English Essay

Tacky is about the power of pop culture - like any art - to imprint itself on our lives and shape our experiences, no matter one's commitment to "good" taste. These 14 essays are a nostalgia-soaked antidote to the millennial generation's obsession with irony, putting the aesthetics we hate to love - snakeskin pants, Sex and the City, Cheesecake Factory's gargantuan menu - into kinder and sharper perspective.

In Suppose a Sentence, Brian Dillon, whom John Banville has called "a literary flâneur in the tradition of Baudelaire and Walter Benjamin", has written a sequel of sorts to Essayism, turning his attention to the oblique and complex pleasures of the sentence. A series of essays prompted by a single sentence - from Shakespeare to James Baldwin, John Ruskin to Joan Didion - this new book explores style, voice, and language, along with the subjectivity of reading.

In the wake of the 2014 Ferguson riots, and sick with a chronic condition that rendered them housebound, Johanna Hedva turned to the page to ask: How do you throw a brick through the window of a bank if you can’t get out of bed? It was not long before this essay, “Sick Woman Theory”, became a seminal work on disability, because in reframing illness as not just a biological experience but a social one, Hedva argues that under capitalism—a system that limits our worth to the productivity of our bodies—we must reach for the revolutionary act of caring for ourselves and others.

Celebrated author and artist A. Kendra Greene’s No Less Strange or Wonderful is a brilliant and generous meditation—on the complex wonder of being alive, on how to pay attention to even the tiniest (sometimes strangest) details that glitter with insight, whimsy, and deep humanity, if only we’d really look. In twenty-six sparkling essays, Greene is trying to make sense—of anything, really—but especially the things that matter most in life: love, connection, death, grief, the universe, meaning, nothingness, and everythingness.

Thoreau gives an account of three canoe and hiking journeys - by himself and with others - through the mostly uninhabited forests of Maine in the 1850s. Identifying birds, trees and plants by their botanical as well as their common names, he also records the Indian names of lakes, rivers and plants. He investigates the connections between waterways and trails, and provides detail on camping, fishing and hunting in the woods, using whatever is at hand. Extolling the beauty of the wilds that he encounters, Thorough’s narrative is also imbued with elements of his philosophy.

“IT ALL STARTED WITH MY BALLS.” So begins Colm Tóibín’s fabulously compelling essay, laced with humor, about his diagnosis and treatment for cancer. Tóibín survives, but he has entered, as he says, “the age of one ball.” Tóibín describes his education by priests, several of whom were condemned years later for abuse. He writes about Irish history and literature, and about the long, tragic journey toward legal and social acceptance of homosexuality. A Guest at the Feast is both an intimate encounter with a creative artist and a glorious celebration of writing.

Exploring the relationship between Christianity and Zen, especially through his dialogue with the great Zen teacher D.T. Suzuki, the book makes an excellent introduction to a comparative study of these two traditions, as well as giving the listener a strong taste of the mature Merton. Never does one feel him losing his own faith; rather, one feels that faith getting deeply clarified and affirmed. Just as the body of "Zen" cannot be found by the scavengers, so too, Merton suggests, with the eternal truth of Christ.

One of the most highly acclaimed and best-selling authors of our time now gives us a book that charts the history of his own enchantment with story - from his own books to those of Blake, Milton, Dickens, and the Brothers Grimm, among others - and delves into the role of story in education, religion, and science. At once personal and wide-ranging, Daemon Voices is both a revelation of the writing mind and the methods of a great contemporary master and a fascinating exploration of storytelling itself.

Our homes are more than an assemblage of bricks and glass, wood and nails. They are the keepers of our childhood memories, our milestones, and heartaches. They evolve as we do. As a family grows and eventually retracts, a home can change hands and begin again. We are the chapters in the book of a house. From Erin Napier, coauthor with her husband, Ben, of their memoir Make Something Good Today, comes a collection of essays walking us through every room in her home, telling the story of a family’s life, of the days that made their home the place she longs for when she’s away.

Tracing a loose arc from Edwidge Danticat’s childhood to the COVID-19 pandemic and recent events in Haiti, the essays gathered in We’re Alone include personal narrative, reportage, and tributes to mentors and heroes such as Toni Morrison, Paule Marshall, Gabriel García Márquez, and James Baldwin that explore several abiding themes: environmental catastrophe, the traumas of colonialism, motherhood, and the complexities of resilience.

Nick Lansing and Susy Branch are young, attractive but impoverished New Yorkers. They are in love and decide to marry, but realise their chances of happiness are slim without the wealth and society that their more privileged friends take for granted. Nick and Susy agree to separate when either encounters a more eligible proposition.

Arguably the most celebrated and revered writer of our time now gives us a new nonfiction collection - a rich gathering of her essays, speeches, and meditations on society, culture, and art, spanning four decades.

Bestselling true-crime master Harold Schechter explores the real-life headline-making psychos, serial murderers, thrill-hungry couples, and lady-killers who inspired a century of classic films.

New York Times best-selling author and star of 2 Dope Queens Phoebe Robinson is back with a new, hilarious, and timely essay collection on gender, race, dating, and the Dumpster fire that is our world. Written in her trademark unfiltered and witty style, Robinson's latest collection is a call to arms. Outfitted with on-point pop culture references, these essays tackle a wide range of topics: giving feminism a tough-love talk on intersectionality, telling society's beauty standards to kick rocks, and calling foul on our culture's obsession with work.

The crônica, a literary genre peculiar to Brazilian newspapers, allows writers, or even soccer stars, to address a wide readership on any theme they like. Chatty, mystical, intimate, flirtatious, and revelatory, Clarice Lispector’s pieces for the Saturday edition of Rio’s leading paper, the Jornal do Brasil, from 1967 to 1973, take the forms of memories, essays, aphorisms, and serialized stories. Endlessly delightful, her insights make one sit up and think, whether about children or social ills or pets or society women or the business of writing or love.

Wonderbook has become the definitive guide to writing science fiction and fantasy by offering an accessible, example-rich approach that emphasizes the importance of playfulness as well as pragmatism. The book features sidebars and essays from some of the biggest names working in the field today, including George R. R. Martin, Lev Grossman, Neil Gaiman, Michael Moorcock, and Karen Joy Fowler. For the fifth anniversary of the original publication, Jeff VanderMeer has added writing exercises, creating the ultimate volume of inspiring advice.

Chicken Soup for the Soul has gathered some great storytellers to document the mishaps and misadventures of everyday life and celebrate humanity’s ability to laugh at itself. There’s no holding back in this book, so prepare for lots of good, clean (and not so clean) fun. This is storytelling at its funniest! No one is safe in these true stories—from spouses to parents to children to colleagues to friends. And the funniest stories are the ones about the writers’ own mishaps and most embarrassing moments.

Before Garrison Keillor and Spalding Gray there was Jean Shepherd: a master monologist and writer who spun the materials of his all-American childhood into immensely resonant—and utterly hilarious—works of comic art. In God We Trust: All Others Pay Cash represents one of the peaks of his achievement, a compound of irony, affection, and perfect detail that speaks across generations. In God We Trust, Shepherd's wildly witty reunion with his Indiana hometown, disproves the adage “You can never go back.”

High heels, movie deals, wagon wheels, shoes, reviews, having the blues, builders, babies, families and other calamities.... Many think that Marian Keyes leads a glitzy life of limos, television, and showbiz parties - but she would argue that she spends the majority of her life writing alone, wearing her PJs, and eating bananas with a laptop on a pillow in front of her. Under the Duvet is a wide collection of her journalism and stories - all personal, closely observed, and painfully funny.

Not everyone has to be dragged kicking and screaming through adulthood. Dave Barry will help through this process - with his hilarious takes on parenting, changing self-image, the battle of the sexes, technology, health care, celebrityhood, and even vampires!