and that is flexible enough to be applied to any challenge an actor faces, from soap operas to Shakespeare.

After experimenting with an exploit, Vincent begins to develop new spells that will take him higher in the game than he ever thought possible. Unfortunately, he crosses paths with the last moderator, a young man named Lucas that uses his mod abilities to torture and subjugate other players. Lucas is willing to abuse his power to conquer the World-Tree, but Vincent’s exploit might just be the key to stopping him.

Razzle Dazzle is a provocative, no-holds-barred narrative account of the people, money, and power that reinvented an iconic quarter of New York City, turning its gritty back alleys and sex shops into the glitzy, dazzling Great White Way - and bringing a crippled New York from the brink of bankruptcy to its glittering glory.