English Theater

Our antrepid adventurer must lead his new family to the surface to escape the relentless wave of monsters below. After all, the surface only has much weaker monsters and humans to deal with. What could possibly go wrong? Join the Colony as they are reforged and begin to manifest their destiny as the greatest civilization above and below the ground. Oh, and it's time for Anthony to introduce the newest member to his team, the cutest murderball of infinite terror Pangera has ever seen!

In the latter half of the 21st century, Alexander and his guild mates play Io Online for fun and to earn a living. Given the chance to test a new experimental immersion system, the veteran players must give up their high-level characters and begin again at level one. As they work through the noob zone quests, they discover that the new immersion system allows them to play in ways that hadn't been possible before. They quickly run afoul of a party of player killers and become the targets of an entire PK guild bent on spawn-camping them until they leave the game. War has been declared.

Cuckolds have to be good for something, right? This series of stories focuses on husband's who accept that their inadequacies mean they have to be sexually subservient to both their wives and the bulls who actually satisfy women. Steve takes his wife Marsha out to an amateur production of a musical theater show, "Bi Guy," that she likes. He's initially unimpressed, Steve becomes fixated on the lead actor in the story, whose character is charismatic and sensual. Steve sets out to find the star and introduce him to Marsha, but only later does he realize just what he wants from this.

As an expert and speaker on mass shootings and gun violence, Dr. Lynn Fenton knew it was impossible to “spot a killer”. But when she met her new patient, troubled grad student James Holmes, the hair on her arms stood up. She feared he was going to kill. Yet she could find no way to thwart him. A few months later, Holmes struck: He entered a packed movie theater and opened fire, killing 12 people and wounding 70; some were left brain damaged, several were paralyzed for life. Immediately the familiar debates reignited: the crisis of mental health access.

Innkeeper Max Moran is again involved in solving a murder when the actor playing the victim at a murder mystery dinner held at the Fireside Inn gives the best performance of his life and actually dies. Chief of police Philpot, who hates Max with a passion, dearly wishes to prove that Max is the killer, thus forcing Max to discover the killer's true identity. As usual, Max travels unsteadily along a twisty road that eventually leads him to the culprit. At the same time, Max has a starring role in the local Christmas play, Curzin' Toward Bethlehem, which reinterprets the story of the three ...

A gunslinger with four affinities is a myth. It's the kind of story whispered in frontier saloons one drink before closing and around campfires in the dead of night. For the heroes and villains in those tales, that impossible power is a boon, a gift. For Mr. Jones, it's a curse. Of course, that's not his real name. He's had many. Changing names is necessary when you possess a power that every lawman and outlaw would kill to obtain. To survive, you keep your head down, kill when you must, and never stay in one place too long.

Divided into four sections - Status, Spontaneity, Narrative Skills, and Masks and Trance - and arranged more or less in the order a group might approach them, the audiobook sets out the specific techniques and exercises which Johnstone has himself found most useful and most stimulating. The result is both an audiobook of ideas and a fascinating exploration of the nature of spontaneous creativity.

Growing up on Long Island, lonely and quiet and queer, she was enchanted by Hollywood starlets like Kim Novak. She found her turn in New York’s early Off-Off-Broadway theater scene, in Warhol’s films Flesh and Women in Revolt, and at the famed nightclub Max's Kansas City. She inspired songs by Lou Reed and the Rolling Stones. She became friends with Jane Fonda and Lily Tomlin, borrowed a dress from Lauren Hutton, posed for Richard Avedon, and performed alongside Tennessee Williams in his own play.

Here is a diverse and fascinating story of the Theatre, from the first tragedies and comedies of Ancient Greece to the high-tech mega-musicals of the late 20th century. It is an absorbing listen, encompassing ancient tales, medieval theatre, Commedia dell'Arte, the great dramas of the Elizabethan age, and more.

With The Last Stand of the Tin Can Sailors and Ship of Ghosts, James D. Hornfischer created essential and enduring narratives about America’s World War II Navy, works of unique immediacy distinguished by rich portraits of ordinary men in extremis and exclusive new information. Now he does the same for the deadliest, most pivotal naval campaign of the Pacific war: Guadalcanal. Neptune’s Inferno is at once the most epic and the most intimate account ever written of the contest for control of the seaways of the Solomon Islands.

When Cassidy begins painting her visions, she has no idea that she actually opens a door to the past. And behind that door are ghosts, ghosts that want to be seen and remembered. As the rookie member of the Gulf Coast Paranormal investigation team, Cassidy is eager to prove she has the skills required to make the cut, but will her eagerness to fit in place the team in supernatural danger? When a new client hires GCP to settle the spirits in the Crescent Theater, Midas, Sierra, Joshua, and Cassidy are put to the test. Will a century-old tragedy force the new owner to shutter the doors?

Following up his perennially best-selling writers' guide Story and his inspiring exploration of the art of verbal action in Dialogue, the most sought-after expert in the storytelling brings his insights to the creation of compelling characters and the design of their casts. Character explores the design of a character universe: The dimensionality, complexity and arcing of a protagonist, the invention of orbiting major characters, all encircled by a cast of service and supporting roles.

In the distant past, a time of magic and swordplay, there lived Harold, the mightiest lich of all, a master of arcane sciences, and a challenger of gods. After reaching the pinnacle of his power and finding it surprisingly bland, Harold waged a cataclysmic war against the gods, aiming to shatter the very system that confined him. He took a nap, but he is awake once more.

Tonight is date night, and like always we're going to the movies. Yippee. Another boring Friday. What I really wanted, my husband couldn't give me. I'm at my tipping point and the eyes of a young, college man may be what finally pushes me over the edge to seek out more sensual activities behind my husband's back.

Only a few weeks have passed since the Battle of Burrova, and Edward and his friends are busier than ever improving the Haunt and protecting the surviving villagers. Sadly, time is a scarce commodity in the world of Ivalis. Soon enough, Ed finds himself thrown in conflict against the man behind the mindbrood’s attack, a man who is seemingly capable of shrugging off mortal wounds and who is willing to unleash a devastating plague of undead against the Haunt and everyone inside.

Jack is addicted to porn. He goes to a XXX adult movie theater hoping to get a thrill and meet some ladies there. He ends up having even more fun than he ever thought possible with a trans babe instead!

A Glamorous Theater Opening Turns Deadly… Event planner Ivy Schaeffer is no stranger to lively celebrations, but when she’s hired to organize the after-show party for a local theater’s grand debut, she expects entertainment, drama, and a little backstage gossip—not murder. Tensions run high among the cast and crew, but no one is prepared when Seth Jenkins—the understudy thrust into the lead role—drops dead behind the velvet curtains. While the old detective urges Ivy to stay in the shadows, the new detective enlists her to help sniff out the truth. With sharp-witted Phyllis and ...

On stage and screen, we know a great performance when we see it. But how do actors draw from their bodies and minds to turn their selves into art? What is the craft of being an authentic fake? More than a century ago, amid tsarist Russia’s crushing repression, one of the most talented actors ever, Konstantin Stanislavski, asked these very questions, reached deep into himself and emerged with an answer.

At a glance, the dwarves and gnomes of the Horkensaft Kingdom are two peoples who are worlds apart. The former are seen as hardcore traditionalists hell-bent on maintaining the status quo, while the latter only look ever forward and upward as they grasp at the future with both hands. And yet, these two seemingly opposing cultures serve as a counter-balance to each other, creating a civilization that draws upon the wisdom of the past to face new challenges.

Meg Langslow’s in for a busy summer. Her husband is directing a production of Macbeth, and most of the cast and crew are occupying spare bedrooms in their house. She also has to keep an eye on Camp Birnam, where a group of medieval reenactors are commemorating the real-life Macbeth by setting up what they fondly believe is an authentic medieval Scottish military camp. And then there’s Damien Goodwin, a filmmaker who has been hanging around, trying to document the production.